With The Operative, Duncan Falconer strides into a higher league of thriller writing. Alongside the high-action scenes we expect of Falconer is an emotional punch that previous work never achieved.
John Stretton is back, off-duty, and mourning the loss of an SBS close friend and colleague who has just been killed in action. When the widow takes her son Josh on a recovery holiday to America, she strays into the wrong part of town and is viciously murdered by an Albanian thug. Stretton instantly flies out to facilitate the boy’s return to the UK and the repatriation of Sally’s body but events rapidly provoke Stretton into dealing with things his own way. The theme quickly becomes one of revenge as Stretton hunts and kills the culprit.
The Albanians, however, are very loyal, and the thug’s brother, Dren Cano, who is the ruthless second in command of a Mafia-like criminal empire, seeks retaliation for his brother’s death.
Daut Skender, who runs the organisation, enjoys his American lifestyle, and aims to build a legitimate business empire on the money gained from his criminal activities. He constructs a massive new office complex as a symbol of his power and success, complete with a slightly larger-than-life sized statue of himself in its grounds. Skender’s criminal background is well known, but he is protected from prosecution by a deal high-up with the FBI that gives him freedom in return for occasional information on terrorists and other criminal activity. He tries to control Cano but fails.
The US Child Protection Agency temporarily takes Josh into care after his mother’s death. Stretton is allowed supervised visits and becomes friendly with Josh’s care-worker. Her life is soon at risk when Cano’s vendetta reaches its climax, and her feelings for Stretton are beautifully painted and emphasize how difficult it is form a relationship with a Special Services operative. We really feel both their pains as the events increasingly create psychological barriers between them.
When direct attacks on Stretton fail, Cano kidnaps Josh in an attempt to gain the upper hand. In an explosive climax, we follow Stretton’s final assault on the Albanians, and the tense final moments as his and the boy’s lives literally hang in the balance.
Although slightly unbelievable at times, this powerful story of revenge makes a great read. The opening is uncharacteristically slow, but is necessary to demonstrate Stretton’s expertise with explosives, a skill that is vital to the rest of the book. After that, though, the pace never slacks.
The book does suffer from an occasional very long sentence, particularly in the first half: in chapter 1, for instance, one sentence runs to nearly sixty words. There are also occasional large blocks of background that are dropped into the story and disrupt the reader’s immersion in the action. Fortunately, though, these are infrequent enough not to damage the overall enjoyment.
In summary, The Operative is a brilliant book: it’s basically a tale of revenge, but also explores the impossibility of Special Services operatives forming lasting relationships. It’s characteristically tense and fast-faced but the events surrounding his colleague’s wife and son, and subsequently those around Strettons’ relationship with Josh’s care-worker, add a piquancy that carries Falconer into a new league of thriller writing.