I typically love Wade Rouse, who is an openly gay man using the pen name Viola Shipman. He generally has a beautiful way of getting inside a woman’s head, and knowing how to create characters that are fairly believable and relatable. And, when I get to the end of his books, I know that I just finished reading a story that carried a strong message he wanted us readers to receive, and a personal letter that connected us to him. Kleenex is always recommended.
And, he also writes in a way that makes his selections book discussion worthy.
So, how did this one fare?
What kind of story was this? Was it a standard rom-com? Or, was it a story emphasizing the power and agency of women in defending their own interests?
For me, it definitely was not a rom-com. There was no traditional romance trope, and there really was no comedy. Unless readers want to consider the romance with oneself that is emulated through Emma’s recalled moments of her grandmother GiGi. (Emma is our main protagonist.) In those moments, the message of self-love comes through so clearly, that one can’t help but give oneself a hug.
There were also a lot of quotable moments which I included some below.
Mostly, this was Emma’s story. In so many different ways. She is attempting to find herself. She is taking readers back in time; and, she is interacting with family and others in present time. Readers will connect to the story through Emma.
Or not.
It feels like Emma is having to spend the majority of her time proving herself to a fairly unlikable family. When all Emma seems to really want is to find her own way through her own words, on her own terms, as a writer. And, that family, parents most specifically, seemed much to in to their own superficial personas than they were with what was happening with their daughter.
As readers, we can also feel Emma’s immense devotion to her grandmother, GiGi. And, GiGi to her. Through GiGi’s life lessons Emma was finding her voice, even if she wasn’t getting encouragement from her parents, or her younger, physically stunning sister, Jess.
But what happens when an arrogant successful romance writer named Marcus enters the scene? Will Emma be able to reach through her parent’s plastic veneer? Will this help bring her closer to her sister, Jess?
And, what mystery exists within this family that needs to be solved to help them move forward successfully as a family?
For the most part, when Emma was taking readers through her life with GiGi, or searching to find herself and/or the family mystery to solve, the story had a rapid pace that became an easily compulsive, compelling and focused read. Especially when we hit Chapter 30. Which felt like a true power voice for women. At other times, it was a slow burn which lacked personality. Perhaps because the characters appeared so colorless.
Still, the redeeming characters of Emma, and GiGi carried the story. If readers could be patient with the rest it could be considered an almost satisfying read. And yes, sometimes this is what makes a book, discussion worthy, too.
3.5 stars