Eleven stories focus on the terror-inducing, mindless violence that can erupt even in calmest suburbia, particularly when marriage becomes a sinister state of loathing and infidelity
Julian Gustave Symons is primarily remembered as a master of the art of crime writing. However, in his eighty-two years he produced an enormously varied body of work. Social and military history, biography and criticism were all subjects he touched upon with remarkable success, and he held a distinguished reputation in each field.
His novels were consistently highly individual and expertly crafted, raising him above other crime writers of his day. It is for this that he was awarded various prizes, and, in 1982, named as Grand Master of the Mystery Writers of America - an honour accorded to only three other English writers before him: Graham Greene, Eric Ambler and Daphne Du Maurier. He succeeded Agatha Christie as the president of Britain's Detection Club, a position he held from 1976 to 1985, and in 1990 he was awarded the Cartier Diamond Dagger from the British Crime Writer.
Symons held a number of positions prior to becoming a full-time writer including secretary to an engineering company and advertising copywriter and executive. It was after the end of World War II that he became a free-lance writer and book reviewer and from 1946 to 1956 he wrote a weekly column entitled "Life, People - and Books" for the Manchester Evening News. During the 1950s he was also a regular contributor to Tribune, a left-wing weekly, serving as its literary editor.
He founded and edited 'Twentieth Century Verse', an important little magazine that flourished from 1937 to 1939 and he introduced many young English poets to the public. He has also published two volumes of his own poetry entitled 'Confusions about X', 1939, and 'The Second Man', 1944.
He wrote hie first detective novel, 'The Immaterial Murder Case', long before it was first published in 1945 and this was followed in 1947 by a rare volume entitled 'A Man Called Jones' that features for the first time Inspector Bland, who also appeared in Bland Beginning.
These novles were followed by a whole host of detective novels and he has also written many short stories that were regularly published in Ellery Queen's Mystery Magazine. In additin there are two British paperback collections of his short stories, Murder! Murder! and Francis Quarles Investigates, which were published in 1961 and 1965 resepctively.
2 1/2 stars. You can definitely see how he is a break with the tradition of the Golden Age of Mystery. Many others were doing the same after the way but he is perhaps the most famous.
11 Short stories by Symons. All very interesting and well crafted, centering on the violence that can erupt in even the most unlikely situations. I recommend this as well as "The Broken Penny".
"I am a boiler. A boiler is a mean little sneak. A boiler's nose is full of snot. He can't tie his own shoelaces. A boiler fails in everything he tries. A boiler stinks. I am a boiler..."
The Tigers of Subtopia and Other Stories is a collection of short works by Julian Symons from the period between 1965 and 1982. Symons, one of the most prominent British crime writers of the second half of the 20th century, was a "serious" author too, but obviously his works in literary criticism, history, and poetry are not what he is known for. All eleven stories in this collection are interesting and compulsively readable, but the readers who are looking for straight mystery/crime stuff may be disappointed, except for the last four items. In fact, several stories have no significant "crime component", and they are the better for that.
My favorites are four stories remarkable for their dark mood, seriously disturbing overtones, and subtle intimations of bad things about to happen. The title story, about supposedly peaceful suburban ("subtopian") life, is perhaps the most powerful. It is a cynical, bitter, slightly exaggerated yet still psychologically plausible tale of crime and incommensurate punishment, where the "bad guys" become victims of the "good guys", who become criminals. The story might as well be titled "Lynching in Subtopia". Somebody Else, which refers to the tale of Pelleas and Melisande, is equally unsettling and contains a wonderful passage that describes an anonymous, ambiguous, and vaguely sexual activity. The Boiler is an outright nasty story, strong and psychologically convincing, one that leaves the reader with bitter sadness about the human species. The Murderer - equally dark in its tone as the title story - shows how the entire structure of human personality can be irrevocably destroyed in a single moment.
The remaining stories are more straightforward representatives of the crime/mystery genre: some deal with the so-called perfect crime, others dazzle the reader with extreme and totally unexpected twists and turns of plot. Thus I have not found them very interesting, perhaps except for A Theme for Hyacinth about the oh-so-common delusion of a 50-year-old man who thinks that a young woman is having a torrid affair with him because she finds him interesting. The man's awakening from his fantasy is portrayed with painful bluntness, and the quote from Wallace Stevens's poem Le Monocle de mon Oncle is an added bonus.
The stories are clearly better than run-of-the-mill mystery/crime fiction: the nastiness of ordinary people is shown with some depth.
The tigers of subtopia (aka The tiger's stripe)-- The dupe --3 Somebody else -- The flowers that bloom in the spring --3 *The boiler -- *The murderer -- A theme for Hyacinth --3 The last time -- *The flaw -- *Love affair -- The best chess player in the world --