"Bear" has the air of fable or parable: elements of unreality, allusions to roses and poisoned apples, to dark and light. An island, San Juan, in the Pacific Northwest. A family: two sisters and their mom. One sister (Sam) works at the snack bar on the ferry going back and forth from the mainland -- a job interrupted (along with its pay) by the pandemic. She is bitter, closed off; her single non-family relationship is with a co-worker with whom she from time to time has emotionless sex in a ferry bathroom when business is slow. The other sister (Elena) tends bar at the club of a golf course. Mom stays at home now, dying from exposure to the chemicals she used everyday working at a nail salon. Their house is aging but the property it sits on is valuable: builders of vacation houses would buy it in a second if the family offered it for sale. The sisters have long planned to sell it when their mom passes away.
Each day follows the next with predictable sameness. Then one day Sam looks out a window on the ferry and sees a bear swimming towards the island. She is surprised, even bemused, but doesn't make more of it than that... until the bear appears one day on the porch of the family house. And reappears again. And again, as if it were visitation of some kind. The sisters react differently, Sam with fear and Elena with fascination.
"The Bear" is the story of how the sisters respond over time: to the bear, their neighbors, authorities, secrets. The bear, after it has appeared, is a constant presence even when it's not in a scene. Does it signify something? Death maybe? Dissolution of dreams?
I was impatient with "The Bear" at first, with what struck me as a rather hollow conceit. But then, to my surprise, I found myself really enjoying the book. Sam's is the mind through which we see almost everything. She has a powerful personality, though not a particularly ingratiating one. It's hard to sympathize with her, or at least I found her so. But Phillips draws Sam with so much depth that I felt compelled to see what would happen next. Sam keeps the world at arm's length but at times something seems on the verge of maybe breaking through. Her dreams are the dreams of an angry child. Phillips creates powerful alchemy in the mixture of Sam's bitterness and resentment-fueled dreams, her darkness and Elena's light, the mysterious appearances and disappearances of the bear, the interplay of the mundane world and the sudden emergence of being that is probably natural but maybe not. I turned the pages wondering what would happen next. Fairy tales typically have happy endings-- in the American psyche, at least -- but the real world plays by different rules. Both are at work in "The Bear." Which will prevail, though, for surely one must?
As her previous book, the widely acclaimed and ambitious "Disappearing Earth," demonstrated, Phillips is a hell of a writer. Vivid passages like this, for example, drew me in: Sam thought about the water off the sides of the ferry. The white pattern of ripples on top, and the bear’s bulk breaking through, pushing past. The tree-covered hills that met them at every return to the island. The swaying masts of the hundreds of sailboats moored. She thought about the girls she and Elena went to school with. The few who had stayed; the many who’d left.
And this, an entirely different kind of clarity that conveys so much: "[She] spent a long time talking about [the bear's] body. The impossibility of its size. The thickness of its arms, the depth of its smell, the force it exuded -- its presence had made Elena's ears keener and her eyes sharper, had shocked her senses into new sensitivity. It had looked right at her. Taken her in. Its eyes were small, close-set, colored a rich orangey yellow and lined with black. Its nose twitched as they stood there together. It inhaled her. Elena talked about her sighting the way a person might if an angel touched down in front of them, or if a burning bush spoke, or if, Sam supposed, a grizzly walked up, met their gaze, and did not do them harm.
If you choose to enter the world of "The Bear," go with a open mind. The story unfolds in a "normal" way but you'll find your balance thrown off by the You'll want to grab characters by the shoulders and try to shake some sense into them, or tell them to... well, I'll leave it there.
My thanks to Hogarth Press and Edelweis+ for providing a digital ARC in return for an honest review.