Beginning in the 1950s, "Euro Horror" movies materialized in astonishing numbers from Italy, Spain, and France and popped up in the US at rural drive-ins and urban grindhouse theaters such as those that once dotted New York's Times Square. Gorier, sexier, and stranger than most American horror films of the time, they were embraced by hardcore fans and denounced by critics as the worst kind of cinematic trash. In this volume, Olney explores some of the most popular genres of Euro Horror cinema―including giallo films , named for the yellow covers of Italian pulp fiction, the S&M horror film, and cannibal and zombie films―and develops a theory that explains their renewed appeal to audiences today.
Ian Olney is an associate professor of English at York College of Pennsylvania, where he teaches film studies. He is the author of Zombie Cinema and Euro Horror: Classic European Horror Cinema in Contemporary American Culture, as well as numerous essays on European cinema and the horror film.
Compelling when making a case for this nebulously defined era as the first truly postmodern horror cinema, opposed to the narrative and aesthetic unity of classical Anglo-American horror; less convincing when it comes to tackling the actual politics of specific movies, sections which read as overly defensive against the accusations of racism/homophobia/misogyny that have (often not unfairly) dogged these films in ways that sometime plainly conflict with Olney’s main thesis.