Full name Charlotte Armstrong Lewi. Wrote 29 novels, plus short stories and plays under the name Charlotte Armstrong and Jo Valentine. Additional writing jobs: New York Times (advertising department), Breath of the Avenue (fashion reporter).
The Witch's House started off a bit slow but picked up speed; I didn't really understand why one teacher's anger was good and right until the back story was explained about page 20. The idea of a modern-day witch tale plus the utter frustration of citizens having to circumvent police boredom and bureaucracy was a good idea. Mischief showed a better sense of pacing and character development. I especially enjoyed the back-and-forth argument that a callous young man has with himself that results in some much-needed humbling out of shock, and the idea that insanity may be neither more nor less than the failure to anticipate consequences - just an ego based on the idea of the moment with no brakes. The Dream Walker failed to capture my attention by page 30, so I decided to finish it another time.
I like mysteries and I had never read Charlotte Armstrong before so when I saw this book at a thrift store I took a chance. Good thing I didn't pay that much for it for I don't care for her writing style. I often found myself rereading a passage or sentence and wondering what she meant. The Witch's House was ok and I only read Mischief because it was the basis for the 1952 movie Don't Bother To Knock, which I had seen, and I like to compare books to their movies. Started the 3rd story it just didn't hold my interest.