First of all, I must reveal that I won this book in a drawing from Goodreads. I began reading it with the intention of not letting that fact influence me one way or the other, and I believe I was successful.
I have never before read any fiction with such a blatant Christian slant. It was disconcerting and distracting that so much praise and prayer were inserted into the characters' thoughts and dialogue. At times it seemed as if an editor had instructed the author to go back and add more. Many times the praise or prayer interfered with the flow of the story. At this point, I must explain that I am Jewish, but I read the book with a determination that I would not let this influence my opinion. I am certain that my opinion reflects that of any American who might read this.
I really enjoyed the protagonists, they seemed well-drawn and their challenges seemed much like those of real people. Many of the secondary characters were little more than cardboard cut-outs; except for the heroine's family, most seemed like a collection of cliches. Gillenwater needs to work a little on making these other characters come alive for us as the protagonists do. This book would also have benefitted from the inclusion of some characters whose character was not so sterling. Other than a selfish ex who does not appear, there are none to leaven the mix.
One thing that did not seem realistic to me was the use of so much explicit verbal Praise of the Lord in the dialogue, not just an occasional expression of gratitude but truly overkill. I am close to many devout Christians who are never heard talking like that. The overuse served to make some of the characters seem insincere when I can tell that this was not the author's intent.
Another thing that grated on me was the author's depiction of the hero's struggle with PTSD. During the major episode, where he is taking a 22 out of his truck's glove box so that he will not grab it during a flashback, he seems to be ruling out suicide in a dialogue with the Lord and Satan. In real life, people who are struggling with trouble seldom use such internal imagery. One can acknowledge the influence of the Lord without such melodramatic language as Gillenwater used. This is one of many scenes in which such references detracted from the flow of the story.
Something else that did not seem realistic to me was that the families involved in this book seem affluent, though they make their living through agriculture. (All I truly know about this I learned from other fictional accounts.) The author has the characters revealing worries about the uncertainity of the industry on one hand, while appearing to spend indiscriminately on the other. I am comfortably well off, and have some friends with wealth, but I don't know anyone who could feel comfortable just walking into a jewelry store and putting an engagement ring on their debit card like the hero did.
The plot was excellent, and the pacing of the events as they unfolded was very good. The depiction of the disaster that hit the community, and its aftermath, was the best part of the book. This author, with a little guidance, may have the talent it would take to become a writer as successful as Debbie Macomber, whose fiction features realistic characters with a lot of moral fiber without being preachy.