Bottom Line First: Hussein is a first novel by a soon to be master story teller
Patrick O' Brian, not his real name would become famous for seafaring historical adventures- a world wherein he had no first person experience. In Hussein he builds an adventure story around a Muslim mahout surviving in the British Raj. O'Brian had no first-hand knowledge of any aspect of this world. The result is believable and entertaining (it is subtitled `an entertainment') but not yet the product of a master. Hussein is highly recommended for Patrick O'Brian fans. For a first time exposure to his work or for young adult audience it is a better than average read. The story has a number of exciting turns, reverses and complexities but the style can be too dry
Patrick O'Brian is best known for his much later Aubrey/Maturin adventure novels. These are books about life in Nelson's Navy. After O'Brian's death it would come out that almost everything his fans had been told about him was not true. His name, Irish heritage, and experience of life at sea, all of this was not true. None of this became a scandal because of his ability to immerse his readers in an authentic feeling historic period and he telling has withstood challenges to its essential validity.
Hussein is listed as his first published novel. Here he is writing about a world that existed in fact and one wherein he had no first-hand knowledge. His lead character is a young Muslim elephant mahout. He is slightly more educated than most of his fellows and the adventures he will face will test his abilities to learn and excel in skills including snake charmer, cheetah trainer, story teller and farmer. He will live more by wits than morality. As is classic in these kinds of stories, his goal is wealth and the hand of his beloved.
Hussein will live adventures similar to the more famous stories of the Arabian nights, but with no occasion for djinns or magic lamps. There are fakirs, aged hermits and other people believed to have magical skills, but the reader is not required to believe along with the more superstitious characters in the stories. This results in novel that includes a richer variety of characters and therefore a believable environment.
Also missing is the more elaborate and often exaggerated lavishness of the 1001 Nights story cycle. At times I felt that O'Brian was writing something like the 1001 Nights as told by Hemmingway. The result is that the narrative while engaging and charming can be somewhat sparse and flat. How much of this is due to the undeveloped state of the author's skills and how much was a deliberate effort to pare down the style is not known.