This book seeks to broaden the comprehension of the student of Italian Renaissance painting by concentrating, not on the works of art themselves, but on the various artistic theories which influenced them or were expressed by them. Taking Alberti's treatises as his starting-point, Anthony Blunt traces the development of artistic theory from Humanism to Mannerism. He discusses the writings of Leonardo, Savanarola, Michelangelo, and Vasari, examines the effect of The Council of Trent on religious art, and chronicles the successful struggle of the painters and sculptors themselves to elevate their status from craftsmen to creative artists.
Renaissance aesthetics from humanist realism (Alberti and Leonardo) via Neoplatonism (Michelangelo) and courtliness (Vasari) to Counter Reformation (Trent and Mannerism).
I started this one a while back but it didn't grasp my attention. Upon second try, I do not understand why not. This was incredibly interesting and made me long for the days in Rome and Florence of last year. Blunt writes in a clear and concise manner, making artistic theory accessible. The essays fit well together and give you a better idea of the development of artistic theory over the given timespan. Now I have a better understanding of why particular kind of art was made and why it looks like the way it does.
Un testo utile per comprendere il legame tra eventi storici a cavallo tra la prima metà del 400 e la fine del 500 e sviluppo dei movimenti artistici in Italia.
jättetråkig, sämsta boken på hela konsthistorians litteraturlista - jag bryr mig inte om vad 1400-tals arkitekten si och så åt till frukost (eller vad den nu handlade om, den var så tråkig att det inte ens känns värt att försöka minnas)