I read the second book in this series last year. I actually took it home free from the shop I volunteer at. I rated it 2 stars, but I don't remember exactly how I felt about it.
The dialogue was too old-fashioned, and proper:
'He should get to bed, for the next day would be another long one.'
'It was how she has first discovered she loved to cook, for fast food or late meals had grown irritating.'
"You mustn't clean up."
'The bar had had the same dark shadows as now enfolded them in the parlor.'
'That had made Emily giggle, for she was a child of the city, and she hadn't been able to imagine her mom on a farm. It was easier to imagine now, for her mom had grown up right next door to a working ranch.'
'To her surprise, she realized he'd been holding out a cue to her, and she'd barely noticed, so focused was she on his broad chest scattered with dark hair.'
'Emily barely saw Nate wave away the waiter, so focused on Joe was she.'
Being hit with a divorce, a lost baby, not being able to have another one, wanting to adopt, her mom into Wicca, was a lot. And both her parents dying. Then Emily finds out her dad wasn't her real dad and the book became a hunt for her bio dad.
There's so much going on in here; it was too much.
The entire series and town is corny. I mean, it's called Valentine valley. And to imply that there's lovers everywhere, kissing, holding hands, getting married, was a little ridiculous.
People's names and names of shops in town are corny too, what with all the alliteration: Carmina's Cucina. Hal's Hardware.
I had to look at book 2 to refresh myself on who the characters were. I didn't remember their names: turns out it's Brook, Nate's sister's story. I didn't remember Brooke's brother Nate being adopted.
Idl how Nate likes to rescue women. And doesn't know how to help someone and have a good relationship. I found it kind of pathetic, and he wasn't manly enough for me. I've never read a character who had that problem. Definitely not a male character.
The 'tragic' back story for why he is the way he is was ridiculous. Story of his college gf he helped as a freshman, with classes, tests, and then when her dad got sick, he helps her study, then a family emergency sent him home. He left, she felt abandoned, and somehow flounders in school, drops out entirely and leaves? That's a bit dramatic. How did she spiral so far? How long did it take to drop out? We never got a time frame on that.
Idk why Emily ever thought Nate was mad when she stopped the kiss at the bar and didn't have sex with him that night. He did nothing to imply he was mad.
She said the town knew she'd been married since she didn't have her mother's last name, but she would have her dad's last name, not her mom's. Kids generally take their dad's last name. She started as Emily Murphy, her husband's last name. Then suddenly she was Emily Strong, her dad's last name. It was confusing. And why would you continue to use your ex-husband's name??
He plans to take her out for a BLT, and she says "what if I'm a vegetarian?" And he reminds her that she ordered a burger at Tony's Tavern. She says she keeps forgetting about that and I love when he said "I don't." That was a nice moment.
Things happened really soon in the book, with a make out scene early on, and then over a hundred pages went by with nothing else happening. It's like the chemistry vanished.
Her going to and fro from the boarding house to the building she owned, baking and fixing up the building became repetitive. I wanted the plot to be a little more exciting.
Also I wasn't interested in her mom, or the father search at all.
I remembered being annoyed by the widows in the book I read,& that hasn't changed in here. Idl matchmaking busybodies. The elderly men were even that way, with one of the men at the hardware store calling Nate,& him somehow arriving mere minutes later. For a busy rancher and investor, he sure has time to show up wherever Emily is all the time.
Nate's 'helpfulness' could be seen as domineering and annoying.
He's Dudley Do Right over here, doesn't know when to stop.
He told her to order a BLT when she wanted to look over the menu. And of course she scans the menu and settles on a BLT. Because the hero told her to. Is there nothing else on the menu to eat, not one thing?
Then he tells her he'll help with the town doctor regarding her mom's records.
He said because of confidentiality she might have to show death certificates, which seems completely reasonable to me. Just by him talking to the doctor, he's going to show classified info? Very unprofessional, even for good ol boy Nate. Idk why he actually had to go with her. He should not have been there. It's private.
I didn't like that there's a chance they could have been related. Not sure why authors do that between the romantic leads...
I found it really odd the first thing Nate's dad said when he told him Emily wants to find out her dad's name is "don't let her have you believing I might be on a boyfriend list." Why would you even say that based off of what Nate said? And wouldn't you say you never dated her or something? Very odd. It made him look incredibly suspicious and guilty.
Things always ended up way too perfect in here. She needs furniture and Monica's parents have a mattress. The widows have old furniture. Emily needs a job and Monica happens to have an open spot.
I didn't like the comments on his past. How a college student hoped to get with him. He's 30. That's gross.
She says she's never seen so many women burst into smiles at the sight of a man and asked what he'd done for that kind of welcome. He wiggles his eyebrows suggestively& she laughs. Not funny to me.
She asks even the young hostess and he says no, though she keeps trying. But he likes em a lil older than 20. His sister used to babysit her and he's feel like a pervert. When she asks if that's the only reason he says he likes women with a little more experience. Life experience, that is.
They're said to have 'passion between them' that 'burned just a little brighter, a little hotter' but I wasn't seeing the passion myself. Not since that first night at the bar.
When Nate proposes they date it wasn't romantic at all.
"You and I get along."
"We're hanging out a lot. It'd be stupid not to enjoy it."
When she says she doesn't know anything about dating and the night they kissed alcohol had a lot to do with it. He says "I don't believe that for a minute. Or is that just what you've been telling yourself?"
He didn't seem to be accepting her answers and came across as needy and desperate. Telling her to 'think of this as an experiment." She's obviously not the casual relationship type, so just let it go and accept it. It irritated me she gave in.
This was cringe-worthy: "But aren't you the master of dating? Won't it be beneath you to try to teach a neophyte like me?"
After they kiss she says "Hey, in a neophyte, remember?" Totally ruined the moment. Who even says the word neophyte?!
"I couldn't have taken another moment working side by side on renovations."
"So you're saying that now you'll feel free to seduce me instead of teach me to drywall?"
"Heck, no. I'm just saying that now I can be patient, knowing that I'll have my shot."
That was bizarre to me that in a romance book, the Hero's response to seducing the heroine is heck no. What is that about? & patience? Was he impatient? He didn't even want to have a relationship until 0.2 seconds ago and was always hiding his feelings before and trying not to get close.
'It wasn't as if he was unaccustomed to dating and enjoying himself, ending it when the urge to smother the woman with his opinions and his help started to prove too attractive.'
This is just a bizarre problem to have.& he's been like that from the beginning, without them dating...I think you're just controlling to everyone, romantic or not.
Nate was kind of lame at times. 'He came toward her, and she was forced to step back, or he'd have run right into her. He was carrying a bag and a paperboard container with two cups.
He paused, and his smile dimmed. "Running away from me already?" He asked quietly.
He seemed strangely solemn all of a sudden.
"Running away? I'm trying to stop myself from giving you a kiss."'
How can you not tell when someone is stepping back because you're walking right past them. Man up. That was just a stupid moment.
I felt Emily was overstepping her bounds by telling Monica she shouldn't order those desserts from the local inn, and she'd bake for her. You're new there. Just something else that worked out too perfectly.
If I hear drywall one more time. How long does it take to put it up?! They were always drywalling. Drywall. drywall. DRYWALL! Who cares?
The business of Monica's shop selling flowers and crafts was interesting, how when Mrs. Ludlow's vase sold she'd get a nice check when she does the monthly consignment payout. There's a shop like that I've gone to, and I wondered how that works.
Nate always leaves ranching to help her. For a busy rancher, he was never that busy. I got irritated when he'd always pop up and wish they could have spent some time apart sometimes, so she could do things with friends or on her own. Then when she gets a job she delivers flowers to his house. She could have came and went without seeing Nate, but his dad says Monica won't mind if she stays, and Emily just up and stays for an ATV lesson with Nate's dad. I was so irritated.
"I...don't know when to stop, Em. When people need help, I...help them. Over and over again, until they don't know when my helpful suggestions are doing more harm than good. Idk either, until it's too late."
This sounds absolutely ridiculous. Who has this problem? That also implies that not only is Nate domineering, but the person he is 'helping' is weak-willed and just let's Nate control them. It takes two for it to happen, and I'm not buying that all these people are so easily controlled, with no mind of their own, that they just let someone dictate every aspect of their lives. Like his college gf, or his cousin who went into the military because Nate told him to.
Nate finally tells her his dark past, of not being able to stop helping people, & she says he hasn't overstepped his bounds with her and she won't let him. When he lends his tools or knowledge it's because she allows it. But that wasn't true to me. He's done nothing but offer his opinions, even on the menu, and she always gives in. She did a lot of the renovations, but Nate was there a lot, too. She wasn't as independent as she always claimed. Not to mention, Nate was even there when she went to the doctor and met her dad.
Emily has been at the shop for like a few days and Josh speaks to her about selling his leather on consignment while Monica, the owner, goes in the back room. Emily knows nothing about consignment, or flowers, or running a business& it's not even her shop! Wth!
It makes florist work look like a joke she learned it so easily. Of course she had a talent for arranging bouquets, and was perfect at everything.
When he feels like pulling back at the hockey game, he then goes to her apartment for sex that night. I really didn't like him then. It seemed like he was only after sex. He didn't want a relationship with her or to get even remotely close to her. They can't even smile or appear to be having fun without him fearing they're growing too close.
Her mom left a very convenient diary entry in her childhood diary about a boy she was seeing with blue eyes. Something else that's too perfect in here.
Nate even tells her not to wear clothes to get ice cream even when she said her blinds are open. Just demanded she wear no clothes like a caveman jerk. And she does. Because she's weak-willed and does whatever Nate wants. How exactly is she independent?
She wants to pay for their date, saying it's her idea and for her benefit and he says "who says it's for your benefit? You're puttin' out later." I found that disgusting, creepy, and just wrong considering he's been wanting to break things off with her.
She couldn't even call sex making love because of Nate's stupid rules. To say making love might imply there were feelings involved. Or say she loved something about him. She had to correct herself to "really enjoy that about you."
She never said how old her baby was. Near the end of the book she finally says her baby died without ever taking a breath. Then later says she'd gotten pregnant before and would have miscarriages. Idk why that was kept a secret so long. Totally unnecessary.
Emily ended up being the one who didn't wanna marry at the end, while Nate changed his mind--miracle of all miracles. 'He thought things had changed between them, deepened. They had--he couldn't mistake that. But whereas he accepted it, anticipated a future they could share, she was putting on the brakes.'
Now he's acting all superior, when it's what he's wanted the entire time!!
The HEA felt rushed and not believable. They don't even know each other that well, and have barely dated or spend meaningful time together, and then they're in love? I didn't buy it.
I think getting engaged that autumn was a little soon. We dk if they'll adopt or she's able to have kids after all.
Something I realized while reading, the characters are all grandkids of the widows at the boardinghouse. You can't have all your characters be related to the three widows. This is another series I just don't think the town is for me. It's just not exciting, or charming, and is more annoying and corny.
This started ok, and got steadily more annoying as the book progressed. It hit me at one point that this wasn't enjoyable and I didn't want to be reading it.
I didn't buy the chemistry or love between the characters. I don't understand why you'd have a makeout scene at the beginning, and then have the chemistry fade to the background like it just disappeared. It made it seem like they weren't even attracted to each other because of it.
It didn't even add up that Nate, who doesn't want relationships or to be close to anyone, wouldn't casually date Emily the entire time, because he knew from the beginning that she was leaving. She was the perfect person for him to date, yet he kept putting her off? How does this make sense?
Emily's past wasn't clear enough. She never wanted to talk about her ex, so therefore we had no clear picture of what happened between them. You mean a happy marriage just dissolved with her last miscarriage? More likely it happened over time, but we had nothing to go on. Don't put it in there if you're not going to go beneath the surface and delve into it, so we at least know what happened.
I didn't really like any of the characters in here, or the town. There wasn't really a plot, just all these things the author crammed in here: ex-husbands, miscarriages, dead parents, adoption, biological families. It was like she crammed in all she could trying to scrounge up a plot, but there just wasn't one. It was way too much going on for one book. I wasn't interested in any of it, either, and found the book boring.
I love cowboys but Nate wasn't much of one. He was into business, but Emily barely even knew what he was into, and we didn't either. The ranch life was very typical, with them either digging irrigation or looking for cattle, and fixing fences. I wanted more.
The only thing I liked about this story was the fact that Nate was a cowboy, although the author didn't do much with that. One or two scenes with him on a horse. I looked forward to the rodeo to add some excitement to the plot, but the author didn't even include any of the events, just skipped it entirely. That was more interesting than anything else going on in here.
I felt things worked too perfectly for Emily. I prefer things to be a lil more realistic. She meets her dad, while many people will never know their bio parents, and don't conveniently have a list of names to go by and a diary entry of their eye color. The scene with her bio family was rushed and felt tacked on. I didn't care for that side plot at all.
There was very little I liked about this. Actually, I can't think of anything I really liked...
I gave the second book 2 stars, but I remember it being better than this. Being that that was 2 stars and this less than 2, I'm thinking this series might just not be for me.
1.5 stars