Bibliophile, scholar, founder of what would become the Warburg Institute, Aby Warburg (1866-1929) ranks as one of the most original and brilliant art historians of this century. Warburg looked beyond iconography to more psychological aspects of artistic creation, and in particular he contemplated the meaning of the re-use of ancient motifs. His scholarship--published in German in 1932 in two volumes encompassing all of his published essays along with manuscript notes in his working copies--has had a crucial influence on the work of twentieth-century art historians. Now, with the publication of this new translation of The Renewal of Pagan Antiquity , these seminal volumes are available in their entirety in English for the first time.
Aby Moritz Warburg, better known as Aby Warburg, was a German art historian and cultural theorist who founded the Kulturwissenschaftliche Bibliothek Warburg (Library for Cultural Studies), a private library, which was later moved to the Warburg Institute, London. At the heart of his research was the legacy of the classical world, and the transmission of classical representation, in the most varied areas of Western culture through to the Renaissance. Warburg described himself as: "Amburghese di cuore, ebreo di sangue, d'anima Fiorentino" ('Hamburger at heart, Jew by blood, Florentine in spirit').
Don't even think about writing about art ever if you haven't read Warburg's seminal essays. It puts all the current Cultural Studies writers to shame, and I'm not even speaking about all these ridiculous Critical Studies programs. Favorite essay is the one on International Astrology.
An entertaining and scholarly primary resource for details regarding Botticelli's "Primavera" and "Birth of Venus" and Angelo Poliziano's influence on him....
I want to preface this by saying I am not someone who is interested in art history, and the notes I wrote on this were quite sparse, but my response to the readings revolving this particular essay was centered around the period this art was set in and how the beliefs of this time period (namely astrology) influenced the way people looked at art as well as the type of art they made. Much of our class (and my own final projects for this class) revolved around the transitional period of the Late Roman era where a gradual shift from paganism/astrology to Christianity was seen. I definitely recommend this for people interested in art, because it wasn't a fun read for me, but there could be some intrigue in this if you are into history, especially of the theological sort or involving this time period.