Taking two narrative genres that are generally presumed to have been stymied by the censor's knife-the Victorian novel and classical Hollywood film-this book reveals the varied ways in which censorship, for all its blustery self-righteousness, can actually be good for sex, politics, feminism, and art.
The author takes a difficult and provocative thesis and does a great job defending it. An intelligent and fascinating piece of literary and film analysis.
Fascinating book, but more literary criticism than all that much about the censorship aspect. Not that that's a bad thing, but it's not very helpful for my paper. But that on me.