I remember that Gary Raisor's LESS THAN HUMAN got pretty good reviews when it was released in the early 1990's. There were some strong blurbs by a few of the notable authors of the day, and I know I picked up a copy around then in one of the many, many used paperback shops I frequented around the same time.
If you'd asked me a week ago if I'd read LESS THAN HUMAN before, I would've assured you that I had and that I thought it was a "pretty good vampire book." I probably would've dropped the subject right there and moved on to some of the other vampire books that came out around the same time. SUNGLASSES AFTER DARK, maybe. Or THE LIGHT AT THE END. I used to read vampire books ALL THE TIME. I have opinions about them. Trust me, you don't want to get me started.
So, anyway, a few days ago I was perusing my local HALF PRICE BOOKS, and I saw a copy of the cool, limited hardcover that OVERLOOK PRESS put out a few years after the paperback original was published. It was really reasonably priced, so I picked it up, figuring I could upgrade my copy, because I am a giant book nerd and that's a thing that I do.
When I got home, I picked it up and started reading it, expecting to just skim through the "pretty good vampire book" I remembered. About 10 pages in, I realized I didn't remember anything about it. Nothing. Nada. I was sucked in and hooked. Over the next few days, I picked it up whenever I had the chance. So . . . considering how much I liked it, and my nonexistent memories of it . . . it makes me wonder if I actually hadn't read it before, because it's really NOT just another "pretty good vampire book."
For one thing, Gary Raisor really knows how to write. Unlike some of the author horror writers of the day, he knows what to include and what to leave out. He makes the reader work for it -- there's connections and references throughout that resonate and echo throughout the book. He's also good at drawing a scene -- you get the feeling he's known some of these people, and been to some of these places. He can also create some good suspense. There were some scenes that made me speed up my reading, just so I could find out what happens. He's also a strong storyteller. Don't get me wrong -- this isn't one of those books where everyone winds up dead, but it's also not one of those books where everyone gets a happy ending. There's a lot of truth tied up in the backstories of the characters, but there's some grace, too.
Raisor hasn't been prolific -- one collection, SINISTER PURPOSES, and some scattered short stories, mostly in CEMETERY DANCE magazine -- and it's a shame, because this is a really strong novel. It's not perfect, and not everything holds together without a few creaks, but it's really, really good, and worth tracking down if you haven't already read it. (Or, maybe if you already have, or if you don't remember that you have, or if you maybe think you have and then it turns out you don't remember a darn thing about it because you thought you read it but now you don't have any idea if you did or not . . . )
Oh, the hardcover book itself is really well made, and I love the embossing and "feel" of the book. I'm not a huge fan of the cover illustration, but the actual BOOK is beautiful. Unfortunately, there's a bunch of random typos in it. I checked, and the typos don't appear to be in the original paperback version.