I am officially confused. Impressed, but freaking confused.
And I'm not afraid to admit that. :)
Reading this book - as it usually happens with Robin Reardon's works - gives me a lot of things to think about. I loved her first book, A Secret Edge, not only because it was a very well-rounded book that entertained and also roused my thought processes, it also has an Indian guy as one of the two main characters. Afterwards, I read Thinking Straight. This one, for me, is also a good book... but there was too much emphasis on religion in it so that I couldn't immediately wrap my head around it.
Religion is not something I usually enjoy having in the stories that I read, simply because the topic has the potential to create potential and, when opinions are made, it's likely that people would argue/debate about it. So let's just say that it's not a topic I enjoy discussing anywhere and I certainly don't usually enjoy stories where people's faith - mine or someone else's - is put on the spotlight.
I think many authors can write about religion in fiction successfully. We have popular works such as C.S. Lewis' The Chronicles of Narnia and Dan Brown's The Da Vinci Code as examples, and both are adored and criticized in equal parts by their readers. Michael M. Knight's Taqwacores is another that comes to mind for when I think about novels that have religion as its central theme. All of these are great books and I would recommend them to people who are interested in the subjects, but I'm afraid they're just not for me. I've read them all and I think they are exceptional pieces (well, TDVC seemed to be more like a controversy fodder, but for what it's worth, Dan Brown had guts publishing that and my admiration for him stems from the fact that that book managed to get people talking) but it would never be as easy for me reading books with religion in it than it would for me to read books about, for example, capitalism or human rights issues.
I'm not going into tangents into why I feel the way I do, but that is where I'm coming from. In relation to The Evolution of Ethan Poe by Robin Reardon, I'm drawing on my background because I just thought that there was TOO MUCH religion in it for me to be able to 100% enjoy the book.
I don't know the first thing about ID (Intelligent Design) which, from my understanding is kind of the Human Evolution Explained By Religion (read: Christians in America), and I had to look it up on Google. Hence, my first confusion with the story. I still don't understand the 'theories' proposed by Intelligent Design and I'm afraid I won't understand it anytime soon, even after the length Ms. Reardon went through in her book to explain it to the readers.
In fact, half of Ethan Poe is basically a book about the conflict between Intelligent Design versus Real Science. The length alone is intimidating, but then it's also presented like a lecture in a university classroom. There were many times I felt like I went back to Philosophy 103 in my university in Perth, Australia, with obnoxious classmates and dour-faced serious professors around me. This? Not a good feeling. Personally, it brings back bad memories to me and I didn't appreciate being made to feel this way by a book. Not enough to make me stop reading, of course, but I admit that it lost its charm a little bit when the characters went on and on and on and on and forever on about the issue.
The lecture-style and preachy tone of the book about this topic did not help some of the characters either. Some of them came across as very one-dimensional (e.g. Ethan's best friend Jorja and his biology teacher Sylvia). It was like they sat on either side of a fence and we were forced to look at them from their profile. We can't see their whole face, just one side of it. It's frustrating because most of the time when we read, we want to invest on a character and relate to them. I certainly want to do that all the time I'm reading, but I just couldn't this time and I got really annoyed by that. Sylvia and Jorja, of course, are just minor characters and they're only two of many people surrounding the main character, Ethan, so this should not be a problem. Except that I felt that their one-dimensionality is a problem because Reardon dropped hints that they had a story way beyond their views on the topic. As I am a perpetually curious person about what it is that makes a person tick, I didn't enjoy being "teased" by the hints and ending up not getting what I want from the story.
My confusion then doubles because another huge part of the story involves Ethan Poe being a confused teenager himself. It's his voice that we're listening to (first person POV) and it's his thoughts we're reading. Don't get me wrong - I like Ethan. Out of all Reardon's characters, Ethan is the one who intrigues me the most. He seems more interesting because he's a mix of potentials, power, teenage attitude and an ancestry worthy of a thousand boasts. He's a very mild version of Bart Yates' character Noah York (Leave Myself Behind), so although Ethan will never reach Noah's level of genius, he is a familiar enough "type" for me to relate to.
But, see, Ethan's mind is kind of a jungle. He doesn't go off on tangents and veer off the path with his thinking, but the situation around him pulls him in different directions and, many times, he lets himself drift there. He wants to please everyone - his mom, his dad, his adult friend Etta Greenleaf, his semi-boyfriend Max Modine (Sylvia's brother), Jorja - so his reactions to these people's action are frustrating enough to read.
We start out by discovering that he's very into Max, but then we also find out that Ethan doesn't agree with Max with a lot of things. Despite that, he still wants him, so he stays with him while we stew over the fact that Max is acting like a jerk and he doesn't deserve Ethan. It's the same with Ethan's friendship with Jorja. The girl, being one-dimensional to me, gives the impression of being judgmental, stubborn and annoying. So I wanted her out of the picture, just be gone and leave my boy Ethan alone, but Ethan himself wants her in his life. We see Ethan trying to make Jorja happy, make amends with her when things crack between them, and even save her when she got in trouble. Ethan is that way with everybody around him and sometimes I just want to grab him and say, "Dude, stop. Just stop."
Then again, therein lies the brilliance of the book for me. Robin Reardon portrays what being a teenager is like to a perfect tee in this book, even more so than in her previous books. A lot of authors try to portray what being a teenager is like, but a lot of characters in those authors' books (particularly the ones in real Young Adult genre) are simply living the preposterous life of a teenager. Teenagers are young, flippant, carefree one moment, serious the next, self-absorbed and also still vulnerable. They can be idiots and do stupid things, but they're also still kind of sweet and untouched by the worries of the world. Hi-tech gadgets and being popular are serious business for them in the way mortgages and earning salary are serious business for adults. Everyone was a teenager once and I'm sure everyone knows how that feels like. Reardon captures that "woes and joys of the teenage years" perfectly in this book through Ethan. That's why, despite the confused feeling I get from reading his thoughts, I adore the character and want to root for him. And in turn, the character makes me like the book so this is why, despite my confusion, I still like the story.
Finally, my confusion triples because after all the things I said above, I still don't get why Reardon buried the gem that is Ethan Poe's life story under the muddy layer of The Epic Religion Vs Science Debate. The debate, of course, provides an interesting background and adds substance to the otherwise your run-of-the-mill coming-of-age story. But the topic is heavy and the presentation of the topic is rigid and heavy-handed. My discomfort about it threatens to override my enjoyment of following Ethan's journey. These conflicts in the tone of the book completely puzzles me, as I am now torn between loving it and hating it.
It's a pity that the book couldn't have been more straightforward (or stylish) in its execution. Or balanced. There doesn't seem to be a smooth melding between the serious topic and the actual narration of the story so it's an exhausting book to read. I don't regret reading it, but The Evolution Of Ethan Poe, unlike A Secret Edge, most likely won't be a re-read material for me. It's just too tiring to go through all that again. Again, this is a pity because I love Ethan and would love to revisit him again one day.
If anyone is confused reading this review, I don't blame you. After getting all of that out of my system, I still remain where I was an hour ago when I started this review: impressed, but freaking confused.