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Beyond the Lesbian Vampire: Reclaiming the Violent Lesbian in Contemporary Queer Horror
A study of the rebirth and subversion of the violent lesbian trope in queer horror.
Beyond the Lesbian Vampire is a groundbreaking dive into the pervasive archetype of the violent lesbian in cinema. This book examines this historically problematic figure within cultural and cinematic imagination—from witch to vampire to murderer—and identifies her resurgence in seven critically acclaimed queer horror films of the late 2010s, including The Neon Demon (2016), Thelma (2017), Knife + Heart (2018), and The Perfection (2019). Each case study depicts multidimensional lesbian characters whose violence is theoretically more justifiable due to their narrative motives. In addition, this new iteration of the violent lesbian self-consciously references earlier portrayals, including her popular vampiric form, despite shedding her literal fangs. The combination of excessive citation alongside a meaningful narrative shift gestures towards a reclamation of the violent lesbian within queer horror.
The author weaves textual analysis and scholarly debates around assimilation and the legibility of lesbianism’s queerness to reveal the cultural salience of the violent lesbian and the fears and pleasures she evokes. Beyond the Lesbian Vampire is a vital contribution to lesbian studies, horror studies, queer studies, and feminist studies.
Beyond the Lesbian Vampire is a groundbreaking dive into the pervasive archetype of the violent lesbian in cinema. This book examines this historically problematic figure within cultural and cinematic imagination—from witch to vampire to murderer—and identifies her resurgence in seven critically acclaimed queer horror films of the late 2010s, including The Neon Demon (2016), Thelma (2017), Knife + Heart (2018), and The Perfection (2019). Each case study depicts multidimensional lesbian characters whose violence is theoretically more justifiable due to their narrative motives. In addition, this new iteration of the violent lesbian self-consciously references earlier portrayals, including her popular vampiric form, despite shedding her literal fangs. The combination of excessive citation alongside a meaningful narrative shift gestures towards a reclamation of the violent lesbian within queer horror.
The author weaves textual analysis and scholarly debates around assimilation and the legibility of lesbianism’s queerness to reveal the cultural salience of the violent lesbian and the fears and pleasures she evokes. Beyond the Lesbian Vampire is a vital contribution to lesbian studies, horror studies, queer studies, and feminist studies.
- GenresNonfictionQueerHorror
288 pages, Hardcover
Published October 24, 2025
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Displaying 1 - 2 of 2 reviews
August 27, 2025
Reviewing this in depth in Rue Morgue but I liked it!!! Very informative and a fascinating and well-researched deep dive on the evil lesbian trope in 2010’s horror cinema.
April 3, 2026
3'5
Reviewed this for Extrapolation magazine (pending publication ):)
A pretty decent study of the figure of the violent lesbian across contemporary cinema (especifically in between the years 2016-2019) and the turning point this symbolised for the figure in cinema to come. I'd say that this is a worthy pick-up both for those who are academics and those only interested in horror and its legacy on the silver screen. It's easy to read and the analysis the author performs is easy to follow, although a little repetitive at times and not as in depth in matters of gender and class as I would have liked it to be.
Reviewed this for Extrapolation magazine (pending publication ):)
A pretty decent study of the figure of the violent lesbian across contemporary cinema (especifically in between the years 2016-2019) and the turning point this symbolised for the figure in cinema to come. I'd say that this is a worthy pick-up both for those who are academics and those only interested in horror and its legacy on the silver screen. It's easy to read and the analysis the author performs is easy to follow, although a little repetitive at times and not as in depth in matters of gender and class as I would have liked it to be.
Displaying 1 - 2 of 2 reviews