I've been reading lately that authors should not let themselves fall into a formula but should vary their plots. Murder in the first chapter? Maybe not. Develop the characters first? Maybe a good idea. And yet as I finished another satisfying read in Carolyn Hart's Death on Demand Bookstore series it occurred to me she's done very well with a formula. The novels open with a series of vignettes so the reader knows these people will be involved--but how? Who is the victim? (Who is the murderer is far down the line).
The crime occurs fairly close to the first chapter if not in it, and then the intrepid sleuths move in, led by Annie Darling, bookstore owner; her mother-in-law Laurel; her laid-back but adoring husband Max; the most dedicated mystery reader on the island of Brower's Rock, Henny; and Emma, the supercilious, full of herself author of, so she says, world-class mysteries. If you're a Hart fan, as I am, you know these people intimately and are glad to be back in their company. And then there's Billy, the police chief, who only reluctantly listens to their advice, convinced he has already arrested the murderer. And the pompous mayor who only want the crime solved before it hurts the tourist trade.
Formula? Yes. But in the hands of a master storyteller like Hart it will keep you turning pages until the wee hours (it did me) and you won't guess the murderer until the end when Annie is in danger. I am always s glad to find a new Death on Demand book, and I long to eat an oyster poor boy with Annie at Parotti's.
I liked this book a lot.