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Villain Hitting for Vicious Little Nobodies
“Keenly observant and wryly funny. . . . A vital, utterly unexpected novel, Villain Hitting for Vicious Little Nobodies is a fresh and riotous gift of fiction.” —Quill & Quire, *STARRED REVIEW!*
A young woman signs her life away in the ancient Chinese tradition of corpse marriage in this wickedly hilarious novel about class, ambition, and the burden of being an impoverished model minority.
Poor, vicious Locinda Lo is a nobody with a powerful witch for a grandmother and an undead corpse-kid-sister as her only friend. A broke MFA dropout living in Vancouver with six roommates and zero job prospects, she’s buried so deep in debt she might as well be six feet under—and her family is in danger of being buried along with her.
Desperate to escape her financial woes and save her grandmother and sister, Locinda signs a contract with a nefarious company, Joyful Coffin & Co. Matchmaking Services, to be auctioned off as a corpse bride to the highest bidder. Next thing she knows, she’s being smuggled underground into the damp caves where her training coffin awaits.
As Locinda prepares for a rich, dying dearly beloved to claim her as his bride-to-be in the Afterlife, her past becomes twisted with that of her grandmother, Baozhai. A feared and revered Villain Hitter, or witchy curse-monger, Baozhai’s legacy stretches from 1920s China to the Battle of Hong Kong in the 40s to New York City thereafter. Across the generational divide, one thing becomes achingly clear to them you can’t outrun your ghosts.
Villain Hitting for Vicious Little Nobodies is a daring, genre-bending meditation on life, death, and the murderous cost of living in between. It lays bare the societal and cultural expectations placed on Chinese women and the devastating price of enduring them. This chilling masterclass in fiction cements Lindsay Wong as one of the most provocative Canadian horror writers of our time.
A young woman signs her life away in the ancient Chinese tradition of corpse marriage in this wickedly hilarious novel about class, ambition, and the burden of being an impoverished model minority.
Poor, vicious Locinda Lo is a nobody with a powerful witch for a grandmother and an undead corpse-kid-sister as her only friend. A broke MFA dropout living in Vancouver with six roommates and zero job prospects, she’s buried so deep in debt she might as well be six feet under—and her family is in danger of being buried along with her.
Desperate to escape her financial woes and save her grandmother and sister, Locinda signs a contract with a nefarious company, Joyful Coffin & Co. Matchmaking Services, to be auctioned off as a corpse bride to the highest bidder. Next thing she knows, she’s being smuggled underground into the damp caves where her training coffin awaits.
As Locinda prepares for a rich, dying dearly beloved to claim her as his bride-to-be in the Afterlife, her past becomes twisted with that of her grandmother, Baozhai. A feared and revered Villain Hitter, or witchy curse-monger, Baozhai’s legacy stretches from 1920s China to the Battle of Hong Kong in the 40s to New York City thereafter. Across the generational divide, one thing becomes achingly clear to them you can’t outrun your ghosts.
Villain Hitting for Vicious Little Nobodies is a daring, genre-bending meditation on life, death, and the murderous cost of living in between. It lays bare the societal and cultural expectations placed on Chinese women and the devastating price of enduring them. This chilling masterclass in fiction cements Lindsay Wong as one of the most provocative Canadian horror writers of our time.
384 pages, Kindle Edition
First published January 13, 2026
22 people are currently reading
1449 people want to read
About the author
Lindsay Wong
5 books150 followersLindsay Wong holds a BFA in Creative Writing from The University of British Columbia and a MFA in Literary Nonfiction from Columbia University in New York City.
Wong has been awarded fellowships and residencies at The Kimmel-Harding Nelson Center in Nebraska City, Caldera Arts in Oregon, and The Studios of Key West, among others. Currently, she is writer-in-residence at The John Howard Society and The Community Arts Council of Vancouver.
Wong has been awarded fellowships and residencies at The Kimmel-Harding Nelson Center in Nebraska City, Caldera Arts in Oregon, and The Studios of Key West, among others. Currently, she is writer-in-residence at The John Howard Society and The Community Arts Council of Vancouver.
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Displaying 1 - 13 of 13 reviews
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July 7, 2025Villain Hitting for Vicious Little Nobodies perfectly blends harrowing body horror, Chinese afterlife and minghun, eldest child trauma and guilt, both fortune and curses, karma and consequences, the unfairness of society and choicelessness, while exploring cruelty and isolation, forced solitude, and the desire and struggle to live while hiding your deepest vulnerabilities and protecting your pride through a tongue-in-cheek narrative that is equal parts vicious yet quirky.
March 12, 2026
Locinda Lo is no stranger to the bizarre and frightening. When she was young, her parents created her undead sister Samantha out of waste products. When their parents died suddenly, their grandmother Baozhai entered their lives. She was a powerful, ruthless witch, who had been working for gangsters for years.
Years later, Locinda is desperate for money to keep gangsters from harming her grandmother and Samantha, her only friend. Locinda ends up signing a contract with a matchmaking service to earn enough cash to pay off the gangsters. The problem is, the company, Joyful Coffin & Co. Matchingmaking Services, requires people to agree to be corpse brides, who will then be auctioned off to the highest bidder. Suddenly, Locinda finds herself underground in a cave and locked in a coffin.
The employees prepare all the contracted corpse brides for the Afterlife, manipulating and keeping them compliant through a very restricted diet, flattery and punishment.
At the same time, we learn of Baozhai's life years earlier, from her youth in 1920s China, to the incredible brutalities she lived through during the war in the 1940s, then later her life in New York City in the US. Baozhai gradually transformed from a concubine to a feared and fearsome Villain Hitter, a person who is paid to give other's curses.
This was utterly compelling, and at the same time, utterly weird. There's plenty of gore and body horror, from Samantha's creation and care, Baozhai's many terrible actions, to the sheer skin crawling aspect of things Locinda undergoes to be a corpse bride.
Author Lindsay Wong explains that this is not just some fantastical idea, but that there are marginalized women in China who are being trafficked and murdered for use as corpse brides. The idea of a corpse bride is rooted in an ancient belief that no one should go unmarried or their family will be cursed.
Locinda makes a deal out of desperation, feeling out of all her choices, and a willingness to do anything to protect her sister and grandmother. She's motivated to from the trauma she underwent first by her parents insistence that a zombie-like person was thrust into her life, then by Baozhai's cold and often brutal treatment of the sisters.
The novel deals with much darkness and trauma, exploitation and loneliness. I could not stop reading, no matter how many times I felt uncomfortable or revolted, fascinated by the villain hitting, the practice of bringing Samantha to life, and later the horrible things Locinda undergoes.
I was impressed, gripped, horrified, and unsettled by the inventiveness of the novel and its complex relationships.
Thank you to Netgalley and to Penguin Random House Canada (Adult) for this ARC in exchange for my review.
Years later, Locinda is desperate for money to keep gangsters from harming her grandmother and Samantha, her only friend. Locinda ends up signing a contract with a matchmaking service to earn enough cash to pay off the gangsters. The problem is, the company, Joyful Coffin & Co. Matchingmaking Services, requires people to agree to be corpse brides, who will then be auctioned off to the highest bidder. Suddenly, Locinda finds herself underground in a cave and locked in a coffin.
The employees prepare all the contracted corpse brides for the Afterlife, manipulating and keeping them compliant through a very restricted diet, flattery and punishment.
At the same time, we learn of Baozhai's life years earlier, from her youth in 1920s China, to the incredible brutalities she lived through during the war in the 1940s, then later her life in New York City in the US. Baozhai gradually transformed from a concubine to a feared and fearsome Villain Hitter, a person who is paid to give other's curses.
This was utterly compelling, and at the same time, utterly weird. There's plenty of gore and body horror, from Samantha's creation and care, Baozhai's many terrible actions, to the sheer skin crawling aspect of things Locinda undergoes to be a corpse bride.
Author Lindsay Wong explains that this is not just some fantastical idea, but that there are marginalized women in China who are being trafficked and murdered for use as corpse brides. The idea of a corpse bride is rooted in an ancient belief that no one should go unmarried or their family will be cursed.
Locinda makes a deal out of desperation, feeling out of all her choices, and a willingness to do anything to protect her sister and grandmother. She's motivated to from the trauma she underwent first by her parents insistence that a zombie-like person was thrust into her life, then by Baozhai's cold and often brutal treatment of the sisters.
The novel deals with much darkness and trauma, exploitation and loneliness. I could not stop reading, no matter how many times I felt uncomfortable or revolted, fascinated by the villain hitting, the practice of bringing Samantha to life, and later the horrible things Locinda undergoes.
I was impressed, gripped, horrified, and unsettled by the inventiveness of the novel and its complex relationships.
Thank you to Netgalley and to Penguin Random House Canada (Adult) for this ARC in exchange for my review.
March 1, 2026
Very well written, but deeply upsetting. The characters are steeped in misfortune, tragedy and bitterness, making it difficult and uncomfortable to be inside their heads, which I think is the point. It's a very interesting concept and premise, and I really appreciated the peek into Chinese folklore and history. Be warned though, this isn't for the faint of heart or someone looking for a fun read. It's fascinating, but dark.
Read
February 5, 2026I think I’m just not the reader for this one.
DNF
DNF
Did not finish
March 4, 2026DNF @20%
I really wanted to like this one and for the right reader, it’ll be hit. It has a very unique premise and I love supporting a fellow Asian & Canadian author! However, I think it comes down to a me thing. I wasn’t expecting an uplifting read, but as another reviewer mentions, it’s a story with characters steeped in tragedy and misfortune. The tone is where the story didn’t bode well for me. It sounded very bitter, making it hard to digest. Personally, I don’t think I’m in the right head space for it. Which is ok. We don’t all need to like the same books or have the same opinions.
These are just my own reasons for not enjoying it. But by no means was it terrible. The writing itself is very good and someone who doesn’t have triggers, should give it a chance.
I really wanted to like this one and for the right reader, it’ll be hit. It has a very unique premise and I love supporting a fellow Asian & Canadian author! However, I think it comes down to a me thing. I wasn’t expecting an uplifting read, but as another reviewer mentions, it’s a story with characters steeped in tragedy and misfortune. The tone is where the story didn’t bode well for me. It sounded very bitter, making it hard to digest. Personally, I don’t think I’m in the right head space for it. Which is ok. We don’t all need to like the same books or have the same opinions.
These are just my own reasons for not enjoying it. But by no means was it terrible. The writing itself is very good and someone who doesn’t have triggers, should give it a chance.
Review of advance copy received from Publisher
Villain Hitting for Vicious Little Nobodies glitters like an ominous jewel. Lindsay Wong creates a deliriously enthralling gothic tale of a dysfunctional family of women who do what they need to do to survive and are punished for it. Filled with morbid humour and piercing insight, Wong’s writing sings. It howls. Locinda and her grandmother, Baozhai, are gorgeous and gruesome; tender and cruel. They are
perfect mirrors through which to reckon with our own unsettling contradictions and complexities. I know they will revisit me on my next dark night of the soul. And I’ll be glad for their company.
perfect mirrors through which to reckon with our own unsettling contradictions and complexities. I know they will revisit me on my next dark night of the soul. And I’ll be glad for their company.
February 23, 2026
This book is unlike anything I have read before. Steeped within Chinese culture it is easily approachable by anyone that has a complex family relationship. The novel is contemporary fiction with hints of horror and supernatural elements. It doesn't fit easily into a single genre.
February 28, 2026
I really want to love this novel - it has a unique premise. Unfortunately, it gets bogged down in the middle with a character backstory that isn't important to the central storyline. A fantastic beginning and a good ending doesn't make up for it being 100 pages too long.
January 27, 2026
Vicious, gruesome, and brilliant. Satisfying all the way through.
February 6, 2026
this book completely captivated me from start to finish, the main character's voice felt so distinct and the premise is fascinating, highly recommend!
Did not finish
February 10, 2026DNFing for now, will probably pick it up later
February 16, 2026
This was fantastic, weird and snarky and heartbreaking.
Did not finish
March 4, 2026DNF for now. I love this premise but I can’t get into it right now. Slowly got to 12%
Displaying 1 - 13 of 13 reviews