FAVORITE QUOTES:
"no matter how full we are, love always fits."
"we might spend months or years collecting seashells, just for the hope we will one day find the one beautiful and perfect enough to string along on a necklace. in the meantime, we have still collected something. and it’s lovely, the act of collecting."
"my father had signed us up for bible school exactly two weeks after i had asked: what would you do if i was gay?"
"you sit on her dorm bed and loosely let your legs touch hers. in other (straight) friendships, this is nothing."
"neither body moves, which is, of course, a move you’re both making."
"You feel her breathe against your collarbone at night and try to weave the memory through you like water through a sieve."
"This could be a good life you are choosing. Choose it harder, Mouse. Lean in." (this one is especially a favourite!)
What I liked:
1) Erasure text:
I'm into it, this is uncommon and fun!
Per the bio, the author uses "erasure text to intentionally refuse to engage with male voices or violence". I was startled when I first came across this; then I loved it. A whole phone conversation with her father blocked out, only "small" and later "Mouse" intact. The woman she's in love with, who she hears loud and clear, followed by the words of the woman's boyfriend; " ". It was a great show, don't tell moment! Though I do wish at the end, as the cycle of erasure is ending, more had been said without censure.
2) Motifs
The (birthed, forced, chosen) 'monstrification' of queer bodies - ala disney villains, Ocean Vuong, etc etc etc - it's a path well tread, but still good
3) Queerness
Ahhhh, classic gay yearning. The way women are allowed to 'get away' with queerness and have it be (forcibly) read as platonic- hugging, kissing, sleeping in bed together- but how that nearness almost hurts more than full denial, knowing that greyed-over space can never be crossed. The unique hurt of having such restrictive homophobia come from the same women you are doing increasingly queer things with. She gets it; she shares it; I get it.
4) Ending up single
Hooray!!! Finally. I was truly dreading a 'and then I found true love and it solved all my problems'-style twist. Seeing the same choice being made over and over again, and it doesn't work, and finally the narrator can turn away from it- that was awesome
5) Vulnerable topics
I haven't seen a lot of first-person perspective books that put you in the shoes of someone actively struggling with an eating disorder, dysmorphia, alcohol use disorder, intimate partner violence, mental illness, etc. Risky business for a memoir and you can't help but feel proud at seeing the way the author faces all of these very common yet very hidden experiences
What I didn't like as much:
1) Semi-linear narrative interrupted by unstructured prose:
Idea: cool. Execution: didn't love it.
I like taking little breaks from a linear narrative, but the majority of the time I had a hard time justifying why X freeform writing had to be in Y spot specifically. There were many pretty darlings that I would've recommended be saved for another time or place or book, because the transitions between them just didn't click. It felt like when there were natural pausing points in the narrative, a random assortment of leftover poeticisms were simply smooshed into the blank spaces that remained.
I actually don't know how accurate this feeling is- I get the impression the author thinks very intentionally about even tiny details of their work. But if the freeform prose WAS in certain areas for certain reasons, I don't think the reader was necessarily invited into those spaces to find out how- and that is an experience that, for me, distinguishes personal journaling from memoir writing. It's like getting invited into a gallery to look at cool art that has no explanatory plaques on it and a big sign that says DON'T TOUCH.
2) Redundancy/Very Slow Pacing
This book needed to be majorly edited down (yes, much like all of my own reviews, but I'm not paying an editor for these!). I'm not sure my impression of the book or what I got out of it would've changed much if a giant bite was taken out of the middle. It felt like the writer was trying on a lot of similar outfits and they all look kind of equally good and no editor made them choose just one and instead of thinking 'wow, THAT one is a great outfit!' they all ended up blurring together.
To be clear, redundancy does not a bad writer nor story make... I can see how the redundancy of motifs in this story represents the repeating cycle of hurt/heal, the dangerous and unrelenting perseverations of mental illness, etc etc... But, like... I understood all this in the first few cycles. After that, reading the same conversations over and over felt unnecessarily exhausting. Most of my selected quotes are from the first 30%, and it's not because the prose got worse later on! It just all needed more space to breathe.