What do you think?


Close Listening: Poetry and the Performed Word (W.E.B. Du Bois Institute
Close Listening brings together seventeen strikingly original essays, especially written for this volume, on the poetry reading, the sound of poetry, and the visual performance of poetry. While the performance of poetry is as old as poetry itself, critical attention to modern and postmodern poetry performance has been surprisingly slight. This volume, featuring work by critics and poets such as Marjorie Perloff, Susan Stewart, Johanna Drucker, Dennis Tedlock, and Susan Howe, is the first comprehensive introduction to the ways in which twentieth-century poetry has been practiced as a performance art. From the performance styles of individual poets and types of poetry to the relation of sound to meaning, from historical and social approaches to poetry readings to new imaginations of prosody, the entries gathered here investigate a compelling range of topics for anyone interested in poetry. Taken together, these essays encourage new forms of "close listenings"--not only to the
printed text of poems but also to tapes, performances, and other expressions of the sounded and visualized word. The time is right for such a with readings, spoken word events, and the Web gaining an increasing audience for poetry, Close Listening opens a number of new avenues for the critical discussion of the sound and performance of poetry.
printed text of poems but also to tapes, performances, and other expressions of the sounded and visualized word. The time is right for such a with readings, spoken word events, and the Web gaining an increasing audience for poetry, Close Listening opens a number of new avenues for the critical discussion of the sound and performance of poetry.
- GenresPoetryNonfiction
400 pages, Paperback
First published January 1, 1998
About the author
Charles Bernstein
163 books71 followersCharles Bernstein is an American poet, theorist, editor, and literary scholar. Bernstein holds the Donald T. Regan Chair in the Department of English at the University of Pennsylvania. He is one of the most prominent members of the Language poets (or L=A=N=G=U=A=G=E poets). In 2006 he was elected a Fellow of the American Academy of Arts and Sciences. In 2005, Bernstein was awarded the Dean's Award for Innovation in Teaching at the University of Pennsylvania. He has also been a visiting professor at Columbia University, Brown University, and Princeton University.
Bernstein's highly anticipated new work, All the Whisky in Heaven, will be published in Spring 2010 by Farrar, Straus, and Giroux. Also to be released in the upcoming year is a Companion to Charles Bernstein, which will be published by Salt Publishing, the winner of the prestigious 2008 Nielsen Innovation of the Year award.
Bernstein's highly anticipated new work, All the Whisky in Heaven, will be published in Spring 2010 by Farrar, Straus, and Giroux. Also to be released in the upcoming year is a Companion to Charles Bernstein, which will be published by Salt Publishing, the winner of the prestigious 2008 Nielsen Innovation of the Year award.
Ratings & Reviews
Friends & Following
Create a free account to discover what your friends think of this book!
Community Reviews
Displaying 1 - 1 of 1 review
April 17, 2020
Mostly interesting as a source of praxis material for language study.
Displaying 1 - 1 of 1 review


