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The New Oxford Companion to Music: Volume 1: A-J, Volume 2: K-Z
This complete encyclopedia encompasses music of all kinds from ancient times to the present day. Written by a team of 90 expert contributors, these 6,600 articles cover composers, and individual works; musical instruments; opera; music of different countries; Medieval, Renaissance, Baroque, Classical, Romantic, Jazz, and popular music; definitions of musical terms; rudiments and theory of music; and standard forms and genres.
1007 pages, Hardcover
Published January 1, 1983
About the author
Denis Arnold
42 booksFor the author on business ethics, see: Denis G. Arnold
Denis Midgley Arnold, CBE (Sheffield, 15 December 1926 – Budapest, 28 April 1986) was a British musicologist. After being employed in the extramural department of The Queen's University, Belfast, he became a Lecturer in Music at the University of Hull, and from 1969 to 1975 was Professor of Music at The University of Nottingham. From 1975 he was Heather Professor of Music at Oxford University. He served as editor of Music & Letters. He is best known for his editing of The New Oxford Companion to Music (1983, Oxford University Press), which under his editorship grew to a two-volume work of some 2000 pages, with a broader coverage than Percy Scholes' original; and for his work on the music of Monteverdi, Marenzio and Giovanni Gabrieli. A frequent broadcaster, he also reviewed a great many recordings (mostly in the field of Renaissance music) for Gramophone.
Source: Amazon
Denis Midgley Arnold, CBE (Sheffield, 15 December 1926 – Budapest, 28 April 1986) was a British musicologist. After being employed in the extramural department of The Queen's University, Belfast, he became a Lecturer in Music at the University of Hull, and from 1969 to 1975 was Professor of Music at The University of Nottingham. From 1975 he was Heather Professor of Music at Oxford University. He served as editor of Music & Letters. He is best known for his editing of The New Oxford Companion to Music (1983, Oxford University Press), which under his editorship grew to a two-volume work of some 2000 pages, with a broader coverage than Percy Scholes' original; and for his work on the music of Monteverdi, Marenzio and Giovanni Gabrieli. A frequent broadcaster, he also reviewed a great many recordings (mostly in the field of Renaissance music) for Gramophone.
Source: Amazon
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