finally done with this unwieldy, almost decade-long run. it was quite good actually! i definitely think this second half wasn't quite as consistently strong as the first but at the end of the day it is a character defining read. I'll take it character by character because i think most of my thoughts revolve around them.
first things first, i think she-hulk is a fun addition to the team. it does feel a bit like john didn't know what to do with ben, his story kind of stays stagnant and his self doubts spiral in what is pretty nakedly just an excuse to write him out. but if he had to leave the team, I'm glad they allowed a new dynamic to take his place rather than just the closest match. jen's continual feeling that she is an outsider to this well established family makes for some interesting arcs, but it also can give way to her feeling like a background character for the more dramatic elements. a mixed bag overall but more of it works for me than doesn't.
sue wins the award for most improved by a country mile in this half. she was well written in the first half, don't get me wrong, but this book really allows her to undergo meaningful growth in a way all too uncommon for comic book characters. it was so satisfying to see her become more confident, assertive, and generally more comfortable in her own skin after the series of consecutive traumas she had to endure. and thoss traumas are largely handled with refreshing maturity... even if they did make malice look like *that*.
tying into this, Byrne seems to really have fun with interrogating reed here. starting off literally with his own trial at the hands of the kree, but then also constantly throughout this run he is faced with monuments to himself and the consequences his actions have wrought. he is called out for playing things too safe or overthinking in times when action is what is actually requires. this book not only lets him be wrong but it sort of relishes in when he is. reed sort of experiences a parallel but backwards arc to sue, learning to rely more on his team and trust in his family rather than shouldering the burden entirely himself. just like sue, he is given so much more depth here and frankly I'm eating it right up yumyumyumyumyum.
JOHNNY AND ALICIA SHOULD NOT BE DATING AND EVERYTHING TO DO WITH THIS PLOT LINE IS JOHN BYRNE'S MISTAKE. that's pretty much all i have to say about those two, their main internal stories in the back half of this run have to do with each other, but their romance feels totally contrived. they are two people who have been abandoned by the narrative finding plot purpose in each other, but never is ben's absence more felt than when these two exchange empty declarations of love and worry. i think this is frankly an affront.
anyway, as for the book at large, there are of course standout stories but there is a big two-word problem that drags down its storytelling ability: Secret Wars.
this omnibus is loaded with crossover fever. it's the kind of thing that gets people excited and boosts sales in the short term, but makes it an absolute pain to go back and read 30 years later. if i didn't go into this run with a base understanding of secret wars I and II i truly don't know if i would have been able to enjoy it as much. the story always feels like it's disrupted or has to rush to an abrupt end to make way for event storytelling. it's frustrating but it is the way of comic books unfortunately.
but i can't complain too much because at the end of the day this is a book full of solid and fun fantastic four stories that, individually at least, don't overstay their welcome and are packed full of unique visual ideas.