High Lonesome: The American Culture of Country Music

by Cecelia Tichi

Accompanied by a musical CD offering nearly one hour of the best in country music, a close-up look at country music argues that it has become a national art form, reflecting the same themes that have characterized American art and literature over three centuries. UP.

Genres: Music

318 pages, Hardcover

First published January 1, 1994

About the author

A fresh start for every new book, and author Tichi's zest for America's Gilded Age and its boldface names draws this seasoned writer to a crime fiction series while uncorking the country's cocktail cultures on the printed (and ebook) page. Tichi digs deep into the Vanderbilt University research library to mine the late 1800-1900s history and customs of Society's "Four Hundred," its drinks, and the ways high-stakes crimes in its midst make for a gripping "Gilded" mystery series that rings true to the tumultuous era. The decades of America's industrial titans and "Queens" of Society have loomed large in Tichi's books for several years, and the titles track her recent projects:
• Civic Passions: Seven Who Launched Progressive America (and What They Teach Us)
• Jack London: A Writer's Fight for a Better America
• What Would Mrs. Astor Do? A Complete Guide to the Manners and Mores of the Gilded Age
• Gilded Age Cocktails: History, Lore, and Recipes from the Golden Age
• Jazz Age Cocktails: History, Lore, and Recipes from the Roaring Twenties.
• A Gilded Death (crime fiction)
• Murder, Murder, Murder in Gilded Central Park (crime fiction)
• A Fatal Gilded High Note (crime fiction)
Cecelia is at work on a fourth in the series, “A Gilded Free Fall.” She enjoys membership and posting in Facebook’s The Gilded Age Society. You can read more about Cecelia by visiting her Wikipedia page at: https://bit.ly/Tichiwiki or her website: https://cecebooks.com.

Reviews

[LInda L · Rating 3 out of 5]

Kristen's review says it all, so I won't repeat it. Read hers.

[Kristen · Rating 3 out of 5]

For the bulk of the book, Tichi waxes on about what country music says about "the American culture of loneliness" or the romance of cowboys, or the tension between home and making it out there in the big wide world, or even roses. Is she reading things into these songs that aren't there? I'm not sure, but she convinced me to give Emmylou Harris a try. Her book includes a CD, showcasing many of the artists she talks about.

My favorite part of Tichi's book was an interview section. She focused on artists that came to country from some other form of music--opera, rock, classical violin. Country artists, if you ask them about their craft, claim they just come by it naturally (then complain later that no one takes country seriously because it's so natural that there's no skill involved). Tichi argues that of course it take great skill, but artists immersed in country their whole lives have a hard time explaining their skills. On the other hand, artists who come from a different genre are like people who have lived in two cultures. They are more able to define and compare.