This book seems to be the perfect example of "great concept, poor execution."
tw: rape, violence
Warning: spoilers ahead.
First of all, the writing was just terrible. A lot of it was just editing issues. Like, I honestly don't know if an editor looked at this because the issues ranged from typos/missing words to constant telling to sections of the text that just sound bad. It feels like the author had a word count that they needed to hit because the repetition was painful. She would tell us something and then remind us of it two pages later. In the exact same expositional way. And the exposition was just painful. It didn't feel like natural human speech at all (which was also a consistent problem throughout the text).
Another major issue with the writing was that she was constantly telling us how the characters felt instead of actually showing us. Kale and Thomas spend a year in an inn and at the end of it Kale's thinking about how sad he is to be leaving the innkeeper because he'll be lonely without the two of them and he'd come to care about him over the course of the year. But they interact maybe once in the book and that's when they first meet. We're just told that Kale cares about him but aren't really given any reason why.
The action scenes are terribly written. Why are they speaking in such long sentences while fighting? If someone's swinging a sword at you, you're just going to talk about "humans" not "filthy humans" and you're not going to spend seventeen years explaining your motivation. Also Neelan wouldn't be yelling at Kale to come over to her, she would just go "Kale, my bow!" because if you're in mortal danger, you're going to get straight to the point. Also, why is Neelan wearing a cloak while fighting with a bow. It mentions how in the way it is. Why doesn't she take it off? Oh right, because she needs to use it to hide her injury from Kale.
The next issue I had was the characters. This is one of the half redeeming parts of the book because Illadar was a great character and Thomas had his moments. But Kale wasn't the type of character that I'm interested in reading about and while Neelan started off really interesting, by about halfway through the book she has no real personality outside of loving Kale and being jealous. Which brings me to the next big issue and what ultimately ruined the book for me: the rampant sexism.
When will authors realize that fantasy worlds don't need to be sexist? Women are constantly being put in danger or brutalized to serve a man's story. Illadar's main motivation is that his pregnant wife was murdered. When a soldier wasn't doing well in training, Jedah threatens to pay his eldest sister another visit, implying that he's going to go and rape her. Neelan is injured and hides it so that Kale won't worry until it works for the story and he can feel sad about how much pain she's been in.
In addition to the sexism ingrained in the world, there's constant girl hate between Neelan and Judith because they both like Kale. Even after Kale and Neelan begin their relationship, she's still petty and jealous towards Judith which is just obnoxious to read about.
The slut-shaming wrapped up around Theresa's character is disgusting. Not to mention that her chest is described whenever she appears which is just uncomfortable.
Kale spends the entire book referring to women as "females." Like when he's thinking about how Neelan loves him, he thinks that he's never been in love with a female before. Gross.
On top of the rampant sexism, the book has a few other issues surrounding representation.
First is transphobia. In order to sneak into the kingdom, the group must disguise themselves. Neelan and Judith are turned into mice (losing their clothes in the process, of course) while Kale, Thomas, and Illadar are turned into women for no reason other than to make the girls (and presumably the reader) laugh. They are then referred to exclusively as "the former men" or some variation, which no? they're still men? what transphobic nonsense is this?
The book is also aggressively white (Illadar is the only POC), allocishet, able-bodied, and the vast majority of characters are men.
There's also the issue of Malakhar, one of the main villains of the novel, being disfigured. Stop making disfigured characters villains please.
Another incredibly uncomfortable part of the novel is the obsession with ugliness and what features are described as ugly (spoiler: it always includes big noses). All of the villains are ugly because they have scars and big noses (or are disfigured, in the case of Malakhar). Judith is cursed to be ugly (old woman with a big nose, moles and no teeth) because being ugly is the worst thing that could happen to a woman. When they transform, Thomas is described as ugly because he has frizzy hair, a big nose, and nostril hair. Later, when describing all the things he's endured over the journey, he mentions being ugly alongside almost dying. Because that's logical.
The romantic relationship was bad. They had no real chemistry and it got so distracting during the second half of the book. Neelan is literally bleeding out and Kale's all wrapped up in realizing that he loves her. Not to mention that at the end when they're offered a place in the kingdom, something that Neelan has wanted her entire life, she gives it up to be with Kale. Without them even discussing what they're going to do. Kale decides he's leaving and Neelan doesn't want to leave him. And then when Kale is offered the chance to change back into a dragon, something he's wanted the entire book, he gives it up because he wants to still be able to touch Neelan. Ugh.
The only somewhat redeemable part of this book is the plot, but it's executed so poorly that I don't think it's worth muddling through all the bad bits to get to the interesting parts about dragon eggs and frost elves. By the end of the book, I was actively rolling my eyes every paragraph.