A Field Guide to the Subterranean: Reclaiming the Deep Earth and our Deepest Selves

by Justin Hocking

A radically inventive excavation of one man’s life and our relationship to the earth, by the critically acclaimed author of The Great Floodgates of the Wonderworld.

Justin Hocking grew up in a part of Colorado where many things happened beneath the surface—mining exploits, underground nuclear testing just thirty miles from his family’s home, and geothermal activity that heats one of the world’s largest hot spring pools. His homelife, too, was plagued by hidden patterns of abuse and virulent masculinity. A Field Guide to the Subterranean charts the author’s lifelong process of unearthing the past to reclaim his own identity and connection to the natural world.

How might we transform our traumas into deeper care for one another and the landscapes that sustain us? How do we transcend the mythos of the rugged American male so rooted in extraction and exploitation? And how far can we move beyond the self in a memoir? Hocking explores these and other vital questions by combining his own personal introspection with expansive narratives that examine geology, ecology, gender theory, mining history, labor rights, and even skateboarding.

Abundant with historical research and teeming with birdlife—and ranging in location from remote caves and mountains to secluded surf breaks in Costa Rica—A Field Guide to the Subterranean heralds a boldly original and kaleidoscopic approach to the genre of both memoir and nature writing.

Genres: Memoir, Nonfiction

224 pages, Hardcover

First published June 10, 2025

Reviews

[tonia peckover · Rating 5 out of 5]

(all books get 5 stars) This book is as much about the form as it is the writing. Hocking uses a braided narrative technique that allows him to tell his story in short, nonlinear fragments. This form echoes his use of mining as a metaphor and framework. It is as if he is going underground and bringing up memories and connections and laying them out for us to see. All these fragments are connected, all originating from the same source - one that affects Hocking culturally and personally - but this is not obvious at first. He seems to want our patience. Here is a nugget, here is another, here is one more, do you see the connection? Reading it, I was struck with how honest this approach can be, as opposed to a more familiar linear narrative where the writer has ordered and deciphered the story for the reader. Hocking has ordered his too, of course, but the fragmentation and the frequent disruption of the time line ask the reader to see patterns instead of conclusions. It's in keeping with Hocking's own self-questioning style in which he recalls his memory, analyzes it, then stops and thinks again about the underlying stories, the fragments he has not yet discovered or brought into the light. A lovely book that is not only memoir but cultural critique and nature writing as well.

[April Alexis Hernandez · Rating 5 out of 5]

Writing a memoir like this takes guts and a willingness to be so vulnerable, and Justin really knocked it out of the park. Once I started reading, I couldn't put it down.

I truly feel so honored to have been one of the students in the memoir writing class that is referenced towards the end of the book. I always think fondly of that class, and I thank Justin for encouraging us all to try to be vulnerable in our own writing as well. I am a better writer because of him.

[Peter Rock · Rating 5 out of 5]

Can "paradise" only ever exist in the imagination? If so, what critical omissions or substitutions perpetuate the fantasy?