Reichert attempts to fill a provocative gap in media studies by giving us a history of sex in marketing. While the Duke University catalogue came in handy for much of the subject, the enterprising Reichert nonetheless brings a limited view to the table. We see the usual suspects such as tobacco, alcoholic (and non-alcoholic) beverages, and of course clothing. toiletries, fragrances, and cosmetics. We see the rise from tame verbiage in product copy to the overt use of nude female and male models to draw attention. Reichert does provide a good deal of information about the advertisers intended audience. But the subject is much wider and not limited to American products. The author could have mentioned the fine examples of Parisian broadsides made by Alphonse Mucha for Job rolling papers. Little emphasis is placed on radio, jingles, film posters and trailers, music videos, or tools (the Ridgid Tool Girl calendars have been available for decades). Let's not forget political ads and wartime propaganda. Yes, even governments and NGOs use sex in marketing policy (think of the Red Cross posters of nurses with outstretched arms). Despite the "titillating" subject matter (a word Reichert uses often), I could not finish this book.