Caught in a perilous divide between life and death, Mrs. Rundel is both a woman struggling to catch her breath, and the child she was 60 years earlier who struggled to survive the violence of the liberation of Italy and experienced the everlasting innocence of first love from an enemy soldier.
from the backcover: Joanna Scott is an Assistant Professor of English at the University of Rochester. She has also taught in the creative writing programs at Princeton University and the University of Maryland. She was awarded a Guggenheim Fellowship during the writing of Arrogance.
Librarian note: There is more than one author in the Goodreads database with this name.
One of the things I most enjoy about a novel is being kept off balance, not in terms of plot, but in terms of artistic choices. Scott is very good at this here. Suddenly, her third-person omniscient narrator is talking about what didn’t happen or what a character didn’t think, or she pops forward in time, for example, “She would keep reading about the war in the years ahead until she seemed to be living half her life in other people’s memories.” Or all of a sudden a character writes another character’s imagined letter, complete with misspellings.
Scott gives herself a great deal of freedom, and it doesn’t seem to scare her a bit. There are a few places where the novel drags, but this is yet another novel (my third from her) where Scott’s deftness and artistic imagination turn an ordinary story into something great. I wonder what it means that she is not considered one of our best living writers.
Fifth book I judged "by the cover." A woman reflects on violence she witnessed firsthand during World War II. Approached it from a different angle and a lot more of a "quiet" novel from this era than I can remember, which isn't necessarily a bad thing. (7.5)
Book #7 of 2009 I did not like this book much. I borrowed it because most of it is set on the island of Elba. I remember Elba being a magical place where I spent a weekend the summer I stayed in Italy. The book though, was rather dull. The perspective switched between Adriana Nardi, 10 years old - almost 11 - at the time of the Liberation of Elba, her mother Guila, her uncle Mario, a Senglenese soldier Amdu Diop who Adriana and Guila nurse back to health after he develops a fever, and Mrs. Rundel, Adriana 60 years later who almost dies on a train on her way to work. There is not a lot of action and most of the story is told in a stream of consciousness which I found annoying, difficult to follow and distracting. The ending also came out of left field and was so undeserved. It was a rather abrupt and disjointed end, which didn't make a boring book any better. Borrowed from the library.
This almost ended up in my DNF pile - a few chapters in it was just all over the place - hard to explain but I didn't like it at all. However I stuck with it (it's very short which helped) and the story finally did settle down to be interesting - never thought about Elba other than Napoleon - so that was interesting. And a little magical. I never did make the connection between the present day and past other than the main character and learning where she ended up. Probably a 2.5 stars.
I wanted more. Relatively nice writing- not too surface level, not too flowery. The characters were clear and interesting, but not nearly as full as I would have liked them to be. I rarely felt I was getting the meat of the story. Even so, the way humanity met imagination carried me through to the end. Oh, to be a 10 year old girl again.
Written by a Brighton author which was fun. Narrative switched from a young girl's perspective during the liberation of Elba durng WWII by Sengelese soldiers, to that same girl many years later. Slow at times, but worth the read.
A decent read that takes the reader between the past (specifically WWII Italy as the island of Elba is liberated by French Colonials) and present day America. A quick, easy read.