Magic and the Supernatural in Medieval English Romance

Studies in Medieval Romance

by Corinne J. Saunders

The themes of magic and the supernatural in medieval romance are here fully explored and put into the context of thinking at the time in this first full study of the subject.

The world of medieval romance is one in which magic and the supernatural are constantly in otherwordly encounters, in the strange adventures experienced by questing knights, in the experience of the uncanny, and in marvellous objects - rings, potions, amulets, and the celebrated green girdle in Sir Gawain and the Green Knight. This study looks at a wide range of medieval English romance texts, including the works of Chaucer and Malory, from a broad cultural perspective, to show that while they employ magic in order to create exotic, escapist worlds, they are also grounded in a sense of possibility, and reflect a complex web of inherited and current ideas. The bookopens with a survey of classical and biblical precedents, and of medieval attitudes to magic; subsequent chapters explore the ways that romances both reflect contemporary attitudes and ideas, and imaginatively transform them. Inparticular, the author explores the distinction between the `white magic' of healing and protection, and the more dangerous arts of `nigromancy', black magic. Also addressed is the wider supernatural, including the ways that ideasassociated with human magic can be intensified and developed in depictions of otherworldly practitioners of magic. The ambiguous figures of the enchantress and the shapeshifter are a special focus, and the faery is contrasted with the Christian supernatural - miracles, ghosts, spirits, demons and incubi.

Professor CORINNE SAUNDERS Saunders teaches in the Department of English, University of Durham.

Genres: Nonfiction, Medieval, Literary Criticism, Medieval History

312 pages, Hardcover

First published April 15, 2010

About the author

Corinne Saunders is Professor in the Department of English Studies. She specialises in medieval literature and the history of ideas, and has particular interests in romance writing. She is also interested in gender studies and the history of medicine. She has recently published a monograph, Magic and the Supernatural in Medieval Romance (2010), for which she was awarded AHRC-funded additional leave and a Leverhulme Research Fellowship. She is the author of The Forest of Medieval Romance (1993), Rape and Ravishment in the Literature of Medieval England (2001), and over thirty essays and articles on a wide range of literary and cultural topics. She has edited a Blackwell Critical Guide to Chaucer (2001); A Blackwell Companion to Romance: from Classical to Contemporary (2004); Cultural Encounters in Medieval Romance (2005); A Concise Companion to Chaucer (2006); and (with Françoise le Saux and Neil Thomas) Writing War: Medieval Literary Responses (2004); (with Jane Macnaughton), Madness and Creativity in Literature and Culture (2005); (with David Fuller) Pearl: a Modernised Version by Victor Watts (2005); (with Ulrika Maude and Jane Macnaughton), The Body and the Arts (2009). Her edited collection, A Blackwell Companion to Medieval Poetry, was published in March 2010. She is the English editor of the international journal of medieval studies, Medium Ævum; and editor in overall charge of Medieval Studies (1100-1500) for the major online resource, The Literary Encyclopedia. She is the Director of Durham University's Institute for Medieval and Renaissance Studies, and Associate Director of the Centre for Medical Humanities, funded by the Wellcome Trust. She has also co-organised two Public Lecture Series in the University, ‘Madness and Creativity: The Mind, Medicine and Literature’, and ‘Flesh and Blood: The Body and the Arts’. She teaches across the range of Old and Middle English language and literature, as well as History of the English Language, Old French, and some Renaissance topics, at both BA and MA level. She currently supervises a number of PhD students working on later medieval literary topics, and welcomes enquiries from postgraduate applicants in these areas.

Reviews

[Heather Bradbury · Rating 5 out of 5]

Fantastic book, Saunders is definitely one of my favourite scholars. Medieval magic is such a complicated subject to write on but her writing style is engaging and makes the topic accessible for all.

[Eunice · Rating 4 out of 5]

VERY VERY USEFUL

[Katie Ridgway · Rating 5 out of 5]

An extremely complex and insightful look into the role of magic and distinctions between types of magic across medieval romance texts. Very useful for a scholar of the period!!

[M F]

Some fairly interesting stuff and not too difficult to read (which is always good in an academic book), but I'm so tired today that I kept zoning out and/or actually falling asleep, so I don't know how much of it I really took in.