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A Pocket Guide to Opera

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A concise but comprehensive guide to understanding and enjoying opera

Opera is a wonderful musical form--but the prospect of attending performances can be quite daunting for the uninitiated. The sense of insecurity about the entire enterprise--What is the plot about? What is the music like? What should one listen for? What should one look for on the stage? What are the best recordings and videos to buy?--can discourage would-be fans from making that first step into this extraordinary world.

In A Pocket Guide to Opera , Rupert Christiansen, a leading music critic, addresses all these questions head-on to provide a highly readable guide to eighty of today's most popular operas, ranging from the Baroque operas of Gluck and Cavalli through the classical operas of Mozart and the nineteenth-century masterpieces by Wagner, Verdi, and Puccini, and on to twentieth-century works from Strauss, Stravinsky, and others. In addition to offering a pithy synopsis of each opera, A Pocket Guide to Opera also includes short sections on the history of each work, descriptions of the main characters, and guidance on what to look for in a performance and what to listen to in a recording, as well as recommendations for the best recording, video and DVD. The resulting book is today's best one-volume introduction and guide to opera--a concise but comprehensive volume that every opera fan should own.

336 pages, Paperback

First published September 2, 2002

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About the author

Rupert Christiansen

19 books11 followers
Rupert Christiansen is an English writer, journalist and critic, grandson of Arthur Christiansen (editor of the Daily Express) and son of Kay and Michael Christiansen (editor of the Sunday and Daily Mirror). Born in London, he was educated at Millfield and King's College, Cambridge, where he took a double first in English. As a Fulbright scholar, he also attended Columbia University from 1977 to 1978.

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Author 10 books12 followers
February 27, 2015
Bought this and the Classic FM "Handy Guide" which was much shorter. Both books only give a synopsis of the major operas but this one covers more and provides more food for thought.
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