Based on three years of ethnographic research with Bruce Springsteen fans and informed by the author's own experiences as a fan, this is an interdisciplinary study of the ways in which ordinary people form special, sustained attachments to Bruce Springsteen and his music and how those attachments function in people's daily lives to create meaning, shape identity, and create community. An insider's narrative about Springsteen fans - who they are, what they do and why they do it - it is also about the phenomenon of fandom in general. The text moves back and forth between fans' stories and ideas and the author's own anecdotes, commentary and analysis. Cavicchi argues that music fandom is a useful and meaningful behaviour that enables people to shape identity, create community and make sense of the world.
This book was referenced in several fan studies texts and I decided to go back to the original. It's an excellent ethnography that appealed to my reading of it as a fan (interested in the stories and experiences of other fans pre-Web 2.0) and as a researcher (interested in how Cavicci interpreted and intermingled theory with fan stories). I found it a pleasurable read to want to recommend it to colleagues and friends who are fans of Springsteen themselves and might enjoy this as pleasure reading.
This review is also based on the Kindle/e-version which made for easy annotation and note-taking but was perhaps a bit less fun to read outdoors. I am considering ordering a hard copy to add to my bookshelf of research books.
ok.. full disclosure: Dan is one of my best friends. Notwithstanding he is an excellent writer, diligent researcher and innovative theorist. full stop.
I thought I might be biased, but even at a Ethnomusicology conference I was at, he was cited by others and they don't even know him.
the book: be warned this is not about Bruce. But about Bruce's fans, and fans and idealogy and culture. Really a seminal book in the field. I have read others (studies on Trekkers and Sci-fi fans and slash fiction etc) but this really does take the cake. ...
one interesting tidbit. Dan follows the origin of the word "fan," typically thought to be derived from "fanatic," and makes a strong case for a derivation from the french for "the fancy."
It is quite cool to read about an academic piece of writing on a topic you are particularly interested in. This is the experience I have had with this book. While sometimes the overall argument is difficult to follow, this is the most fun I have had reading academic writing.
Published in 1998 and based on an ethnographic study nested in a PhD, this is a solid work of cultural studies during a period where the field was dominated by good research and considered theory.
Significantly, this research is superior to the extraordinarily poor research on fandom produced since the mid-2000s, that has no theorization of the political economy or digitization.
Where this book is solid but not excellent is why fandom exists and what - precisely - the fans gain from this commitment. Also, the researcher does not fully resolve the 'problem' of his fandom - and fan knowledge - and how that plays out in his research. At times, his experience is too broadly generalized.
What this book captures though, is what we have lost in popular cultural studies. A book like this - a PhD like this - could not emerge now. That is a great shame. But this book is a testimony to a more interesting and intelligent time in the international humanities.