Charles Harmon ha mollato tutto – il lavoro di avvocato, la casa, la famiglia – per diventare un hobo, uno di quei vagabondi che attraversano gli Stati Uniti sui treni merci della high line. Ora lo conoscono tutti come Charlie Negro Cervellone. Ormai è padrone di tutti i trucchi che servono per sopravvivere dove non esistono né legge né morale. Sa come destreggiarsi tra bande rivali, trafficanti di droga e criminali di ogni genere. Deve trovare Corina, la nipote del suo amico e maestro Walt: a diciassette anni, è scomparsa senza lasciare tracce. Come molte sue coetanee, affascinata dai racconti dello zio, la ragazza è partita alla ricerca della libertà, e forse di sé stessa. Si è persa chissà dove, lasciando solo una foto vecchia di un paio d'anni. Ritrovarla in quella giungla è un compito impossibile: anche perché ben presto sulle tracce di Charlie si mette una banda di neonazisti. Inferno solo andata ci trascina in un viaggio emozionante e sconvolgente, che corre veloce come i vagoni sugli infiniti rettilinei del West. Con il sarcasmo e la crudezza del suo stile inconfondibile, con una prosa ritmata e acuminata, John Ridey ci fa conoscere un'America sconosciuta, nera e maledetta: un mondo parallelo, dove non esistono certezze e la vita è appesa a un filo troppo sottile.
John Ridley IV (born October 1965)[2] is an American screenwriter, television director, novelist, and showrunner, known for 12 Years a Slave, for which he won an Academy Award for Best Adapted Screenplay. He is also the creator and showrunner of the critically acclaimed anthology series American Crime. His most recent work is the documentary film Let It Fall: Los Angeles 1982–1992.
Librarian Note: There is more than one author in the Goodreads database with this name. This profile may contain books from multiple authors of this name.
fast-paced neo-noir re tough-as-nails ex-corporate hobo, equipped w/ groovy chip kidd cover -- where, you ask, is the blockbuster movie adaptation? welllllll said protag is called "brain N-word charlie;" he has a "goony stick" for administering beatdowns named "george plimpton" whom he talks to throughout; & his main hobbies are gobbling E & ket. being a weirdo, coulda taken all that in stride... harder to pardon was a hateful and p dehumanizing verbal attack on a char of indeterminate gender for being such. the john ridley-curious should def prioritize everybody smokes over this, as much as i'd like to full-throatedly recommend a novel w/ another hobo character named "stupid dumbass."
Another excellent book from John Ridley. This one is about a Black man who used to "live white" until a vision/dream drove him into a life of riding the rails. He loads himself with ketamine and ecstasy to keep the vision/dream away as he drifts from city to city without much purpose aside from making sure he never falls asleep. One day a fellow drifter asks him for a favor: to find his niece, the one person he cares about in the world. She's taken to riding the rails, herself, and he wants to save her from herself. It's a hellish nightmare ride into a world of drugs and Nazis and what Hunter S. Thompson used to call "bad craziness." And of course there is a twist at the end. When it comes to Ridley, there always seems to be a twist. One thing is for sure: you'll never see George Plimpton or, oh, say, Elle Macpherson the same way again . . .
I liked this book a lot, it gave me a whole new perspective on the homeless guys who would come into the library where I worked (Olympia Washington was a hub on the Pacific Coast rail lines) without being overly sentimental like, say, "Neverwhere". You got to love a hard-boiled mystery story where the lead character is not only insane and homeless but also a Ketamine and Ecstasy addict. A reviewer on NPR compared it to The Lord of the Rings, where this unlikely hero is on an epic journey into a land of pure evil, with Spokane Washington taking the place of Mordor.
I would have given this book more stars. It certainly has stayed with me and is an engrossing read. But some things I don't neccessarily enjoy in my stories, like homosexual rape in a first person narrative, that get seared into your mind. Perhaps this and other types of violence doesn't other you. If so its a story that you won't forget. And make no mistake it is a very violent story and the first person voice seems to amplify it all.