Take this book off your TBR (to be read) pile and start reading. In addition to a great storyline, three story elements really stood out to me:
(1) Expertly drawn likable characters; (2) a competent, stable psychologist as main character; and (3) Cuban-American characters in a South Beach, Florida setting.
While reading In Need of Therapy by Tracie Banister, I was amazed by the “likeability” of not just her main character (Pilar Alvarez), but each of her characters – from her trouble-making, destructive sister, Izzy, to her opinionated mother, even her persistent ex-boyfriend Victor who pops in on Pilar at the worse possible times. The one character who may not be likeable by the end of the story is certainly lovable during the story.
Why are likeable characters important? Why mention this, specifically, in a book review?
Here’s a little something unknown to most readers: Many writers struggle with creating the elusive “likeable” character, especially at the beginning of a book when the writer is trying to hook a reader with a compelling story conflict. The prevailing fear is that the reader will abandon the book if the main character (and to a lesser extent, the secondary characters) are not “likeable”. But then, how do you show a character in distress at the beginning of a conflict and how do you signal that character growth is possible during the unraveling of story events? Don’t our characters need to start somewhere and isn’t that somewhere less-than-desirable when compared to the happy ending? On the one hand, you want to write a character that is flawed, so that he/she can grow while on their personal journey, but those flaws must be written in such a way that doesn’t turn-off the reader. It’s very difficult. As a writer, you almost want to attach a note to the reader at the opening of the book which reads (this example has nothing to do with In Need of Therapy): I know she is foolish and irresponsible. I know he is controlling and critical at times. But this is the beginning of their stories. Please be patient and read. Find out what happens to them as they learn from their mistakes. Don’t ditch ‘em before the story gets off the ground!
Because Banister’s characters are so likeable the result is a book that is endearing. If it were on the big screen, the story would feel good the way a Meg Ryan or Hugh Grant chick flick feels good. And it’s “clean” and pretty wholesome compared to many titles in the genre. I would let my high school daughter read this book because while there are steamy scenes, they are handled in a manner that is suitable to a wide audience.
Pilar Alvarez is a skilled psychologist which makes her an incredibly competent and reliable first-person point-of-view narrator. So often, we read books because we want to experience the impossible struggles of a less-than-perfect character. In fact, the chick lit genre is filled with this archetype. We fell in love with Jane Austen’s Emma because she constantly tripped over herself through her words and actions until we were certain she’d never find her way into Darcy’s arms. Not so with Pilar. I read Pilar feeling she had it more together than I do, which turned the tables on me, the reader. Of course, she has many obstacles and tangles to unravel in her life, but it is utterly refreshing to read a main character that provides excellent therapy to her patients and insightful advice to her family members. During passages of dialogue with her patients, you’ll find Pilar to be downright brilliant and dead-on. Pilar has problems that need fixing, but she’s not a silly, hapless character that solves the world’s problems through clever hijinks and near misses. Quite the opposite. She is thoughtful and careful in her decisions and gives the readers every indication that while she wobbles a bit during the story, she is a character that is overall very steady, with both feet placed firmly on the ground. I respect that in a main character.
For my third point, in addition to this being a book with endearing, likeable characters (a difficult task for any writer), and with a stable and competent main character (very refreshing), my third point is this: Pilar Alvarez is Cuban, her family is Cuban (loving, funny, animated and very close) and the book is set in South Beach, Florida, where the Cuban community is prominent. Pilar feels enormous cultural pressure from her Cuban family to get married. Here’s a passage from her mother, who is bandage-wrapped and a bit drugged after a facelift:
“You turned down his proposal? You said ‘no’ to that 5-Carat ring? Are you estupido? Dios mio, where did I go wrong?” She raised her hands to the heavens. “How could I have raised a daughter who has so little sense, a daughter who spits on the holy sacrament of marriage?”
(Fast forward a few paragraphs…)
Since my mother was incapable of moving any facial muscles, she just glared at me. “And your father thinks you’re the sweet one.”
When Pilar meets Nate, the five-year-old son of the “sexy shrink across the hall” they form a bond when Pilar begins teaching him Spanish words, which is really sweet, because the vocabulary they use is the kind that would be important in the life of a five-year-old, words like guante de beisbol, which means baseball mitt. (I know I’m missing an accent mark on the ‘e’ in beisbol but I can’t figure out how to fix that and I apologize if the meaning of the words have now changed from baseball mitt into something horrible or something that may cause a rift between countries. Dang that formatting.) Pilar tells Nate she’s Cuban, Chilean, and American. That her sisters and she like to call themselves ‘Cubchilicans’. I absolutely love this about Tracie Banister’s book because so many books in the chick lit genre are set in London or New York (or similar) and are decidedly American, Australian, Canadian, British, or Irish. (Countries placed in alphabetical order – for reasons of diplomacy, of course.)
Now, I’m just little ole me and what do I know, but I think a big fat agent or a big fat editor at a big fat publishing house ought to consider not just the likeable characters and strong main character but the Cuban underpinnings in Banister’s book because I think there’s a potentially (huge!) market for readership. Right now, industry insiders seem to be watching “new adult” fiction (‘new adult’ loosely described as post-adolescent, college-age, early career characters and storyline) but I think the time has come for a close look at a Latino Chick Lit sub-genre with In Need of Therapy by Tracie Banister has a headlining book. Her characters are so likeable, both book and movie audiences will love them. Find a Cuban-American Megan Ryan to play the part of the stable and refreshingly competent Pilar Alvarez, and you’ve got yourself a winning book-to-movie combination!
Disclaimer: A copy of this book was provided in exchange for an honest book review. This book review and many more first appeared on my "Chick Lit Chit Chat" blog URL: julievalerie.com