In recent years, not only Chip Zdarsky has proven himself to be one of the best writers currently at Marvel, but specifically one of the best Spider-Man writers. From his run of Peter Parker: The Spectacular Spider-Man, to Life Story (and even when the web-slinger appeared in Zdarsky’s Daredevil run), Zdarsky knows how to deliver the heart and humour you would expect in the life of Peter Parker. However, with his latest Spidey outing, in which he revives the What If? Banner, he looks back at a dark time in Peter’s life and makes it even darker.
Instead of a one-shot issue, which is the tradition of What If?, Zdarsky and artist Pasqual Ferry tell a five-issue miniseries that ponders the question: What if Peter Parker became Venom? Ignoring every warning and embraces his dark symbiotic suit, Peter is haunted by terrible nightmares and being plagued by an endless barrage of villains. Through the influence of his suit that alters him both physically and mentally, Peter decides to shed some blood, much to the shock from friends and enemies.
Often with What If? issues, they are twenty-two pages long that built on a quirky scenario that presents a different angle to a particular Marvel character, and due to the length of an issue, the storytelling never really matters. In a similar way, the What If? show that aired on Disney+ this year ultimately felt unsubstantial and probably won’t have any effect on the ongoing Marvel Cinematic Universe.
However, much like Spider-Man: Life Story, which had enough issues to give us a full insight into a different take on Peter Parker, Spider’s Shadow achieves a similar thing. With the decision of maintaining his black suit, despite being aware of the effects, Peter is torn between two voices: himself and the symbiote. Considering the psychological angle that is evoked throughout Spidey comics, Zdarsky pushes it even further in showing how the symbiote can corrupt our beloved hero.
No doubt that the comic gets dark – perhaps more so than what we usually expect from Spider-Man – as this is more of a horror comic, which allows Pasqual Ferry to embrace moments that are bloody and even surreal, including Mary Jane witnessing a symbiotic Peter sleeping whilst blackly webbed himself in his room. Whilst Ferry knows how to make the symbiote menacing, particularly in the way the black-suited Spider-Man looks, but his loose style can look a bit off when drawing the more human characters.
In expanding the What If? formula with five issues, some of the alterations don’t always work such as an underused Black Cat and Eddie Block becoming a different villain. However, Zdarsky continues to bring another different yet compelling take on J. Jonah Jameson, whose relationship with Spider-Man goes through quite an emotional transition. You could argue that the book tries a little too hard with a happy ending, but Spider’s Shadow does a good job in a comic that adds a new perspective on a dark point in Spidey’s comics history.