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Pageant of Murder
The humble town of Brayne is about to be upgraded to a borough. For energetic councilor Julian Perse such elevated status requires proper celebration, namely the organization of a multi-part historical pageant to be held throughout the village. A parade of figures—including Henry VIII with six wives in tow and Edward III—will entertain the crowd in the high street, building to an evening performance of dancers, tumblers, comedians, children’s choir, and selections from The Merry Wives of Windsor at the town (now borough) hall. To pull all these elements together and essentially stage-manage the spectacle, Julian presses into service his aunt, successful fashion writer Kitty Trevelyan-Twigg. Reluctant but unwilling to let her nephew down, Kitty lends her services; first, though, she consults her old Carteret College friend Laura Menzies, who looks on in amused interest.
The day arrives and the pageant looks to be a success, despite concerns over early morning rain and, later, a donkey joining the squire’s horse on the field during a stately display of dressage. At the town hall, the jokes of the hired comedy act are not blue but merely stale, the children remain under control, and Falstaff is speedily removed in Windsor’s washing basket. When the actor fails to appear for his second scene, however, Kitty is forced to usher in the night’s next performance. Falstaff reappears by the river, the basket nearby and a fatal knife wound in his side. An agitated Kitty reports to Laura, who in turn tells her employer, Dame Beatrice Bradley. It’s just as well that the aged psychoanalyst is brought in: the actor playing Henry VIII soon disappears, and his costumed body is found—minus the head—in a wooded lane.
Despite these perceived curses (and against Kitty’s wishes), Julian Perse decides to mount a sequel to the star-crossed pageant, this one much less publicized and without the town’s formal blessing. A re-enactment of an eighteenth century election ends in a modern-day gang fight, and the following morning finds the unfortunate Edward III swinging from the Hangman’s Oak tree. A hunch leads Laura to the discovery of Henry’s head, while Dame Beatrice works with the police to unmask the culprit and put a stop to these historically-themed murders.
The day arrives and the pageant looks to be a success, despite concerns over early morning rain and, later, a donkey joining the squire’s horse on the field during a stately display of dressage. At the town hall, the jokes of the hired comedy act are not blue but merely stale, the children remain under control, and Falstaff is speedily removed in Windsor’s washing basket. When the actor fails to appear for his second scene, however, Kitty is forced to usher in the night’s next performance. Falstaff reappears by the river, the basket nearby and a fatal knife wound in his side. An agitated Kitty reports to Laura, who in turn tells her employer, Dame Beatrice Bradley. It’s just as well that the aged psychoanalyst is brought in: the actor playing Henry VIII soon disappears, and his costumed body is found—minus the head—in a wooded lane.
Despite these perceived curses (and against Kitty’s wishes), Julian Perse decides to mount a sequel to the star-crossed pageant, this one much less publicized and without the town’s formal blessing. A re-enactment of an eighteenth century election ends in a modern-day gang fight, and the following morning finds the unfortunate Edward III swinging from the Hangman’s Oak tree. A hunch leads Laura to the discovery of Henry’s head, while Dame Beatrice works with the police to unmask the culprit and put a stop to these historically-themed murders.
- GenresMystery
Hardcover
Published January 1, 1984
About the author
Gladys Mitchell
100 books143 followersAka Malcolm Torrie, Stephen Hockaby.
Born in Cowley, Oxford, in 1901, Gladys Maude Winifred Mitchell was the daughter of market gardener James Mitchell, and his wife, Annie.
She was educated at Rothschild School, Brentford and Green School, Isleworth, before attending Goldsmiths College and University College, London from 1919-1921.
She taught English, history and games at St Paul's School, Brentford, from 1921-26, and at St Anne's Senior Girls School, Ealing until 1939.
She earned an external diploma in European history from University College in 1926, beginning to write her novels at this point. Mitchell went on to teach at a number of other schools, including the Brentford Senior Girls School (1941-50), and the Matthew Arnold School, Staines (1953-61). She retired to Corfe Mullen, Dorset in 1961, where she lived until her death in 1983.
Although primarily remembered for her mystery novels, and for her detective creation, Mrs. Bradley, who featured in 66 of her novels, Mitchell also published ten children's books under her own name, historical fiction under the pseudonym Stephen Hockaby, and more detective fiction under the pseudonym Malcolm Torrie. She also wrote a great many short stories, all of which were first published in the Evening Standard.
She was awarded the Crime Writers' Association Silver Dagger Award in 1976.
Born in Cowley, Oxford, in 1901, Gladys Maude Winifred Mitchell was the daughter of market gardener James Mitchell, and his wife, Annie.
She was educated at Rothschild School, Brentford and Green School, Isleworth, before attending Goldsmiths College and University College, London from 1919-1921.
She taught English, history and games at St Paul's School, Brentford, from 1921-26, and at St Anne's Senior Girls School, Ealing until 1939.
She earned an external diploma in European history from University College in 1926, beginning to write her novels at this point. Mitchell went on to teach at a number of other schools, including the Brentford Senior Girls School (1941-50), and the Matthew Arnold School, Staines (1953-61). She retired to Corfe Mullen, Dorset in 1961, where she lived until her death in 1983.
Although primarily remembered for her mystery novels, and for her detective creation, Mrs. Bradley, who featured in 66 of her novels, Mitchell also published ten children's books under her own name, historical fiction under the pseudonym Stephen Hockaby, and more detective fiction under the pseudonym Malcolm Torrie. She also wrote a great many short stories, all of which were first published in the Evening Standard.
She was awarded the Crime Writers' Association Silver Dagger Award in 1976.
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Displaying 1 - 4 of 4 reviews
August 29, 2015
Definitely not one of Gladys's better books. In fact I thought this one very poor. Not enough of Mrs Bradley and far too much of Laura and Kitty. The witty banter between these two became very tiresome. For me, the whole success of Gladys's books rests upon the creation of the marvelous character of Mrs Bradley and to sideline her to occasional appearances considerably diminishes the attraction.
The plot was disjointed and the ending disappointing.
The plot was disjointed and the ending disappointing.
June 8, 2025
This novel shows how a good writer can occasionally turn out a disappointing novel, with grace and a deft elegance of style. The disappointment was perhaps all on my side, because other books by Mitchell are downright brilliant in plot construction and character development. Those clever clues and bright chatter gave the reader a fair chance to work out the puzzle, but this book simply didn't click for me.
March 10, 2018
This book felt choppy, and very un-mrs. bradley style. Like she had written it for some other use and just plugged in her main characters to make it a Bradley murder mystery. idk. weird.
June 2, 2022
Not the best of the Gladys Mitchell novels but not the worst either. I prefer the earlier novels, this one is from 1965.
Displaying 1 - 4 of 4 reviews