If you read only one essay from this book, read "Meanwhile Back At The Ranch". It's an extraordinary examination of polyphony in prose, and it got me to say, "Oooh, that's interesting", aloud, to myself, several times. The rest of the book is quite good as well, though it does strike a very academic tenor. I like that, myself, but perhaps not as much as I like the conversational quality of, say, BIRD BY BIRD, or the personal quality of King's ON WRITING. But there is a place for this book, for sure. In fact, if you are a playwright who has just written a draft of a novel, then now is the time to read this book. (There is a lot of theatrical reference in here, to things like AN ACTOR PREPARES and Aristotle's POETICS and Shakespeare, etc. So in that sense, I felt like it was written just for me.)