This is a well-researched and interesting book, which I recommend with a few reservations. Many reviewers here have criticized this book for focusing too much on men, and I think some of that dissatisfaction might have to do with the title. I read this book under the title Women Sailors and Sailors' Women, which I found to be an apt description of the content. Those who read it as Seafaring Women: Adventures of Pirate Queens, Female Stowaways, and Sailors' Wives are liable to be disappointed, because alas, there aren't nearly as many records of pirate queens and cross-dressing captains in existence as could be wished. However, as a woman who reads a lot of nautical fiction and history (and has an interest in 19th century feminism), I know how often females are left out of the narrative, and appreciate what Cordingly has tried to do––to trace the presence and paths of women, in any capacity, through records and stories of a domain that is usually seen as exclusively male. Plot twist––it wasn't. But perhaps in a subtler way than readers were hoping.
The book speeds up very nicely after the first 50 pages, with several great episodes in a row. Some readers have commented that their interest fluctuated throughout the book, and I would agree––as a whole, I found it very interesting, and the stories of Hannah Snell, Mary Anne Talbot, Ida Lewis, and others were every bit as exciting as I could wish. A few others dragged, however, or felt out of place––while I found the story of John Paul Jones very interesting, for example, the sections about him and Augustus Hervey felt out of place (though I thought the Nelson/Emma Hamilton portion of the same chapter fit well). I understand what Cordingly tried to do with the structure of the book, ordering the sections as a voyage out leading to a return, and it's very creative, though occasionally it feels a little off. I'm impressed he brought as much cohesion to some chapters as he did, though, drawing from so many different records over two centuries. I also appreciated the incorporation of artistic and fictional depictions of women at sea (yes, even the chapter about mermaids and figureheads), because it shows how much of what we think came from Victorian conventions, and how real stories could be blown into different proportions once they reached a wider cultural consciousness. Even the story of Lucy Baker/Eliza Bowen, which bothered some reviewers because it turned out to be fictional, shows how much the public perception of women was often created by men––many contemporary readers believed the story to be true, only finding out later that the author was a man writing under a pen name. That kind of cultural context is really important when looking at the subject as a whole.
My other main regret––Cordingly says in the acknowledgements that in order to give focus to a subject as vast as the sea itself, he limited this book to women in the Anglo-American maritime world of the 18th & 19th centuries. This means that the amazing stories of Ching Shih, the greatest pirate queen of all time, and Grace O'Malley, who commanded a fleet of ships, are nowhere to be found. Cordingly covered both of their stories in a chapter about female sailors in his other (highly recommended) book Under the Black Flag: the Romance and Reality of Life Among the Pirates, but I was really looking forward to learning more about them, and I think their biographies would have given more power to the book. The way Cordingly traces the less visible side of women at sea, though, (the diaries of wives on whaling ships, the way women were left off the books of naval warships, even the "widow's men" charity system, etc.) is very good.
Overall, I mention the qualms I have with this book only because I liked it so much. Many of the less-enthusiastic reviews here make valid points, things I felt myself when reading, but I don't think these problems discredit the book and the research done, or keep it from painting a remarkable picture of women and the sea. If you're interested in nautical history, women's history, or even British/American society in the 18th–19th centuries, give it a try!