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Murder by #5
Murder by Sacrilege
"Don't miss D.R. Meredith's High Plains mysteries. Delightful characters, vast Texas landscapes, dandy yarns."
TONY HILLERMAN
Nobody approved of the preacher's wife--a truck-stop waitress. But when she was found murdered and plunked in the Christmas nativity scene dressed as the Virgin Mary, well that's too much. John Llloyd Branson agrees to defend the seemingly guilty minister, but John Lloyd is stuck with a client who refuses to discuss his actions.
It will all lead to a spectacular courtoorm battle that pits the unflappable Branson against Amarillo's most formidable assistant D.A. And as the minister awaits his destiny, the murky secrets of the Church of the Holy Light are exposed to the bright light of day....
TONY HILLERMAN
Nobody approved of the preacher's wife--a truck-stop waitress. But when she was found murdered and plunked in the Christmas nativity scene dressed as the Virgin Mary, well that's too much. John Llloyd Branson agrees to defend the seemingly guilty minister, but John Lloyd is stuck with a client who refuses to discuss his actions.
It will all lead to a spectacular courtoorm battle that pits the unflappable Branson against Amarillo's most formidable assistant D.A. And as the minister awaits his destiny, the murky secrets of the Church of the Holy Light are exposed to the bright light of day....
45 pages, Mass Market Paperback
First published November 1, 1993
3 people are currently reading
34 people want to read
About the author
D.R. Meredith
33 books31 followers(from Fantastic Fiction online)
D.R. Meredith, Doris to friends and family, has a split personality--by day, she is a conservatively dressed legal secretary at her husband Mike's law firm. By night she turns into Mrs. Hyde dressed in jeans, flip-flops, and Texas Rangers tee shirt, and commits bloody murder.
She is now in double digits. In her fourth book in the Megan Clark mystery series, the 18th book of her career, D.R. Meredith has just committed her 35th murder.
"I usually average 2 murders a book, because one murder in a closed circle of suspects usually leads to another in the accepted Agatha Christie fashion. In TOME OF DEATH there are two murders, but they occur 150 years apart. I like linking the past and present and exploring the effect our past has on our present. I can't tell how I use the past without giving a broad hint to the killer's identity, but I will say that human beings don't change over time except in dress and customs. My Comanche warrior amateur sleuth isn't all that different in emotional feelings from modern paleopathologist Megan Clark, except Megan isn't into scalping."
D.R. Meredith, Doris to friends and family, has a split personality--by day, she is a conservatively dressed legal secretary at her husband Mike's law firm. By night she turns into Mrs. Hyde dressed in jeans, flip-flops, and Texas Rangers tee shirt, and commits bloody murder.
She is now in double digits. In her fourth book in the Megan Clark mystery series, the 18th book of her career, D.R. Meredith has just committed her 35th murder.
"I usually average 2 murders a book, because one murder in a closed circle of suspects usually leads to another in the accepted Agatha Christie fashion. In TOME OF DEATH there are two murders, but they occur 150 years apart. I like linking the past and present and exploring the effect our past has on our present. I can't tell how I use the past without giving a broad hint to the killer's identity, but I will say that human beings don't change over time except in dress and customs. My Comanche warrior amateur sleuth isn't all that different in emotional feelings from modern paleopathologist Megan Clark, except Megan isn't into scalping."
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Displaying 1 - 4 of 4 reviews
July 9, 2012
This is a review of all five books in the 'John Lloyd Branson' series
The John Lloyd Branson series, about an eccentric Texan attorney, was written by DR Meredith in 1988 and concluded with five books in 1993. This series was recommended to me by some crime-fiction aficionados on the Amazon discussion boards. Apparently the ‘John Lloyd Branson’ series is little-known, but hailed by the niche group of readers who live for all things crime-fiction. And I've got to say... I was impressed.
Each book starts with a crime, and the police officer who is on call to report it. In each instance that officer is Sergeant Larry Jenner of the Amarillo traffic police. Jenner is in his early thirties and happy to coast along as a traffic cop. But Ed Schroder, detective for the Special Crimes Unit, envisions great things for Sergeant Jenner... and in the first book Schroder takes the young cop under his wing (whether Jenner likes it or not.)
Meanwhile, in Canadian, twenty-four year old law student Lydia Fairchild is meeting John Lloyd Branson for the first time. Lydia has been assigned to understudy with the brilliant attorney on recommendation of her University Dean, but John Lloyd is not what Lydia expected. For one thing, John Lloyd is a southern gentlemen bordering on chauvinistic. He dresses like a riverboat gambler and his office is harks back to the Victorian era (though he’s 38 years-old). John Lloyd pushes all of Lydia’s buttons, and within a few minutes of meeting him she finds herself threatening to commit bodily harm on his person and cursing like a sailor... but John Lloyd seems to think theirs is a perfect partnership.
The mystery in each book varies greatly but with two consistencies; the first is that the murder is always the precipitating circumstance to bring all the characters together. The other constant is that each murder occurs in the Texas Panhandle; Schroder and Branson’s jurisdiction. Branson and Schroder investigate everything from prostitutes being killed by a Ripper serial killer, to a nasty divorce settlement that may have ended in poisoning. Branson investigates for his defence of the accused, while Schroder works to build the DA’s case.
Each book is a murder mystery, character exploration and family drama all rolled into one.
Branson and Schroder are the heavy-weights in their respective fields, and between them they leave no stone unturned. Character history is unravelled, eye-witnesses coaxed, last hours are played out and alternate suspects are sniffed out. In each book DR Meredith constructs a ‘whodunit’ mystery that is meticulous and brain-teasing. And there’s nothing in the technical crime-solving to hint that these novel’s were written in the late 80’s/early 90’s. Apart from a lack of mobile phones or mention of the Internet, there’s still forensic analysis and computer lab technology to placate crime-fiction connoisseurs.
I loved the narrative perspectives in each novel. Our two primary narrators are Lydia Fairchild and Sergeant Jenner. These two are navigating new partnerships with the ‘old-timers’ in their respective fields. For Jenner, he is partnered with Detective Schroder and unwittingly taken under the older policeman’s wing and taught how to defend the innocent and find the guilty party. Lydia Fairchild is likewise partnered with the best attorney in Texas (though to ask John Lloyd, he would say ‘the world’). Lydia is in her last year of law school and about to enter the courtroom arena, from John Lloyd she is learning about how to question witnesses, keep the police at a distance and uncover the truth away from prying eyes. I loved the contrast of old/new, up-and-coming versus old dogs. Just as Jenner and Fairchild are trying to figure out how their mentors tick, readers are likewise trying to keep up with these teachers.
But the absolute stand-out star of each novel (and the series overall) is without a doubt John Lloyd Branson. He’s a little bit of every witty curmudgeon, snobby intelligentsia and antihero hero that we love. I would liken him to Gregory House, Alan Shore and Sherlock Holmes... but with his own distinct style. He wears three-piece suits, boleros and Stetsons. He is a Southern gentleman through and through, but with a cut-throat sensibility. He doesn’t use contractions, and he prides himself on his manners. He is brilliant. And the best thing about John Lloyd Branson is that he is entirely believable. He opens his mouth and can cut a man down at twenty paces. He is *that* intellectually intimidating and sure of himself. But John Lloyd is only a man in his early thirties, and that comes across. John Lloyd has so much passion and fire, especially for the law and his role as an attorney, and when he talks about his responsibilities you know this is a man for whom the law is life, and his appreciation is infectious...
“You make it sound like a game, John Lloyd,” Lydia protested.
His hands tightened on the steering wheel and she suddenly noticed how strong his hands looked. He could wield a sword or a lance. And be totally merciless.
“What are games but life reduced to symbolic rituals? Trials are a symbolic re-enactment of the ancient practice of settling disputes by armed combat. Attorneys are champions chosen by each side to represent them on the field. We use statutes and case law rather than crude weapons, but we must use them just as skilfully. But my skill is useless if I cannot counter the thrust of my opponent’s sword because my limbs are bound and I lack freedom of movement.”
- ‘Murder by Impulse’ John Lloyd Branson #1
John Lloyd’s believable brilliance is not just in how other characters react to him either. It’s not a case of Schroder *saying* John Lloyd is clever and witty. It’s more a case of DR Meredith writing brilliantly acerbic dialogue for John Lloyd and perfecting his Southerly mannerisms. Still, it is hilarious to read character’s reactions to John Lloyd, and I think Schroder’s summary of his attorney reputation says it best;
“... you can figure we’ve caught the client with a smoking gun in his hand with his fingerprints on it, forty eyewitnesses, and video tapes taken by a passing TV cameraman. Not that it does us any good. John Lloyd Brandon will either prove the victim was stabbed, not shot, that the eyewitnesses were all legally blind, or that the video tape had been tampered with...”
- ‘Murder by Impulse’ John Lloyd Branson #1
Schroder and Branson have a wonderful dynamic. Schroder is perhaps the most mysterious character in the series, even more so than John Lloyd Branson. But we learn the most about Schroder’s character through his interactions with Branson. These two cowboys have been competing at the same rodeo for a few years now, and it shows. Every meeting between them feels like a cock fight and there’s lots of history, plenty of grudge but all tempered with a healthy dose of respect. Neither will admit it in front of the other, but spoken to Jenner and Fairchild we learn that Branson and Schroder acknowledge each other as being the best. These two push each other, compete with one another and have ended up being better for the competition.
Each novel is a murder-mystery of Machiavellian proportions, beautifully executed by DR Meredith’s talented pen. Whether John Lloyd Branson is posing as a sword-wielding pimp to uncover a serial murderer or Schroder is trying to get to the bottom of a deadly dinosaur... the mystery in each novel is superb. But what I responded to most of all (and much to my surprise) was the romance woven throughout...
From the get-go there’s definite heat and spark between Lydia and John Lloyd. Theirs is a slow-burn romance, since John Lloyd seems wholly aware of Lydia’s developing crush on him and hell-bent on preventing it. John Lloyd has secrets and a romantic past that impinge on his feelings for Lydia, which throughout five novels he is desperate to ignore. But John Lloyd can’t deny his feelings for long, or discreetly. Other characters remark on John Lloyd and Lydia’s dynamic and clear affection. Lydia herself is very honest in her feelings, and ruthless in her seduction. And the romance is made even greater by the pair’s push-and-pull dynamic. They trade verbal barbs one minute, and in the next John Lloyd is crushing Lydia to his side. It’s all very rollercoaster, and heart-palpitating.
“It is very difficult to kiss you when you are talking. I feel as if I am aiming for a moving target.”
“What?”
“It is your intention to kiss me, is it not? Since that activity is most rewarding when both parties participate, I intend to kiss you, also. Our decision is unwise, unprofessional, dangerously reckless, and one we shall undoubetedly both regret, but it is necessary.”
“Why?” she asked. If this were a dream, it beat the hell out of sea and sand and buccaneers.
“Thanksgiving,” he whispered. “That you are alive.”
- ‘Murder by Masquerade’ John Lloyd Branson #3
This series is superb. It is a crime-fiction delicacy to be savoured for its melt in your mouth brilliance. Everything comes together perfectly; the whodunit, the heroes and villains and an intimidating but brilliant protagonist to cut your teeth on. DR Meredith’s John Lloyd Branson series will go down as one of my all-time favourites.
The John Lloyd Branson series, about an eccentric Texan attorney, was written by DR Meredith in 1988 and concluded with five books in 1993. This series was recommended to me by some crime-fiction aficionados on the Amazon discussion boards. Apparently the ‘John Lloyd Branson’ series is little-known, but hailed by the niche group of readers who live for all things crime-fiction. And I've got to say... I was impressed.
Each book starts with a crime, and the police officer who is on call to report it. In each instance that officer is Sergeant Larry Jenner of the Amarillo traffic police. Jenner is in his early thirties and happy to coast along as a traffic cop. But Ed Schroder, detective for the Special Crimes Unit, envisions great things for Sergeant Jenner... and in the first book Schroder takes the young cop under his wing (whether Jenner likes it or not.)
Meanwhile, in Canadian, twenty-four year old law student Lydia Fairchild is meeting John Lloyd Branson for the first time. Lydia has been assigned to understudy with the brilliant attorney on recommendation of her University Dean, but John Lloyd is not what Lydia expected. For one thing, John Lloyd is a southern gentlemen bordering on chauvinistic. He dresses like a riverboat gambler and his office is harks back to the Victorian era (though he’s 38 years-old). John Lloyd pushes all of Lydia’s buttons, and within a few minutes of meeting him she finds herself threatening to commit bodily harm on his person and cursing like a sailor... but John Lloyd seems to think theirs is a perfect partnership.
The mystery in each book varies greatly but with two consistencies; the first is that the murder is always the precipitating circumstance to bring all the characters together. The other constant is that each murder occurs in the Texas Panhandle; Schroder and Branson’s jurisdiction. Branson and Schroder investigate everything from prostitutes being killed by a Ripper serial killer, to a nasty divorce settlement that may have ended in poisoning. Branson investigates for his defence of the accused, while Schroder works to build the DA’s case.
Each book is a murder mystery, character exploration and family drama all rolled into one.
Branson and Schroder are the heavy-weights in their respective fields, and between them they leave no stone unturned. Character history is unravelled, eye-witnesses coaxed, last hours are played out and alternate suspects are sniffed out. In each book DR Meredith constructs a ‘whodunit’ mystery that is meticulous and brain-teasing. And there’s nothing in the technical crime-solving to hint that these novel’s were written in the late 80’s/early 90’s. Apart from a lack of mobile phones or mention of the Internet, there’s still forensic analysis and computer lab technology to placate crime-fiction connoisseurs.
I loved the narrative perspectives in each novel. Our two primary narrators are Lydia Fairchild and Sergeant Jenner. These two are navigating new partnerships with the ‘old-timers’ in their respective fields. For Jenner, he is partnered with Detective Schroder and unwittingly taken under the older policeman’s wing and taught how to defend the innocent and find the guilty party. Lydia Fairchild is likewise partnered with the best attorney in Texas (though to ask John Lloyd, he would say ‘the world’). Lydia is in her last year of law school and about to enter the courtroom arena, from John Lloyd she is learning about how to question witnesses, keep the police at a distance and uncover the truth away from prying eyes. I loved the contrast of old/new, up-and-coming versus old dogs. Just as Jenner and Fairchild are trying to figure out how their mentors tick, readers are likewise trying to keep up with these teachers.
But the absolute stand-out star of each novel (and the series overall) is without a doubt John Lloyd Branson. He’s a little bit of every witty curmudgeon, snobby intelligentsia and antihero hero that we love. I would liken him to Gregory House, Alan Shore and Sherlock Holmes... but with his own distinct style. He wears three-piece suits, boleros and Stetsons. He is a Southern gentleman through and through, but with a cut-throat sensibility. He doesn’t use contractions, and he prides himself on his manners. He is brilliant. And the best thing about John Lloyd Branson is that he is entirely believable. He opens his mouth and can cut a man down at twenty paces. He is *that* intellectually intimidating and sure of himself. But John Lloyd is only a man in his early thirties, and that comes across. John Lloyd has so much passion and fire, especially for the law and his role as an attorney, and when he talks about his responsibilities you know this is a man for whom the law is life, and his appreciation is infectious...
“You make it sound like a game, John Lloyd,” Lydia protested.
His hands tightened on the steering wheel and she suddenly noticed how strong his hands looked. He could wield a sword or a lance. And be totally merciless.
“What are games but life reduced to symbolic rituals? Trials are a symbolic re-enactment of the ancient practice of settling disputes by armed combat. Attorneys are champions chosen by each side to represent them on the field. We use statutes and case law rather than crude weapons, but we must use them just as skilfully. But my skill is useless if I cannot counter the thrust of my opponent’s sword because my limbs are bound and I lack freedom of movement.”
- ‘Murder by Impulse’ John Lloyd Branson #1
John Lloyd’s believable brilliance is not just in how other characters react to him either. It’s not a case of Schroder *saying* John Lloyd is clever and witty. It’s more a case of DR Meredith writing brilliantly acerbic dialogue for John Lloyd and perfecting his Southerly mannerisms. Still, it is hilarious to read character’s reactions to John Lloyd, and I think Schroder’s summary of his attorney reputation says it best;
“... you can figure we’ve caught the client with a smoking gun in his hand with his fingerprints on it, forty eyewitnesses, and video tapes taken by a passing TV cameraman. Not that it does us any good. John Lloyd Brandon will either prove the victim was stabbed, not shot, that the eyewitnesses were all legally blind, or that the video tape had been tampered with...”
- ‘Murder by Impulse’ John Lloyd Branson #1
Schroder and Branson have a wonderful dynamic. Schroder is perhaps the most mysterious character in the series, even more so than John Lloyd Branson. But we learn the most about Schroder’s character through his interactions with Branson. These two cowboys have been competing at the same rodeo for a few years now, and it shows. Every meeting between them feels like a cock fight and there’s lots of history, plenty of grudge but all tempered with a healthy dose of respect. Neither will admit it in front of the other, but spoken to Jenner and Fairchild we learn that Branson and Schroder acknowledge each other as being the best. These two push each other, compete with one another and have ended up being better for the competition.
Each novel is a murder-mystery of Machiavellian proportions, beautifully executed by DR Meredith’s talented pen. Whether John Lloyd Branson is posing as a sword-wielding pimp to uncover a serial murderer or Schroder is trying to get to the bottom of a deadly dinosaur... the mystery in each novel is superb. But what I responded to most of all (and much to my surprise) was the romance woven throughout...
From the get-go there’s definite heat and spark between Lydia and John Lloyd. Theirs is a slow-burn romance, since John Lloyd seems wholly aware of Lydia’s developing crush on him and hell-bent on preventing it. John Lloyd has secrets and a romantic past that impinge on his feelings for Lydia, which throughout five novels he is desperate to ignore. But John Lloyd can’t deny his feelings for long, or discreetly. Other characters remark on John Lloyd and Lydia’s dynamic and clear affection. Lydia herself is very honest in her feelings, and ruthless in her seduction. And the romance is made even greater by the pair’s push-and-pull dynamic. They trade verbal barbs one minute, and in the next John Lloyd is crushing Lydia to his side. It’s all very rollercoaster, and heart-palpitating.
“It is very difficult to kiss you when you are talking. I feel as if I am aiming for a moving target.”
“What?”
“It is your intention to kiss me, is it not? Since that activity is most rewarding when both parties participate, I intend to kiss you, also. Our decision is unwise, unprofessional, dangerously reckless, and one we shall undoubetedly both regret, but it is necessary.”
“Why?” she asked. If this were a dream, it beat the hell out of sea and sand and buccaneers.
“Thanksgiving,” he whispered. “That you are alive.”
- ‘Murder by Masquerade’ John Lloyd Branson #3
This series is superb. It is a crime-fiction delicacy to be savoured for its melt in your mouth brilliance. Everything comes together perfectly; the whodunit, the heroes and villains and an intimidating but brilliant protagonist to cut your teeth on. DR Meredith’s John Lloyd Branson series will go down as one of my all-time favourites.
This entire review has been hidden because of spoilers.
July 6, 2024
It was a good book, not something that I'd highly recommend, but it was interesting enough to read it on the bus home.
The most enjoyable part was the characters and their different personalities, you seldom read a story with such different voices and it was sure refreshing. My favorite part was following John Lloyd and Lydia's relationship, I'd eat a novel just on the two of them right up.
The ending was somewhat predictable, and I'd like it to have a little more explanation, but it was good nonetheless.
The most enjoyable part was the characters and their different personalities, you seldom read a story with such different voices and it was sure refreshing. My favorite part was following John Lloyd and Lydia's relationship, I'd eat a novel just on the two of them right up.
The ending was somewhat predictable, and I'd like it to have a little more explanation, but it was good nonetheless.
This entire review has been hidden because of spoilers.
March 27, 2016
I was looking forward to this book but it was very disappointing. The courtroom scenes were not believable at all. The prosecutor drops the charges after the defense closing argument because it is so good?! Bull, it doesn't fit the story or the characters. Plus it wasn't that good of a closing argument it didn't prove anything. The state would probably have won a conviction. 200 plus pages spent on overly dramatic religious tripe that had nothing to do with the story and then a killer revealed for the lamest reason.
This author is a woman which is surprising since the book is full of misogyny. The lead female character is portrayed as weak, docile, and subservient throughout. Then at the end she has a chance to redeem herself by solving the crime but instead is embarrassed in front of the town by her supposed lover when she IDs the wrong killer. The other female characters are two dimensional representations of either the Madonna or the whore mentality.
Bad story, bad characters, bad representation of women.
This author is a woman which is surprising since the book is full of misogyny. The lead female character is portrayed as weak, docile, and subservient throughout. Then at the end she has a chance to redeem herself by solving the crime but instead is embarrassed in front of the town by her supposed lover when she IDs the wrong killer. The other female characters are two dimensional representations of either the Madonna or the whore mentality.
Bad story, bad characters, bad representation of women.
This entire review has been hidden because of spoilers.
December 11, 2010
This is my favorite of the series by D. R. Meredith. At five books, this series is too short. As with her other two mystery series--Murder by the Book and The Sheriff and the Panhandle--I'm left wanting more and more. I want to see how these characters grow. I fell in love with these characters reading the first book. They only got better as they went along.
This series is about lawyer John Lloyd Branson and his associate Lydia Fairchild. As the series starts, she comes to work for him for the summer (she's in law school). The series ends with this book and Christmas of the same year as Lydia and John's relationship grows and as they solve their fifth mystery together.
This last book in the series was written in 1993, so I don't think there will be any more. More's the pity. These are great reads.
This series is about lawyer John Lloyd Branson and his associate Lydia Fairchild. As the series starts, she comes to work for him for the summer (she's in law school). The series ends with this book and Christmas of the same year as Lydia and John's relationship grows and as they solve their fifth mystery together.
This last book in the series was written in 1993, so I don't think there will be any more. More's the pity. These are great reads.
Displaying 1 - 4 of 4 reviews