This is the third novel in the Red Sonja novel series, one I read in two days. A good quick read, nicely paced, almost familiar feeling thanks to having this year read the first two novels in the series. Many of the things I found in the first two novels – a sorcerer type opponent, often off screen, a primary and a secondary villain, a few monsters, soldier allies who come to respect Red Sonja’s warrior and leadership skills, lots of sword fights, and a character Red Sonja acts as a catalyst of growth for – are all present in _When Hell Laughs_. They differ in the particulars of course (Tias, a young woman in _Ring of Ikribu_ and Tiamu, another young woman, in _Demon Night_, are swapped out for a middle aged man with a great deal of self-doubt, a character named Desmos, a noble who befriends Sonja early on and in turn Sonja takes under her wing, not just protecting him but shaping into a warrior or whatever he needs to be).
The story has a prologue section of sorts, not going straight into the action but showing the big bad of the novel, a sorcerer named Athu who basically sells his soul to an old god named Ordru. Athu we find is exiled to a penal colony island, used by the Aquilonian empire and called Os Harku, the Isle of Ill Harbor, on the Shirki River. The other big bad, the secondary big bad, on the Isle is Urdus, the warlord leader of the main tribe on the island, described as a giant of the man (working in an uneasy alliance with Athu).
Sonja enters the picture when the pleasure barge she is traveling with Desmos gets shipwrecked on the shores of the Isle, with the crew soon captured by Urdus men. To say much more is to enter spoiler territory, but it does revolve around different villain goals, with Urdus and Athu wanting entirely different things (Athu’s goals involving summoning an ancient evil to at least be a regional threat) and a rescue/punishment mission sent by the Aquilonians.
Quite a big cast. In addition to Urdus, Athu, and Desmos we get Aliel (sort of a girlfriend to Urdus who appears to tolerate her more than really like her, one who sort of forms a love triangle with Athu and does add an interesting element), Betos (Desmos’ brother, who as a judge exiled to the Isle, not really well developed other than as a foe and for Desmos’ character development), Tio (captain of the vessel Sonja starts the novel off on, the _Niros_), Otos (a prisoner on the island who breaks away from Urdus later in the book and forms a separate group), and Captain Hubarthis (leader of the soldiers sent to the Isle to deal with the convicts, who appears later in the book and gets a surprising amount of analysis). At times, as in the first two novels, Sonja isn’t present for page after page as the action revolves around other characters, though unlike in _Ring of Ikribu_ the sorcerer isn’t offscreen quite as much.
Other notes, I liked the giant monster we get at the end of the book, that was neat and some well-written combat that didn’t get resolved with pure physical force or combat. I liked the coaching Sonja did for Desmos as well as their tender but not sexual relationship. The book was a bit gorier and with combat described in more detail than the first two novels in the series. More references to real world historical elements than I remember for the first two novels (the Picts are mentioned once and Ymir is invoked multiple times, Ymir being a figure in Norse mythology). Only one real monster but we do get some dangerous wildlife (serpents and crocodiles). As in _Demon Night_ some oddly specific description of a song bird (and this time the bird is a minor plot element instead of just local color). We get a story of the origins of Red Sonja’s armor (it had its origin in a Hyrkanian’s efforts to humiliate Sonja but instead Sonja continuing to wear it as a point of pride). This famous costume Sonja also loses fairly early on in the book in a fight on a ship, perhaps rather improbably:
“And still Sonja was pulled back. She struggled desperately and her mail halter, its clasp bursting from the strain, dropped free and clattered to the boards. The air was suddenly cool on her freed breasts.”
A few paragraphs later:
“The rogue screamed, missing the knife – but as Sonja squirmed away he took her mail-skirt with him, even as his hands froze and his breath rattled to final silence.”
So yeah, not Tolkien and definitely fan service if you are the fan that is into that. She does fight the rest of the scene and escape “[n]aked but for her sword-belt, knives and Nemedian boots” but doesn’t stay nude long. Amazingly, she is still able to give commands and be respected by her traveling companions and friends (after being surprised at seeing her). Also amazingly, no one takes advantage of this (I mean people continue to attack her in combat with swords and daggers but they were already doing that and it didn’t seem personal; they are bad guys attacking everyone). Also the authors didn’t really linger on describing her in this state either, mostly on the shocked reactions of people seeing her.
That aside, there is only one mild love making scene later in the book and it doesn’t involve Sonja at all nor is she anywhere nearby.
Complaints, the cast might have been too big and Sonja still isn’t really the main part of killing the two main bad guys (with again one of them dying without Sonja anywhere near by and having little to do with it). Many scenes did not include her at all and I find it curious that the book doesn’t revolve around her more. Most of the novel is set on the Isle and it was important that the positions of different parties (I think at one time there were four groups) be known but except for one geographic feature, Swordskull, it was hard to get a sense of distinctive areas to the island, just rocks and trees and swamp/forest with of course a shore.
Not bad. I think if you are reading the series you know at this point what you are getting into.