"The Mishomis Book: The Voice of the Ojibway," by Edward Benton-Banai is a beautifully illustrated children’s book that translates hundreds of years of Native American oral tradition into a format that is accessible to just about anyone. Broken up into fifteen distinct chapters, the book recounts the creation of the universe, Earth, animals, and man while exploring the origins of Ojibway government, religion, and the importance of balance in nature and in human life. It is respectfully told from the perspective of a wise grandfather (Mishomis) and is interwoven with key vocabulary, explanations of cultural objects, and gentle context cues that recap main ideas from previous chapters. The book gently instructs and welcomes all who wish to hear the tales.
Mishomis is clear from the start that he is “preparing this place [the contemporary world] to be a place of rebirth for traditional Indian ways” (1) and that “together, we can begin the journey back to find what many of our people left by the trail” (2). Readers later come to discover that Ojibway prophets hundreds of years ago foretold of the arrival of a “Light-skinned Race,” a subsequent military attack on Indian people “aimed at taking away their land and their independence as a free and sovereign people” (91), and a time when a New People would emerge and “retrace their steps to find what was left by the trail” (93). The author is clearly one of the New People, devoted to teaching the young and dedicated to the hope for a future that is respectful of nature, one that allows for the strengthening of traditional Native American culture and values.
One of the traditional values that is frequently highlighted is the importance of mutual respect between a man and a woman. Mother Earth is a woman who is to be protected and treated with respect by Original Man. Additionally, “the power to change the Creation should lie only in the hands of Mother Earth and the Creator” (55). When Original Man finds his mate, he learns that “The most important thing that bound Anishinabe and the Firekeeper’s Daughter was the feeling of ma-na’-ji-win’ (respect) that they shared between them. This foundation of respect was to be very important to guide future unions between men and women” (22). When men and women started to lose that respect for one another, a flood (reminiscent of the Epic of Gilgamesh or Noah’s Arc) was sent to purify the Earth. After the flood, the spirit of Original Man learns that the moon is a woman, the counterpart to the Sun (a man). “Alone, man is backwards and undeveloped. He needs the light that woman gives to make him whole” (37). The idea of the importance of mutual respect between a man and woman is again described in the form of a solar eclipse, “to remind all women and men of their responsibility to each other even in the midst of all their earthly tasks” (39). Seeing how important this idea of mutual respect is, I am even more saddened by the way that Native American social structures and gender roles were disrupted with the advent of colonization.
Three symbols from the text jumped out at me. I was first struck by the characterization of the whirlwind, whose job is to help keep humans from trying too hard to find fulfillment in life. “My purpose is to tease those who take themselves too seriously” (54). I am reminded of how easy it is for humans to feel overwhelmed, as if we’re spinning in a whirlwind. In the words of Mishomis, “If we try too hard to make the right decisions in life we might miss important signs that could lead us to the proper fork in life’s path” (54).
The second symbol was that of a choice between “two roads,” possibly “the road to technology and road to spiritualism” that would need to be chosen by the Light-skinned Race (93). The correct road would light “an eternal Fire of peace, love, brotherhood and sisterhood” and the wrong road would “cause death to all the Earth’s people” (93). This chapter certainly places a great deal of responsibility upon people outside of the Ojibway tribe. I understand the reasons for that, but it leaves me feeling more than a little worried.
The third symbol was that of the buffalo, “guardian to Indian people everywhere” (112), left standing on only one foot, “striving as best he can so that indian people might have a future in this world (113). Mishomis’ sincere invitation to readers, Native American children in particular, to help support the Buffalo in his efforts to stand on all four legs reminded me of how important future generations (Ojibway or not) are to the future of this story.