RATING: 3.0
We've all heard of the tragedies that occur in cold weather, of people dying in their own homes due to lack of heat. But what about someone who commits suicide by opening all the windows in their flat in the most frigid weather of the year in the unforgiving cold of the Fens? From the first, the death of Declan McIlroy bothers Philip Dryden, local reporter. And when Joe Petulengo, a close friend of McIlroy's, also succumbs after falling into water and being locked out of his home, he is sure that someone has killed these two men and that their deaths are related. The police are completely uninterested in Dryden's murder theories and accept the deaths at face value. And so it is up to him to delve deeper if he is to prove what he suspects.
As it turns out, McIlroy and Petulengo have been close friends since their youth when they both lived in a local orphanage which is now being investigated for abuse of its inhabitants. Dryden himself has a connection to the two men that results in his becoming a target as well. Through dogged determination, Dryden looks at the past and uncovers several crimes that date back decades.
At the same time, Philip's wife, Laura, is emerging from a coma and beginning to communicate from her hospital bed. He's been a faithful visitor since the first but is somewhat uncomfortable about the idea of her transformation into the conscious world. In an effort to move forward and into a new state of being, he removes her from care and takes her on a small holiday at a local spa. However, that location contains several clues to the mystery that Dryden is trying to solve and he does not spend much time with her, although he suspects that she may be suicidal.
The plot of The Coldest Blood is extremely complex, and I had a great deal of difficulty following it. Kelly very sparingly parcels out details about the past throughout the book, which made it difficult to form a cohesive picture of the history of the characters. Each time he revealed new information, I struggled to fit it into the context of what was going on in the book. Instead of integrating the past into the narrative, it was communicated in chunks. That affected the pacing
because the reader was taken out of the flow of the main narrative and
brought back into a wholly different situation, then thrown back into
the present. I wished that he had used a more straightforward approach.
In addition, the characters never came to life for me. This is the second Philip Dryden book that I have read, and I still feel that I don't know him at all. He is transported about by a cabbie named Humph, who is even more of a cipher to me. The one good thing about Philip is his obvious devotion to his wife through times of extreme difficulty. However, that was mitigated by the fact that when he took her on holiday, he consistently ignored her in favor of pursuing the investigation.
Kelly did an excellent job of presenting the Fens setting, particularly the unrelenting cold and its impact on the environment. However, overall the narrative felt very disjointed and choppy to me—and nowhere near as smooth as the ice upon which Dryden skated.