The fifth book of the Empire of the Moghul series, The Serpent’s Tooth begins a little before the critical Deccan campaign of 1631, when Mumtaz Mahal—then pregnant with her fourteenth child, Gauhar Ara Begum—accompanied Shah Jahan to Burhanpur. She dies shortly after giving birth, and Shah Jahan falls apart: the Prestons (Michael and Diana Preston write as Alex Rutherford) use Mumtaz Mahal’s death and Shah Jahan’s resultant despair as a pivotal point of this particular story. Their contention seems to be (and it makes sense, at least in the fictitious story that this is) that a man so deeply in love with his wife grieved so deeply that he was no longer able to hold his family together, or see how his actions were serving to perhaps alienate some of his own offspring.
The book progresses across the years, from Mumtaz Mahal’s death to the construction of the Taj Mahal, the rising rebelliousness of Aurangzeb, and his eventual usurpation of the throne. There are some obviously fictitious elements (one fairly major character, Nicholas Ballantyne, for instance); and the authors have taken some liberties with how they interpret events or describe them—the well-known incident of Jahanara being seriously burnt, for example, is based not on fact, but on an imagined reason. Overall, though, the book is based fairly solidly on fact.
Of course, if you’re writing a novel and not non-fiction (even narrative non-fiction), you have to build dialogue and action and tension. The authors do this to varying levels of success. For me, the prolonged and highly descriptive battle and skirmish scenes got a little boring, but what I really liked was the way they are able to show the emotions, the dilemmas and conflicts that pulled and pushed around the throne.
There are a few minor errors here and there. ‘Zinderbad’, for instance; or the fact that the women of the haram (I like that the Prestons call it haram and not harem) don’t really practise purdah in the all-enveloping (pun intended) sense it was: Mumtaz Mahal would not have had male hakims touching her or even seeing her.
On the whole, though, this was a book I enjoyed. It was a good combination of solid fact and well-written historical novel, the characters skilfully etched, their motivations believable, and the dynamics surrounding the throne vivid.