From the global bestselling author of Moonflower Murders and Close to Death comes an unputdownable new mystery in the Hawthorne and Horowitz series.
‘Easily the greatest of our crime writers’ Sunday Times 'Nobody does this crime fiction better than Anthony Horowitz’ Crime Time FM 'Anthony Horowitz is a national treasure' Ragnar Jónasson
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The Word is Murder, the first book in the Hawthorne series, is about to be made into a major feature film.
The actors have been cast, the script written, and filming has already started in Hastings.
But when Hawthorne and Anthony visit the set, they find a far from happy family.
The director’s pretentious, the screenwriter’s an eco-warrior, the two stars hate each other, and the producer has run out of money.
And things are about to get much, much worse.
In the middle of shooting, the actor playing Hawthorne is stabbed – which leaves the real Hawthorne with no choice. He has to step in and investigate his own murder.
Because the killer may not have got the right man. Was it Hawthorne himself who was meant to be the target?
A Deadly Episode is a wild ride through a world that the author knows only too well, and the most personal case Hawthorne has had to deal with so far.
Anthony Horowitz, OBE is ranked alongside Enid Blyton and Mark A. Cooper as "The most original and best spy-kids authors of the century." (New York Times). Anthony has been writing since the age of eight, and professionally since the age of twenty. In addition to the highly successful Alex Rider books, he is also the writer and creator of award winning detective series Foyle’s War, and more recently event drama Collision, among his other television works he has written episodes for Poirot, Murder in Mind, Midsomer Murders and Murder Most Horrid. Anthony became patron to East Anglia Children’s Hospices in 2009.
On 19 January 2011, the estate of Arthur Conan Doyle announced that Horowitz was to be the writer of a new Sherlock Holmes novel, the first such effort to receive an official endorsement from them and to be entitled the House of Silk.
If there is a better series of metafiction crime novels out there, I've yet to find it. A Deadly Episode, the sixth book in Anthony Horowitz's brilliant Hawthorne and Horowitz series, is a delight, brilliantly blending humour, mystery and a whole heap of self deprecation on the author's part, although the majority of it possibly doesn't fit that description quite so well given that his perceived failings are delivered lovingly(?) by his fictional(?) partner in crime solving, former Detective Daniel Hawthorne. It's strange to say, given that the entire series of books is based on Horowitz writing accounts of Hawthorne's prowess as a Private Investigator, but this is perhaps Hawthorne's most personal case yet, and certainly the closest that Anthony Horowitz, and we readers, come to learning the full truth of Hawthorne's past.
A Deadly Episode is about an investigation into a murder that occurs during the filming of an adaptation of 'The Word Is Murder', bookone in the series. So this is art imitating life, which is imitating art (a very liberal interpretation of an adaptation to say the least), which was an imitation (names changed etc) of life. Which may or may not be true - this is metafiction. We think. And as the victim in this case is the very man portraying Hawthorne, was the it 'Hawthorne', the actor, aka David Caine, or Hawthorne, the Detective and on set technical advisor, who was really the intended victim? Confused? Well, buckle up because there is so much more going on here and, despite it sounding confusing on paper, it is an absolute blast full of questionable characters, pretentious film type folk and all the humour, mystery and misdirection - often cause by Horowitz's confused, or perpetually two steps behind, state. And I loved it.
There are so many brilliantly observed characters in this book which not only parodies Anthony Horowitz's own work and life, but also the whole prospect of TV adaptations and the process in itself. I don't know whether or not the author has met people just like this over the course of his life, having spent a lot of time working on TV series over the years, but his witty observations of the various characters never fail to amuse. and his mirth is not just focused on the actors and various people in his life. Much of the joy comes in his first person narrative which never fails to mock his own personality and understanding, or lack thereof, when it comes to what is happening around him.
The banter between him and Hawthorne is pitch perfect as always, and Hawthorne always comes across as strangely enigmatic whilst completely charismatic. Conversely, most of the TV crowd come across as the type who would gladly stab each other in the back - oddly prophetic in the circumstances. David Caine is a rather objectionable character, the list of reasons why those around him may bear a grudge growing longer with each page turn. It could be literally anyone, it is that kind of book, and the mystery is maintained until the last. Those paying very close attention may twig it, but why rush? Enjoy the ride. It's worth it.
The story focuses not just on the murder of David Caine, but also a case over which Hawthorne has his greatest regret, bringing us and author Mr H, in close contact with some faces from Hawthorne's past. Whether this answers lingering questions about his past, or just brings up new ones you will have to judge for yourself, but it left me all the more intrigued and also a touch sad for the author given his desire to learn more about his friend, albeit from the point of view of someone who may or may not also be motivated by a small amount of curiosity and nosiness. It adds some menace to the story, but is strangely fitting in this story.
I love these books and tore through this one in no time. They're addictive and pacy, packed with laughs as well as some truly memorable characters you can both love and hate. Everything in this books points to there being still more to learn about our intrepid detective and his biographer, and I cannot wait for the next book. As to whether there is any scope for this series to ever make it to the screen, small or large ... Well, I'd love it but finding the perfect cast could be murder.
This is the newest book in the Hawthorne and Horowitz series. While I have not read all the books in the series, I LOVE what I read and it is one of my FAVORITE COZY MYSTERIES. These books always keep me questioning if Hawthorne is fictional or a real person. It does not help that the writer in the series is Anthony Horowitz and our author is the very same.
This book follows a format of the Magpie Murders series by the same author. So there is a mystery in a mystery. You get two in a book! Count me in! It is cozy and this novel gives you a peek into Hawthorne's past instead of him serving his sole role in solving a crime. In the main storyline, a film is being made. The Word is Murder, which is the first book in the Hawthorne Horowitz series is being adapted. But the script is terrible, the actors have some unexplained tension between them, funding situation is precarious. Then there is a murder!! The actor who plays Hawthorne, the detective, is murdered!
Someone from Hawthorne’s past appears in the local pub where the film is shooting. Anthony begins to suspect that maybe the detective was the target and not the actor, because the nameplate outside the room read 'Hawthorne' and not the actor's name. Then follows a trip to North Yorkshire, where we learn about Hawthorne’s first murder case as a private detective as well as about his mysterious past.
The sixth installment in the Horowitz and Hawthorne series might appeal to fans of the series more than to someone new to the series. If you love cozy mysteries, read them all!
Always a pleasure and an inspiration easy absorbing read i finished in two sittings. I love how in his protagonist - a version of AH himself - Horowitz has created someone who always misses the point. This one is more of a big standard whodunnit, but still a thoroughly enjoyable read Thanks to NetGalley for the ARC
How could poor Anthony Horowitz be treated so very shabbily?
I had intended, being lucky enough to be offered an ARC of this, the sixth outing of the Hawthorne and Horowitz series, to try and hold off reading it till a little closer to publication, but it proved impossible.
As soon as I discovered that this was to be set around a production filming the first of the Hawthorne and Horowitz books, The Word Is Murder, I decided to re-read that book before embarking on this, so my memory would be fresh, for any references to the book, as source material, in the account of the film.
Amusingly, before I had even started reading A Deadly Episode, I had been thinking about the TV adaptation of Horowitz’s other playful literary/crime series, involving book editor Susan Ryeland. I had musingly wondered how any dramatization of the Hawthorne Horowitz series could ever be done.
For the uninitiated Horowitz scrambles our minds by using quite a bit of his own literary oeuvre and life, in an unwilling partnership he embarks on, as the author of a series of books following the true crime solving exploits of a very maverick and secretive detective, Hawthorne. Who is of course, an invention by Anthony Horowitz, and in which series, Horowitz casts himself as an increasingly dangerously bumbling and crime victim prone John Watson to the brilliant and increasingly successful, charismatic private investigator Daniel Hawthorne's Sherlock Holmes
Devoted adherents to this marvellous series of book (as I am!) will note how far poor foolish Horowitz’s star has fallen, whilst Hawthorne’s has risen, remarkably. Now represented by Anthony Horowitz’s literary agent, even the financial deals made for the various books Horowitz has written around Hawthorne’s solvings favour the detective.
I found myself feeling remarkably sorry for poor Anthony, treated so shabbily by the film crew, his agent, and, indeed Hawthorne himself, on the set. Hawthorne is being played in the film of The Word Is Murder by a highly successful, charismatic and hot British stage, TV and film actor, on the verge of international stardom. Anthony Horowitz is being played by an actor who, though once seen as someone designed for stardom, had an unfortunate and very public moment of shame and humiliation, losing everything, career, reputation, marriage, and, even his sanity.
Confused? It’s all delicious, as of course it is Anthony Horowitz himself who messes so cleverly with his reader’s responses, it is he who humiliates his ‘Anthony Horowitz’ self and makes himself the butt of his own sly and mischievous jokes.
And now, it is time to go back again and proceed with re-reading books 2-5 of the series. I do trust that Anthony Horowitz will be writing a 7th Hawthorne and Horowitz, as I think there are plenty more avenues still to explore……………
The Writer and the Detective are watching the “Writer” and the “Detective” on the set of a film based on a book by the Writer about the Detective. Shortly thereafter, the actor playing the “Detective” is brutally murdered and the Detective, Daniel Hawthorn, investigates accompanied by the Writer, Anthony Horowitz. As usual the questions are ‘Who killed him?’ and “Why?’. There are several candidates, the Producer, the Director, the Runner, the Agent and the Script Writer (not the same person as the Writer). However, there is a confounding factor. It is a convention on Film sets for the principal actors to have personal accommodation (a Winnebago in this case) and for this to be labelled with their character’s name, not their own. So it is possible that the murderer might have intended to kill Hawthorn, in which case there are innumerable suspects. There are many examples in literature of a Detective (e.g. Sherlock Holmes) being accompanied by a sort of amanuensis (e.g. Dr Watson), but in this book (and the previous five books in the series) the position of the latter is somewhat different. Anthony Horowitz is the actual writer of the book about a fictional detective, but also appears in the book as a fictional Writer who bases his books on the exploits of his co-existing Detective, i.e. the fictional Horowitz doesn’t invent stories he reports on events, whereas the real Horowitz actually invents stories – including “The Word Is Murder” the real book on which the fictional film is based. This takes us into the realm of Metafiction, which started as a sort of intellectual exercise, exposing the mechanics of fiction in an academic and/or philosophical way, but is used here as a ‘genre metafiction’ to enhance the detective fiction form, enlighten the narrative, and engage the reader, by providing an additional layer to the typical whodunnit complexity. Horowitz, the writer not the Writer, is a great writer and a plotting genius, of course, and this format makes reading the book even more entertaining than usual. I would like to thank NetGalley, the publishers and the author for providing me with a draft proof copy for the purpose of this review.
A producer has decided to film one of Anthony Horowitz's books about the private detective Daniel Hawthorne in Hastings with Anthony and Daniel as consultants. The director has chosen to bring in an external screenwriter who has some unusual ideas, thinking the detective story (about a woman who hits two young children while driving) is the least interesting part of the book and showcasing her own political beliefs.
From the start it appears that the actor playing Hawthorne is almost universally disliked. He has slept with several of the people on set, had the runner fired, treats the actor playing Anthony with contempt, and ignores the director's instructions. Frankly it's no surprise to anyone when he is found murdered, by a sharp Japanese knife in the back of the neck. The Hastings police are not familiar with murder investigations and invite Hawthorne to assist on the case.
I haven't read any of the preceding five books in this series, but I very much enjoyed reading The Marble Hall Murders by the same author earlier this year so I decided to request an ARC when I sat this on NetGalley. This was an odd book for me. A book written by an author which features himself as a character, who is himself being played by an actor in a film about a fictional book which the author is supposed to have written *breathe*.
Horowitz appears to be the bumbling Holmes to Hawthorne's Sherlock, he misses lots of clues, gets the wrong end of the stick, and is being played as an overweight greasy-looking scruff in comparison to the movie star good looks of the actor playing Hawthorne. Generally I am not a fan of Sherlock Holmes (in any of his written or film/TV adaption guises), I find the 'telling' rather than showing (because only he sees the clues) rather wearing. However, I rather enjoyed this, there was a logic to Hawthorne's deductions and most of them weren't too hard to see (in retrospect). I would definitely read more in this series, particularly when they are set in parts of the world that I know.
I received an ARC from the publisher via NetGalley.
Anthony Horowitz’s A Deadly Episode is the sixth entry in the Hawthorne and Horowitz series, marking a return to form after the disappointment of Close to Death, which saw Hawthorne and Horowitz separated for much of the narrative. The story takes place during the filming of The Word is Murder, based on the first book in the series, when the actor portraying Hawthorne is murdered. The investigation, led by both the real Hawthorne and Horowitz, uncovers a possible link to a past case of Hawthorne's, leading to the question: was the intended victim the actor or the real detective?
Horowitz continues to deliver a traditional mystery with a few modern twists. The plot offers a solid collection of suspects, from egotistical directors to feuding actors and a money-strapped producer. The pace is comfortably old-fashioned, making it a refreshing change from today’s fast-paced thrillers. The blend of mystery and meta-humour adds charm, with the story-within-a-story structure keeping things fresh, while the evolving tension between Hawthorne and Horowitz deepens the intrigue.
The dual murders may seem far-fetched, but the series’ playful homage to classic detective fiction, particularly Agatha Christie, ensures that the charm of the mystery remains intact. While the final reveal may not be the most stunning, the clever pacing and satisfying conclusion make for an enjoyable read.
A Deadly Episode is another solid entry in the series. While not groundbreaking, it offers a fun, engaging mystery with a bit more insight into Hawthorne’s mysterious past, setting up enticing possibilities for future books. Fans of the series will appreciate the character development, while newcomers can enjoy it as a standalone.
Thanks to NetGalley, Random House/Cornerstone and the author for an advance copy.
This is the sixth Horowitz and Hawthorne detective /crime story and as ever this is a roller coaster of red herrings, logic , conundrums and more clues to the background of Hawthorne.
This new story feels like we are entering the multiverse or at least some wonderfully surreal Escher piece of art- as this new story takes us into the filming of the first book of the series- The Word is Murder. When the actor playing Hawthorne is murdered- with a cast of potential suspects- this becomes classic whodunnit territory but Mr Horowitz keeps us on our toes by drawing on Hawthorne's past and intertwining this with the movie set crime. Could Hawthorne actually been the intended victim?
Sometimes it's a case of reminding yourself that this is the 'real" Anthony Horowitz writing about a fictional self and then finding a fictional actor playing his fictional self - bizarrely magical.
A great plot - a victim who has shown his spite and dark side to many and it's a case of unpicking the clues to reach the conclusion( they are all there)
As in previous books in this series, there are moments of brilliant dialogue and sharp wit. Hawthorne pushes us to the limits - is he likeable ? He certainly treats Horowitz with an element of disdain?
If you have enjoyed the previous books then you will certainly love this new addition to the series. Anthony Horowitz- the real author- is the consummate storyteller and every book is always a treat .
Highly recommended to lovers of good crime fiction ( even if Hawthorne can drive us mad ! ) Another winner - no question - or is that another deadly winning episode 😊
Thank you to Century books and Netgalley for the advance copy for an honest review
Thank you to NetGalley and Cornerstone for an advanced copy in exchange for a review.
The 6th instalment of the Hawthorne series is finally here!
Whilst I think enough is explained to enjoy this as a standalone story, there are spoilers for the first book and there’s such rich character development across the series that I would highly recommend reading them in order to get the most enjoyment!
This was another really clever, funny and entertaining story - well, two stories really!
In the main storyline, the first book in the series, The Word is Murder, is being made into a film. But when Anthony arrives on set, the script is terrible, the actors are unhappy and feuding, and the film has run out of money. Then, the actor playing Hawthorne is murdered!
When someone from Hawthorne’s past appears in the local pub where the film is shooting, it occurs to Anthony that perhaps the actor wasn’t the target, but Hawthorne himself.
As they take a trip to North Yorkshire, we flash back to the story of Hawthorne’s first murder case as a private detective, whilst Anthony learns a bit more about Hawthorne’s mysterious past.
As always with this series, I loved the sharp wit of Anthony and the deadpan sarcasm of Hawthorne. Their relationship is brilliant and the writing is so good. The plot was gripping, blending classic whodunnits with the hilarious concept of using a fictionalised version of the author as the main character, working with a complicated detective who he tries desperately to get to know!
I was just sad when it finished! I very much hope there will be another book as there is still a lot to learn about Hawthorne and his past.
A Deadly Episode, is the sixth book in the Hawthorne and Horowitz series by Anthony Horowitz. I really enjoy this clever series with its well thought out plots, excellent characters and perfect pacing. Anthony Horowitz and the enigmatic investigator Daniel Hawthorne are on set in Hastings, watching a film adaptation of their very first case being brought to life.
A cast of characters that instantly throw out suspicion, a pretentious director, an eco-warrior screenwriter, battling lead actors, and a producer with finance problems. dry. A clash of huge egos that will ultimately blow up. During a scene, the actor playing the “fictional” Hawthorne is stabbed and killed, forcing the real Hawthorne to investigate his own murder. The question is, which of the Hawthorne’s was the intended victim, actor or the real Hawthorne?
The story moves from the seaside of Hastings up to the rugged landscape of Yorkshire, where we learn more about Hawthorne’s secretive background, that until now has remained a mystery.
When you read an Anthony Horowitz novel you are almost guaranteed a clever, well written novel and that is certainly the case here. I really enjoy the two leading characters Hawthorne and Horowitz who continue to spar as they investigate the crime.
If you enjoy mysteries that are clever, self-aware, and deeply atmospheric, A Deadly Episode is for you.
I would like to thank both Netgalley and Random House UK for supplying a copy of this novel in exchange for an honest review.
Hawthorne is a very real person. He's had to face a great many challenges in his life. But you're trying to turn him into a character.
This latest in the Hawthorne & Horowitz series continues all the meta play but also imports some of the Magpie series structure as we have a story within the story, this time looking back at a case from Hawthorne's past.
Some of the best comedy comes from the film set where The Word is Murder is being filmed but the emotional heart lies with Anthony's investigations into Hawthorne himself. It's a fine line keeping Hawthorne enigmatic without losing our interest and the real authorial Horowitz walks it well.
Did the dual murders feel convincing? Not really - but the charm and fun of these books always relies on some of the artificiality of the classic Christie-esque genre which plays well into the hall of mirrors aspect of this series - hugely entertaining, as usual, and a tantalizing insight into the mystery of Hawthorne.
Many thanks to Random House, Cornerstone for an ARC via Netgalley
This is the sixth in the Hawthorne & Horowitz series. It is a series that I love and I am delighted to say that the latest in the series does not disappoint.
A film is being made of the first Hawthorne & Horowitz book. The conceit of this series is that Anthony Horowitz is himself, in this series, an author who writes books about the cases solved by Hawthorne. Hawthorne is something of a mysterious character, always slightly on top (getting a slightly better deal and a car sent to collect him, while poor Anthony has to catch the train) and with a past that Anthony Horowitz is keen to uncover.
When there is a murder on the film set, it leads to yet another case and - rather like Horowitz's 'Magpie Murders' crime series, there is a story within a story. I adore Horowitz as a crime writer - he is clever, his plots involved, his characters have depth, his dialogue humorous.
He is a delight to read and I am so pleased this is the first novel I have completed in 2026. It's a joy to have one of his novels the first of the year and I am indebted to NetGalley for a review copy so I could read this before publication. Highly recommended, although the series is best read in order.
Thank you to Harper and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on April 28th, 2026.
The sixth in The Hawthorne and Horowitz series (for newbies, the two main characters are the fictional Detective Hawthorne and the author himself. It can get kind of twisted in a brain that holds too firmly to reality). In this episode, the duo are involved in supporting a production company in making a movie out of the first book — The Word is Murder — when the actor playing Hawthorne is found stabbed in his trailer part way through filming.
A set of irritating and suspicious characters who all had ample reason to want the (thoroughly unpleasant) actor dead, a fair amount of hero worship for Hawthorne alongside a dismissive disinterest in poor Anthony (our real life author co-starring with his fictional detective), and a deeply rooted and surprisingly related mystery of Hawthorne’s past all give this story plenty of spice.
Horowitz’s books are always engaging and well-written with excellent pacing. This one adds some interesting inside scoops on movie making (which Horowitz knows about deeply through his work on Foyle’s War and Midsomer Murders). Good read.
This was a Publishers request and I was thrilled to be asked to review this upcoming book.
To begin with, I have to admit I found the story hard to "get into". There seemed to be too many characters, film production terms, and information to unpack at once. It took me a few chapters to figure it all out, but having read and enjoyed the author's previous books, and knowing their writing style, I pressed on.
Suddenly, I found my stride and began to understand what was happening. I began looking for clues, piecing information together and making some notes in my mind. As with the other Horowitz books, I was completely thrown when new information was uncovered. I love this about this author, and it's what makes the writing so engaging.
Things really got interesting in part two of the book, where we unexpectedly investigate one of our main characters. This was a brilliant turn, and I found it a very exciting addition to the story.
Once again, a fabulous offering from a wonderful writer and one that will hopefully become another TV drama as Magpie Murders and Moonflower Murders have in the past.
The Word is Murder, the first book in the Hawthorne series, is about to be made into a major feature film. The actors have been cast, the script written, and filming has already started in Hastings. But when Hawthorne and Anthony visit the set, they find a far from happy family. The director’s pretentious, the screenwriter’s an eco-warrior, the two stars hate each other, and the producer has run out of money. And things are about to get much, much worse.
In the middle of shooting, the actor playing Hawthorne is stabbed – which leaves the real Hawthorne with no choice. He has to step in and investigate his own murder. Because the killer may not have got the right man. Was it Hawthorne himself who was meant to be the target?
Another great book in the Hawthorne series and I think this is the best so far as it was so easy to get into and I was absorbed from page one. We get to find out more about the enigmatic Hawthorne due to a 'story within a story' and Horowitz is still setting himself up as a bit of a bumbling amateur who serves as a foil to his companion's genius. An excellent, entertaining read.
I would like to thank Net Galley for an ARC in exchange for an honest review.
Killer chemistry - 3.75*
I feel so lucky to receive an ARC of this book. I'm such a huge fan of Horowitz. This series' main selling point will always be the relationship between Hawthorne and Horowitz and the constant questioning - is this real or is this fiction? Even six books in, I'm still unsure of if this is real or if Horowitz is just a master of the mystery genre. Is Anthony 'Tony' Horowitz actually just the writer of this fiction or is this actually real? Who knows but it makes for some compelling mystery fiction!
I also would like to shoutout the new development in this book and I don't want to spoil it but as a HUGE fan of Sherlock Holmes, I'm loving the Moriarty vibes. I love an overarching storyline if it works and this definitely has me intrigued. I will hold back judgement to see if this can actually be developed into something or if it just becomes an overused trope.
As always, I am a fan of the actual mystery. I did NOT guess the murderer. I'm looking forward to book #7.
In a return to top form, Hawthorne and Horowitz are reunited when their first book together, “The Word is Murder,” is commissioned to be made into a film. The hapless Horowitz, as ever, gets the worst part of the deal, and the production is soon revealed to be somewhat less promising than it seemed, with events from their past experiences on a previous film causing conflict amongst the cast, director and screenwriter. When the actor playing Hawthorne is murdered, there is no shortage of suspects- but was it he, or the real Hawthorne, who was the intended target? As fiendishly twisting as ever, both this central murder and an old one that is resurrected during the investigation are intriguing and gripping. More of Hawthorne’s mysterious past is revealed, and the wry humour had me laughing out loud in places, particularly the actors considered for the main roles in the film. It would be best to have read the earlier books to get the full impact of this one, but anyone who hasn’t already is missing out on a treat and should do so immediately. A total pleasure.
A Deadly Episode is another smart and very enjoyable entry in the Hawthorne and Horowitz series.
This time, The Word Is Murder is being made into a film, and Horowitz and Hawthorne find themselves on set in Hastings just as things go badly wrong.
When a leading actor on set is killed, the real Hawthorne steps in to investigate, raising the question of whether he was the real target all along.
The mystery is clever and packed with suspects, helped by a film crew full of egos, grudges, and money problems. The meta angle is great fun, even if Horowitz is pushing it a little more this time around.
My only issue is Hawthorne himself, who felt more smug and dismissive than ever, making Horowitz’s fondness for him hard to understand. Maybe he sees something that just went over my head, who knows!
Still, the mystery works, the humor lands, and the series remains as enjoyable as ever.
You can always count on Anthony Horowitz to turn out an absolute cracker.
With thanks to NetGalley for the early copy in return for an honest review.
Filming has begun in Hastings on an adaption of Anthony Horowitz’s first book about his work with Hawthorne and both are on site. The murder of one of the lead actors during the production, however, leads them into a new investigation which takes them north to Yorkshire and further into Hawthorne’s mysterious past.
The Horowitz and Hawthorne books are some of my favourites and this, number six, is another sparkling entry in the series. Anthony Horowitz’s fictional version of himself, continually talked down to and insulted, is hilarious and the relationship between the two main characters keeps developing nicely with more detail being slowly unveiled.
As ever, the plot is twisty and entertaining and moves along at a pace that keeps you reading just one more chapter until you find you’ve finished the lot. Highly recommended but this is an absolutely fantastic series of books so if you’re new to them, go back to the start – you're in for a treat!
Thanks to Netgalley, the author and publisher for an advance copy in return for an honest review.
When I started reading A Deadly Episode, I didn’t realise it was the sixth book in a series, and I think that definitely affected my experience. While the story itself is a good one, I often felt a bit lost, especially when it came to keeping track of who was who and the existing relationships between characters. Because I hadn’t read the earlier books, some of the context felt missing. I also found the pacing a little slow at times, particularly in part one. That said, there were enjoyable moments throughout, and I found part two much more engaging than the first. The mystery picked up and held my interest more as the book progressed. I’m sure I would have enjoyed this book a lot more if I’d read the previous novels in the series first, but that’s entirely my mistake rather than a flaw in the book itself. I like Anthony Horowitz’s writing style and think it’s something I’d really enjoy when read in the correct order. I would recommend reading the earlier books in the series before this one, as I think that would make the experience far more rewarding.
This is the sixth in the Hawthorne and Horowitz series which I love and this one doesn't disappoint.
At the heart of the novels is the relationship between Hawthorne and Horowitz. It always feels as if the author (Horowitz) is having great fun presenting this stolid, rather dim Dr Watson version of himself set against the enigmatic talent of the Hawthorne (Holmes). The fictional Horowitz always wants to know more about Hawthorne's background which is one of the strands in this novel with a detailed crime within a crime story.
The main plot is focussed on a Christie-like murder that happens on a set where one of Hawthorne's previous cases is being filmed. The actor playing him is the corpse and there is some doubt as to whether it was him or the real detective who was the intended victim.
Playful, well-written and full of meta games this is a great read. Recommended and many thanks to Netgalley and the publisher for a review copy.
I’ve really enjoyed all the previous Hawthorne and Horowitz outings and was thrilled to be able to read an advance copy of this new one. It didn’t disappoint. There is plenty of intrigue and misdirection in the two (very loosely) linked murder plots but as always the main interest for me is the progression of the two main characters and the relationship between them. I love the way Horowitz writes his own character, witty and self-deprecating, and his wry depiction of the dynamics of the film industry made me smile. The Horowitz character’s fascination with the enigma that is Hawthorne and his early life continues and he unearths a few more intriguing facts – we still don’t have the whole story, though, and I hope this means there is another book to come. Can’t wait.
With thanks to Random House Cornerstone via NetGalley for the opportunity to read an ARC.
This is the sixth book in the Hawthorne and Horowitz series and it certainly came up to the standard of the previous five. It is a clever story playing on the investigating skills of these two very well . The pair are on a film set in Hastings ( shades of Foyle’s War ) watching the making of an adaptation of their first case. The plot thickens when a murder takes place and Hawthorne finds himself investigating the death of the actor who was playing Hawthorne on screen, surreal. The story moves on apace from Hastings to Yorkshire and there are plenty of twists and turns to keep the reader occupied. The characters are so well drawn and the plot lines are intriguing and very well crafted. All in all this is a worthy sequel in this series and long may there be many more.
I absolutely love this series of books following the strange relationship between Anthony Horowitz and Daniel Hawthorne and this book does not disappoint. It’s full of red herrings that really threw me off the scent of the real killer! This story has a dual timeline which revisits one of Hawthorne’s early cases which appears to be linked to a recent murder on a film set. Intriguing stuff! Great to find out a little more about the mysterious Hawthorne’s past which I hope will be explored more in future books (please, please let there be more!) I loved it! ⭐️⭐️⭐️⭐️⭐️
This was a very fun and interesting premise for the next instalment of the Hawthorne series. The book has all the things that work so well in the rest of the series, and delves further into the mystery surrounding Hawthorne while keeping it relevant to the current mystery.
I'd give this book 4.5 stars and would definitely recommend this book to others who've enjoyed the rest of the series, and highly recommend the series as a whole to those looking for a unique take on the murder mystery format. Thank you to NetGalley and the publisher for an e-arc of this novel, in exchange for an honest review.
This is the sixth book in the Hawthorne and Horowitz series and it is another enjoyable mystery. The real charm of these books are the moments of connection between the characters although it is obviously more of a one-sided relationship. I enjoyed the dual murders storyline and the way it intertwined created a very entertaining installment to this fabulous series.
Thank you to Netgalley and the publisher for this advance copy.
It was a good read as always, but this time I felt that there were way too many things left unsaid. Story felt somehow unfinished. I do appreciate that Hawthorne is a very mysterious character with little known about his past, but constantly facing dead ends in that part of the story is now getting a little frustrating. As by the time the next book is out you don't remember details of the previous ones clearly enough to make his storyline smooth and ongoing.
This latest instalment in the series is an entertaining enough read, with Horowitz’s familiar blend of literary in-jokes, metafictional playfulness and a neatly engineered mystery. The central premise is intriguing, and there is plenty to enjoy in the sharp dialogue and the author’s evident ease with the form.
That said, I found this one a little more difficult to get into than earlier books in the series. The opening takes time to settle, and some of the twists and turns feel more clever than convincing. While the plotting is busy and inventive, it does not always feel entirely natural, and the resolution lacks the satisfying inevitability that has marked Horowitz at his best.