For the past ten years, Nancy MacKay’s Curating Oral Histories (2006) has been the one-stop shop for librarians, curators, program administrators, and project managers who are involved in turning an oral history interview into a primary research document, available for use in a repository. In this new and greatly expanded edition, MacKay uses the life cycle model to map out an expanded concept of curation, beginning with planning an oral history project and ending with access and use. The readers, step by step, on how to make the oral history “archive ready”;-offers strategies for archiving, preserving, and presenting interviews in a digital environment;-includes comprehensive updates on technology, legal and ethical issues, oral history on the Internet, cataloging, copyright, and backlogs.
What a surprise. This is a fascinating and profoundly useful book for archivists, librarians and oral history researchers. It offers a 'how to' guide to preserve oral history collections. There is strong attention to the audience for the materials and cataloguing. I was very impressed by the handling of digitization and metadata. This is also a find guide for scholars to read when understanding the responsibilities for dissemination of oral historiography.
The book is really written in two parts. Pages 1-89 offer a fine overview and guide through the handling of oral testimony and collections. The Appendix section is also very useful for perhaps an even wider audience.
While commencing with profiles of oral history programmes, Appendix B is an absolute ripper. It presents sample forms for archive administration, legal issues, transcribing, cataloguing and preservation. It is incredibly useful to have template forms presented in this way.
Appendix C is the glossary and because of the attention to digitization and platform management, it is a fine guide particularly through metadata schemes for archivists.
This is a fine book for oral history programmes and library and information management. A pleasure to read.
Four stars is a lot to give a practical manual, and I wouldn't recommend this for its entertainment value. But, it has the advantage of being well-organized and extremely useful. This will be of more value as a reference work to librarians and archivists than the (admittedly great) Doing Oral History: A Practical Guide, and it probably should be read by historians and managers of organizations thinking about oral history as well, to give a more realistic view of what is really required. Oral history is an ongoing commitment of resources for curation, and should never be entered into lightly. It is also a wonderfully valuable resource, and books like this increase the probability of its being done right, which is worth its slender weight in gold.
I am the author of this book and would be delighted to hear from readers about your own experience curating oral histories, what was helpful about the book, and what was not. I am working on a revised edition of Curating Oral Histories and will expand the content a great deal.
A short (80-page) overview of key concepts in accessioning, processing, preserving, and providing access to oral history collections, followed by the meat of the matter: case studies, example documentation (forms, workflows, protocols, checklists) and a glossary. Fine as a quick introduction but would be much more useful as a reference work for project planning.