We visisted Orkney recently and the little chapel built from very unpromising materials by Italian PoWs is certainly a memorable sight. I was rather surprised that it plays a relatively minor role in this narrative, which is split between the experiences of Emilio, one of the PoWs on Orkney and his fiancee Rosa, left behind in Northern Italy. It is really a story of how wars change people, and relationships, and the difficulty of keeping a love affair going after many eventful years apart.
There are passages of great beauty describing the Orcadian landscape and slowly the narrative draws you in. Rosa's experiences turn out to be more violent and traumatic than Emilio's, as she becomes inlolved with the partisans in Italy and has to make some very difficult choices under Nazi occupation. The scene dealing with the brief, unofficial return of her brother from the war is particularly moving. I liked the idea that the Madonna in the chapel reflects the uncertainties Emilio has about himself and Rosa, and for that reason she feels uncomfortable when she actually sees it. Kirsten McKenzie has the gift of picking out a simple incident and investing it with righ emotional meanings. The olive tree Emilio plants, surviving the Orkney climate, albeit in a stunted form, against all the odds. Also, the encounter of Bernardo, Emilio's troubled comrade, with a local woman and his sense of kindness and goodness radiating from her - little things like this are beautifully conveyed, and the way they help the characters to keep hope and their ideals alive.
But I would have liked more detail of the chapel. Possibly McKenzie felt constrained by the awareness that she was writing about real people, some of them still living - they are lightly fictionalized but it still feels somewhat intrusive. However, the fact that the story doesn't quite deliver as an account of the building of the chapel should not detract from the fact that it is a very good novel of the Second World War.