Mexican painter Miguel Covarrubias set sail for Bali in 1931 on an optimistic personal quest to discover, absorb, and chronicle Bali’s traditional living culture. Buy into the romance and seduction of Covarrubias—driven by a feverish imagination-- inexorably pulled towards and teased by the lure of Bali, half a world away. Travel back sixty-four years in time to Bali’s unspoiled natural vistas—a happy, peaceful. pristine retreat standing apart from a West mired in crippling economic depression and poised on the precipice of World War II. As a fellow artist on an island with three million artists-in-residence (creativity is considered both a religious and a natural activity on Bali), Covarrubias penetrated deeply into the spirit of the dance, theatre, music, decorative arts, and pastimes of Bali.
Embellished by 114 half-tone photos and 90 drawings by the author and other Balinese artists, this essential, still-relevant classic consists of twelve chapters on the Balinese people and their civilization in the 1930s. Accompanied by painter Walter Spies, Bali’s most famous expatriate resident, they roamed the countryside together with eyes, ears, and canvasses wide open, observing the local life. Covarrubias’s most notable writing describes the organization of the traditional Balinese village: the markets, social order, etiquette, language, caste system, the banjar, law and justice, the courts, the subak, rice culture, and the distribution of labor. This intimate, insider’s foray into every nook and cranny of his own paradise produced key chapters on everyday family life in Bali: the house, cooking, costume and adornment, childbirth, childhood, adolescence, sexual customs, and marriage.
Covarrubias explored the place of the artist in Balinese life and the development and evolution of Balinese art, crafts, sculpture, and architecture. Drama and dance are important components of Balinese life: they come alive through the village orchestras, musical instruments, classical Legong, and the ancient shadow plays. Island of Bali unveils material on priests and religion, temples and feasts, offerings and exorcisms, the Balinese calendar, and the original Bali Aga people. Written from a day when primary forests reigned supreme and witch doctors wielded terrifying power, Covarrubias delves into the cult of the Barong and Rangda, black and white magic, folk medicine, the sacrifice of widows, and death and cremation. The Balinese still lead a magical, mystical, harmonious life that is difficult for Westerners to understand unless they read a profound work like Covarrubias’s Island of Bali. With an artist’s sensibility and a Bali-lover’s eye, Covarrubias paints a complex nirvana with words and easel in this great literary achievement.