It was fifteen years ago when the big, sort-of-sloppy, brew-loving P.I. appeared on the scene, dazzling readers with keen solutions to seemingly unsolvable crimes. And just as his disheveled demeanor gave no hint of the brilliant mind that lay behind it, his lack of a moniker said nothing about his rising popularity with mystery readers everywhere.
Nameless opens up his files on some of his most fascinating cases. Collected here are ten stories and two novelettes, giving Nameless fans a page-turning potpourri of his toughest and most dangerous adventures. CASEFILE holds his greatest hits - a 122 pack to be popped open and enjoyed on an off-duty afternoon. So sit back and spend some time with one of America's favorite (and most likeable) P.I's, who has caught more criminals - and imaginations - than any other gumshoe in recent American Fiction.
Mystery Writers of America Awards "Grand Master" 2008 Shamus Awards Best Novel winner (1999) for Boobytrap Edgar Awards Best Novel nominee (1998) for A Wasteland of Strangers Shamus Awards Best Novel nominee (1997) for Sentinels Shamus Awards "The Eye" (Lifetime achievment award) 1987 Shamus Awards Best Novel winner (1982) for Hoodwink
This diverting collection of Nameless Detective short stories, all published in the first fifteen years of his career (1968 to 1983), is a pleasant way to pass the time. These stories, although not memorable, never insult the reader’s intelligence, and they contain good enough puzzles and enough human truth to satisfy all but the most exacting mystery fan. In addition, the book features too things almost as much fun for a true “Nameless” fan as the stories: a preface which begins with the words “Why doesn’t he have a name?”, and an afterward to “Private Eye Blues” in which Pronzini tells us of his plan, in 1975, to kill off Nameless with lung cancer and begin writing “big commercial novels.” (I am glad that Pronzini had second thoughts. The best Nameless Novels begin with Labyrinth, in 1980.)
Another virtue of this book is that the ten stories themselves are diverse in their subjects and intellectual challenges: “It’s a Lousy World” (ex-con Colly Babcock is shot dead during a burglary, but his wife is convinced he’d gone straight), “Death of a Nobody” (skid row bum hires Nameless to investigate the hit-and-run death of his homeless friend), “One of Those Cases” (a simple tail to prove adultery turns into something else), “Sin Island” (Nameless’ travels to Majorca to deliver daddy’s money to a rich kid in trouble), “Private Eye Blues” (Nameless spots something wrong during a casual encounter, leading to a dangerous pursuit), “The Pulp Connection” (a locked room mystery inside a collection of old detective magazines), “Where Have You Gone, Sam Spade” (Nameless is guarding a shipment in a warehouse when a murder occurs), “Dead Man’s Slough” (a man goes missing on a very small island), “Who’s Calling?” (a woman is being threatened by obscene phone calls), and “Booktaker” (valuable items are being stolen from the rare book room of a bookstore). “The Pulp Connection,” “Dead Man’s Slough,” and “Booktaker” are my favorites, but each one of the ten stories is enjoyable.
These are Nameless Detective stories, and they are all good. The series of Nameless Detective mystery novels began in 1971. The stories here start in the late sixties and end with Booktaker (early 1980s). This was good for me personally, having just read the one where Nameless goes to a vintage Pulp convention and starts dating Kerry Wade, daughter of pulp detective writers. Nameless wants to marry Kerry (38 to his 50). So this is right where the last book I read ended.
A collection of ten Nameless Detective stories written from the mid 1960s to the early 1980s. They cover a surprisingly large array of set-ups, from fairly routine PI investigations in his home of San Francisco to one story set in Majorca, from problems of the rich to the murder of a homeless man's homeless friend. Yet they are all alike in that the detective, well, investigates--looking at the scenes, questioning witnesses or interested parties, describing to the reader all his observations. He then in a sudden burst of inspiration pulls the important clues from miscellaneous collection of observations and solves the crime in a scrupulously fair-play way, surprising and pleasing the mystified reader. This method works better in some stories than in others (in general they improve as they go along), but you always feel confident that you are in the presence of an author who knows exactly what he's doing.
The Nameless Detective is one of the great and enduring legacies in detective fiction.
If you'll pardon the expression, Pronzini absolutely kills it in every in these great stories. His writing is crisp and to the point, without unnecessary embellishment. But at the same time, there is always intriguing subtext going on.
Pronzini, an aficionado of the early pulp detective stuff, always pays tribute to the various themes from those wonderful writers: the locked room mystery, the femme fatale, insurance fraud, etc. He's keeping a great tradition alive.
In the introduction to this book, Pronzini talks about his early desire to write big best sellers. But he realized that best sellers were not his forte. Crime fiction was.
A set of short stories about the Nameless Detective by Bill Pronzini. They were written over a period of 10+ years, so they cover the entirety of Nameless' career to that date, from before his first novel to just before Scattershot (the last one I've read).
To start with, I don't think the short story is as good of a format for mystery as the short novel. And, yes, I've read Holmes too. There just isn't time for much anything but mystery-solution, especially in the twenty or so pages that most of these stories featured.
I've complained in other posts about Nameless turning into a Holmesian locked-door-mystery solver, and that's obvious here too. In an author's note on "Private Eye Blues", a story situated at the midpoint of this collection, Pronzini talks about how he'd originally planned to kill off Nameless, and when he didn't, he began to change things up in the stories instead. As he says, "And you'll also find that the types of cases he becomes involved in are somewhat different, too; that they're a bit more, um, puzzling than his straightforward investigations during the prelesion period."
To which I say, sigh. Whether you're Laurell K. Hamilton or Bill Pronzini, you shouldn't notably change the type of story you're telling midway through a series. It just annoys your early adopters. Sure enough Case File immediately follows that author's note with two locked-room murders. There's also a locked-room theft and a disappearance on a small island later in the book.
The result is a mediocre collection with some annoying stories.
*It's a lousy world (aka Sometimes there is justice) *Death of a nobody One of those cases (aka The assignment) *Sin island *Private eye blues *The pulp connection (aka The private eye who collected pulps) *Where have you gone, Sam Spade? *Dead man's slough Who's calling? *Booktaker *** La bellezza delle bellezze The big bite Sanctuary Thin air Who you been grapplin' with? Wrong place, wrong time
These are early stories about Pronzini's Nameless Detective. They are a bit simpler than some of the later stories, but are still quite enjoyable. For those who are fans of Pronzini, to read a series of Nameless stories where his buddy Eberhardt is still working in the police force and Nameless hasn't yet met Kerry is a bit disorienting. If you are a fan of Nameless, you need to read these early stories. If you're not a fan, what the heck is wrong with you?
This was one of my first Kindle purchases. Pronzini is one of the best and it's fun to read stories written years ago. The people remain true to life, although details of living, such as prices, have changed a bit.