Clark Ashton Smith was one of the most remarkable and distinctive American poets of the twentieth century. His tremendous output of poetry, totaling nearly 1000 original poems written over a span of more than fifty years, is of the highest craftsmanship and runs the gamut of subject matter from breathtaking cosmic verse about the stars and galaxies to plangent love poetry to pungent satire to delicate imitations of Japanese haiku. This edition prints, for the first time, Smith s entire poetic work, including hundreds of uncollected and unpublished poems. The poems have been arranged chronologically by date of writing, so far as can be ascertained. This first volume includes poetry from the first two to three decades of Smith s career, when he published such noteworthy volumes as The Star-Treader (1912), Ebony and Crystal (1922), and Sandalwood (1925). Smith s early work was written under the tutelage of the celebrated California poet George Sterling, but Smith quickly surpassed his mentor in the writing of cosmic and lyric verse. Smith s greatest poetic triumph, perhaps, was The Hashish-Eater, a poem of nearly 600 lines that strikingly evokes the myriad suns of unbounded space and the baleful monsters that may lurk therein. But Smith could also write such touching elegies as Requiescat in Pace, a dirge for a woman whose death affected him deeply.
Public condemned Les fleurs du mal (1857), obscene only volume of French writer, translator, and critic Charles Pierre Baudelaire; expanded in 1861, it exerted an enormous influence over later symbolist and modernist poets.
Reputation of Charles Pierre Baudelaire rests primarily on perhaps the most important literary art collection, published in Europe in the 19th century. Similarly, his early experiment Petits poèmes en prose (1868) (Little Prose Poems) most succeeded and innovated of the time.
From financial disaster to prosecution for blasphemy, drama and strife filled life of known Baudelaire with highly controversial and often dark tales of Edgar Allan Poe. Long after his death, his name represents depravity and vice. He seemingly speaks directly to the 20th century civilization.