In Suicides and Jazzers, Hayden Carruth reveals as never before the hard experiences that have shaped his life and art. In the lead essay, entitled "Suicide," he speaks of the psychiatric illness he has lived with for most of his life and his attempted suicide in 1988. In "Fragments of Autobiography," he shares memories of a Connecticut childhood, early ruminations about death, and his coming-of-age in small-town America. A major essay on the poetry of Paul Goodman is followed by shorter essays on Wallace Stevens, Emily Dickinson, Donald Hall, and Carolyn Kizer. In sections entitled "Elegies," "Reviews," and "Musical" Carruth celebrates fine writers and musicians who he feels have been intentionally neglected by the establishment, including authors Grace Paley and David Ignatow, tenor saxophonist Ben Webster, and, in "The Spun-Off Independent Dead-End Ten-Star Blast," white jazz musicians.
Hayden Carruth was an American poet, literary critic, and anthologist known for his distinctive voice, blending formal precision with the rhythms of jazz and the blues. Over a career spanning more than sixty years, he published over thirty books of poetry, as well as essays, literary criticism, and anthologies. His work often explored themes of rural life, hardship, mental illness, and social justice, reflecting both his personal struggles and his political convictions. Born in Waterbury, Connecticut, Carruth studied at the University of North Carolina at Chapel Hill and later earned an M.A. from the University of Chicago. His early career included serving as editor-in-chief of Poetry and as an advisory editor of The Hudson Review for two decades. He later became poetry editor at Harper’s Magazine and held teaching positions at Johnson State College, the University of Vermont, and Syracuse University, where he influenced a new generation of poets. Carruth received numerous awards, including the National Book Critics Circle Award for Collected Shorter Poems (1992) and the National Book Award for Scrambled Eggs and Whiskey (1996). His later works, such as Doctor Jazz and Last Poems, further cemented his reputation as a major voice in American poetry. His influential anthology The Voice That Is Great Within Us remains a landmark collection of American verse.