Fine in glossy illustrated wrappers with French flaps. SIGNED first edition - First printing, a trade paperback original. True first edition of this collection of twelve short stories, winner of the Governor General's Award for Fiction. SIGNED on the title page. 196 pp.
Gregory "Greg" Hollingshead, CM is a Canadian novelist. He is currently a professor of English at the University of Alberta. He lives in Edmonton, Alberta. He is a graduate of the University of Toronto Schools and the University of Toronto. Wikipedia
I really, really hate to give bad reviews, but I just couldn't relate to any of these stories, didn't care about the characters and found much of the dialogue, while well-written, to be a bit self-involved, as if the author were thinking, 'Oh, aren't I clever," as writing. I don't understand how this collection won the 1995 Governor General's Fiction Award, but so be it. Others might enjoy this book; sadly, I didn't.
Thanks to Amy for getting me this book which I otherwise would never have read. Loved the prose, and the stories are an unsettlingly truthful look (in concept if not facts) to the lives of suburban/semi-rural families in in the late 20th century.
Groundbreaking? Not at all, but more Carver-esque family portraits are always welcome on my shelves.
No disrespect to Author or readers who liked this short story collection, but this was by far the worst book I've ever read. Other than one, none of these stories made any sense! I continued to read because 1)- I paid money for this book and 2) - I needed it to fulfill a PopSugar Reading Challenge Prompt. I'm rating this read one-half *. On to something more enjoyable!
I found this collection just so-so, split between a few remarkable stories (the most memorable being the title piece) and some duds that strained my patience for the characters and their dilemnas. When it wasn't working, the opaque narratives frustrated my empathy for the characters, preventing me from gaining enough of a foothold on the action. When it was clicking, it felt cunning and perceptive, but not often deep enough for me. Perhaps this was fresher twenty years ago, but I personally find Can Lit short story efforts nowadays to be far more distinguished.
This melancholy collection of stories concerns the odd interpretations that children give to adult situations, the things that we don't share with our loved ones and the embarrassment caused as a result of miscommunication. The stories were well written and some were memorable, but I always felt at a remove from the stories, even when written in the first person.
I don't remember much about this except that I bought it on the strength of having enjoyed 'The Healer' and found it vaguely disappointing, but that could very easily have been due to the fact that I rarely find short stories as satisfactory as a novel
Hit and miss short story collection. The hits are ascerbic witty portraits of lower middle class suburbia circa 1980s, often about children and earliest sexual experiences. The misses? Too grotesque, too obscure.