Blues enthusiasts looking for a history of the genre beyond the Delta Blues of the Deep South would thoroughly enjoy this study. Based on fieldwork done throughout the Piedmont region—mainly northern Georgia, the Carolinas, and Virginia—Bastin carves out a detailed study of the artists’s lives, from greats like Rev. Gary Davis and Blind Boy Fuller to obscure musicians like Richard Trice, Guitar Nubbit, and countless others, and the musical sub genre that emerged as a result. The book concludes by following the influence this music had in areas transformed by the Great Migration. Piedmont blues were, and are, primarily acoustic and often comprised motifs and rhythms found in the ragtime tradition of its day. Cool history aside, I often found myself perusing Spotify to hear samples (a definite plus) and occasionally getting lost with the countless names the author mentioned. In truth, this was difficult for me at times. Although this topic is a special one for me—I’m currently learning to play this genre—the author’s scholastic style makes this a dense and somewhat dry read which the casual reader may find cumbersome. Nevertheless, the deepened appreciation for this black folk tradition of music, of which I am a devoted fan, made trudging through this study worth every effort.