Arab women Who are they? What drives them? What are their experiences in a male-dominated profession? How do they function within the contexts―and constraints―of patriarchal societies? The answers are complex and sometimes surprising, as complex and surprising as the vastly different films these women direct. In this unprecedented book, Rebecca Hillauer assembles a comprehensive and penetrating look into the history of Arab women’s filmmaking, as well as the political and social background of the countries―Egypt, Iraq, Lebanon, Syria, Algeria, among others―from which these artists emerged. In addition to the biographies, filmographies, and discussions of their most important works, lively, in-depth interviews allow us to hear from the filmmakers themselves. Collectively, these women, who hail from a wide range of professional, religious, and social backgrounds, provide a varied and vivid picture of what it means to work in creative and journalistic fields in the modern Arab world. For Hillauer, the subject of a film, its genesis, and the personal story of the artist who created it reveal far more than a particular approach to cinematography. Arab women filmmakers and their main characters (who are often semi-autobiographical) not only afford us a look at seldom-seen facets of Arab societies, they personify an alternative women’s ‘model,’ one that is far removed from western clichés. Broad in scope, and rich in insight, Arab Women Filmmakers is a must read for cineastes as well as students of film, feminism, and the Middle East.
أتعجب كثيرًا من عدم توافر مرجع موسوعي هام كهذا بين أيدي قراء العربية حتى اﻵن بالرغم من إصداره منذ عام 2005 ضمن منشورات الجامعة اﻷمريكية بالقاهرة، وبالرغم من توثيقه لشطر كبير من ذاكرة السينما العربية وصناعها من بنات حواء.
تميز هذه الموسوعة لا يعود فقط للكم الهائل من المعلومات التي ضختها الباحثة اﻷلمانية ريبيكا هيلور حول السيدات اللاتي كان لهن دور كبير في تشكيل خارطة السينما العربية منذ بداياتها المبكرة، بل ﻷنه يتجاوز موسوعيته كثيرًا من خلال إجراءها لعدد كبير من الحوارات بنفسها مع عدد كبير من المخرجات العرب وإضافتها للعديد من المقالات والمراجعات النقدية حول بعض هذه اﻷفلام، مما يجعل توثيقية هذا الكتاب متعددة اﻷبعاد وليست ببعد واحد.